Louis Guarnaccia Art

Represented by George Billis Gallery, NYC & LA -- "When asked what kind of paintings I make, I usually call my work "Urban Landscapes" to distinguish them as paintings about areas o...

This small oil study by Frants Henningsen is striking in its simplicity and immediacy. A single cattle dominates the foreground, resting in the grass with a sense of physical weight ...

"Blooming Rose” is an oil painting on Linen canvas created in 2010 by the French artist Françoise de Beaucé. From a private collection. This elegant artwork celebrates the timeless b...

An oil painting of cars parked along the street, coated with snow. Christmas lights sparkle in the yard behind the cars, a modest ranch house leaves the front porch light on, welcomi...

Michael Magrin's ( US based) "Sunset West" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to hang. ...

Provenance Acquired by the gallery directly from the artist Signed "Alexey Steele' on lower left corner FRAMED: 15" x 18" x 1.5" UNFRAMED: 9" x 12" Exhibitions California Highlights; A Collection of Curated Favorites Showcasing Quintessential California Inspired Subjects, American Legacy Fine Arts...

Australian River Landscape Painting by 20th Century English Australian Artist, Howard Barron (1900–1991) depicting a scene along the Murrumbidgee River in Australia’s New South Wales...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

Linda Lillegraven's beautiful original oil landscape "Near the Old Tracks" (2023) depicts a serene moment of a western plain at dusk, the dim sunset lighting hanging heavy over vast ...

Michael Magrin's ( US based) "On the Horizon" is an original, handmade oil painting of a sunset above Colorado plains. This piece is framed in a "barn wood" frame and is ready to han...

Hayley Lever (1876 - 1958) Concarneau, Brittany, France, 1905 Oil on panel 6 3/4 x 9 1/2 inches Signed by the artist lower left Inscribed by another hand on the reverse Provenance: Clayton-Liberatore Galleries, Bridgehampton, New York Hayley Lever’s (1875-1958) versatility has worked against his posthumous reputation. He was never associated with a single artistic movement, instead producing impressionist, post-impressionist, and expressionist works. While best known as a painter of post-impressionist marine scenes, his subject matter included landscapes, urban scenes, and still lifes across his 60-year career. This lack of a singular style or subject has given him an amorphous place in U.S. art history despite his obvious accomplishments. [Richard] Hayley Lever was born in Bowden, South Australia in 1875. He excelled in painting classes at Prince Alfred College (1883-91) and Norwood Art School (1891-93) in Adelaide. In the 1890s, Lever moved to England, studying art in London and painting at St. Ives, a fishing port and popular artistic colony on the Cornish coast. In St. Ives, Lever shared a studio with Frederick Waugh, and studied painting with Albert Julius Olsson and Algernon Talmage. Lever was a plein air painter particularly interested in the effect of sunlight on the sea. He painted in a distinctive style, strongly influenced by the works of Vincent van Gogh, that might now be called post-impressionism. He used a limited palette to paint the St. Ives harbor, particularly at dusk or in the moonlight. His strong contrasting colors and thick use of paint created a crisp and physical surface that earned him acclaim in Europe. Lever’s many St. Ives seascapes are among his most popular works. In 2017, his painting entitled “The Old Lighthouse and Fleets of St. Ives” sold at auction for $162,500. In 1912, Lever moved to New York to test the art market in the United States. In Manhattan, Lever met prominent U.S. painters such as Ernest Lawson, Robert Henri, William Glackens, John Sloan, and George Bellows. Lever exhibited with this group regularly in New York City, painting parks, streets, bridges and the Manhattan waterfront. However, he soon discovered the scenic potential of Gloucester, Rockport, and Marblehead in the Cape Ann area of Massachusetts...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...