Louis Berthomme Saint-Andre Paintings

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Ar...

"Not True, Good Accounts Make Good Friends" Satirical French Illustration Comical illustration by Gaston Hoffmann (French, 1883-1977) titled "Ce n'est pas vrai, les bons comptes fon...

Red Grooms (American, b. 1937). Lithograph in colors on wove paper, 1993 "East of Canal Street, Corner of Canal." Published by the Brooklyn Museum (Reference: Red Grooms: The Graphic Work, Walter G. Knestrick. Harry Abrams Inc Publishers, New York, 2001. Cat. no 138 page 172, Alexander & Cowles 138). Downtown Manhattan, New York City Chinatown Street scene with various vendors. Hand signed in black crayon and numbered on image at bottom edge. "8/115 Red Grooms." Dimensions 22" x 30" Printer: Sharks Lithographs Ltd, Boulder, CO Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès's 1902 film A Trip to the Moon...

Unique hand painted with acrylic paint color screen print on 300 gsm somerset paper. Paint adds around 5mm of height to the print. Hand signed and dated lower right corner by Shane Turner...

Itamar Siani, Israeli artist, painter, engraver, born 1941, Yemen His art commemorates the unique cultural heritage and traditions of the Yemenite Jewish community, who returned to the Promised Land on "Eagles' Wings," the code name of the Israeli rescue of Yemenite Jewry in 1949. Among his notable works is a ten-meter long oil painting depicting the immigration of the Yemenite Jews, which he worked on for 30 years.He did a celebrated series titled "The Magic Carpet" etchings depicting stages in the artist’s life including: Liberation, The Magic Carpet, Refugees, New life in Israel, Family, Mount Sinai. published in Jerusalem 1973. The artist was born in Sana’a in Yemen and flown to Israel aged 5 years old as part of operation ‘Magic Carpet’ the mass migration that transported almost the entire Jewish population of this part of the Arabian peninsula to the new State. The etchings continue and develop a long tradition of Yemenite artistry. Yemenite born Israeli painters Avshalom Okashi...

"Etch A Sketch Sampler" - 1989 Multimedia on Paper Lithograph titled "Etch A Sketch Sampler" by Lilya Vorobey. From a suite of prints from College of San Mateo class of 1989, instru...

"MOD 24", 2024 Lídia Masllorens is attracted by a moderate abstraction, which allows the observer to interpret the painting with precision and to perceive implicit realities, to rec...

Pop Art Digital Figurative Painting Print A woman on her journey: With a few strong lines that become finer in places and reveal details, the exterior is depicted to reflect the inn...

"Impresser" is an intriguing artwork that captures the essence of competition, skill, and the desire to impress. This piece of art depicts a man playing snooker with exceptional skill, in the presence of a lady who is watching him intently. The artwork showcases the man's confidence and mastery of the game, as he strives to impress the on-looking lady with his abilities. This work is inspired by the rate of ability Men display to impress a lady they've fallen for. Moses Ndubuzo came to the realization that Men (who don't know much about women) do things with style and often incredible things when a crush is around the corner, just like showing off, but this time it's natural. The man in the artwork is shown in a moment of intense focus, as he lines up his shot on the snooker table. His body language exudes confidence and skill, and his expression suggests that he is fully immersed in the game. The lady, on the other hand, is shown standing at a distance, watching the man with a curious and fascinated expression. She is dressed in elegant attire, which adds to the ambiance of the scene, and her presence seems to be the focal point of the man's efforts. This creates a sense of visual interest and draws the viewer's attention toward the lady, who is the center of the man's attention. The lighting in the artwork is also skillfully done, with the snooker table being illuminated, creating a sense of focus on the game. The artwork's title, "Impresser," is aptly chosen, as it encapsulates the man's desire to impress the lady. This desire is a common human trait, as people often seek to impress others with their skills, talents, and abilities. The man's mastery of the game of snooker is a testament to his dedication and hard work, and his desire to impress the lady reflects the universal desire to be recognized and appreciated for one's achievements. Overall, "Impresser" is a captivating artwork that speaks to the human experience of competition, skill, and the desire to impress. Its use of colors, lighting, and symbolism creates a sense of visual interest and draws the viewer into the scene. This artwork is a testament to the power of art to capture human emotions and experiences, and its ability to connect people across time and space. Whether one is a snooker player or not, "Impresser" is an artwork that is worth experiencing. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) Overall, "Far From Home" is a stunning piece of art that speaks to the human experience of longing for a place to call home. Its subtle yet powerful symbolism, combined with its evocative imagery, creates a sense of emotional resonance that is hard to forget. This artwork is a testament to the power of art to convey complex emotions and experiences, and its ability to connect people across time and space. Whether one is far from home or not, "Far From Home" is an artwork that is worth experiencing. About Artist Ndubuzo Moses...

Oil on canvas *ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with bou...

US One Sheet Film Poster 41¼ x 27 in. (105 x 68.5 cm.) Backed on linen Artwork by Albert Kallis. Country of origin U.S. One Sheet poster for the 1958 B-...

Homage to Billie Holliday. Created in his idiosyncratic New York City style Berlin, himself a keen jazz musician, pays tribute to one of the greatest jazz singers of all time, the legendary Billie Holliday. Nicknamed Lady Day...