Lowell Daunt Collins Art

Apéritif au Cap Ferret Acrylic on canvas 41 x 33 cm Ornate gold frame included, ready to hang Signed “Mathias” lower left In Apéritif au Cap Ferret, Greg Mathias invites us into a ...

Minotaur in Interior, 80x60cm / 31.5×23.6in Shipped stretched, as it is, ready for hanging and FRAMED. This painting, "Minotaur in Interior" offers a fascinating interplay of mythol...

Giorgio Rossi (1892-1963) Statuette and Red Vase, 1957 Oil on cardboard, signed and dated on the right Dimensions without frame: 45 × 35 cm Dimensions with frame: 62 × 53 cm Primari...

Midi et Soir à Èze 65 x 54 cm Acrylic on Canvas "Midi et Soir à Èze" by Grégoire Mathias is a vibrant portrayal of the picturesque village of Èze, capturing the shifting moods of mi...

Mâtinée à l'atelier 40 x 32 cm Acrylic on Canvas "Mâtinée à l'atelier" offers a vibrant and dynamic depiction of a morning spent in the artist’s studio. Exemplifying the unique Diac...

Clyde Steadman's "Cake" is an original, handmade oil pain ting that depicts a red velvet cake sliced in half with white frosting and red flowers. About the Artist: Clyde Steadman g...

Clara Deike (American, 1881-1965) Canterbury Bells, c. 1932 Oil on canvas 26 x 24 inches 31.25 x 29.5 inches, framed Exhibited: The Women's Art Club of Cleveland, 1932 A graduate of...

Nature Morte aux Fruits 60 x 49 cm Oil and Acrylic on Canvas "Nature Morte aux Fruits" is a vibrant exploration of still life through the lens of Diachronic Cubism. This artwork rei...

Matinée au Soleil (Morning in the Sun) Acrylic on Canvas 40 x 30 cm Matinée au Soleil by Grégoire Mathias is a cubist portrait that reinterprets the human form through geometric fr...

Photorealist still life painting of green lotus flower petals and a brown lotus pod against a light blue background oil on canvas, 16 x 16 inches, 17 x 17 inches in dark wood moulding Signed lower left Painted with the exactness of a still life photograph, this hard edge realist painting by artist Frank DiPetiro features a brown lotus pod with lush green leaves on a pale grey-blue background. Inspired by close observations of the natural world and encounters with still moments that give us pause. Lines, shapes and colors encountered in nature, reveal the cycles of decay and regeneration that are life’s constant state of change. The work has a quiet, meditative quality. The subject is portrayed in a manner true to their existence in a specific time and place and selected based on considerations of visual relationships to formal elements of painting. Aspects of photo realism, hard edge and color field techniques are utilized to isolate the uniqueness of the subject’s detail, as well as emphasize flatness and illusion of depth within the two-dimensional space of the painting. About the artist: Frank DiPietro was born and raised in Scranton PA. He received a Bachelor of Art from Bloomsburg University in 1997, majoring in both Painting and Ceramics with a minor in Art History. In 2000 he earned a degree in Art Education from Moore College of Art and Design while continuing his studies in painting. Frank lived in Philadelphia for twelve years painting and teaching at several museums, art centers and schools in the region. In 2010 he and his family moved to Chester County PA, where he currently resides. Frank currently teaches painting classes and workshops at the Delaware Art Museum and Longwood Gardens...

Louis Auguste SECOND, known as FEREOL (Amiens, 1795 - Orleans, 1870) Still Life with Mallard and Hare Oil on paper mounted on canvas Signed and dated at the bottom Exhibition labels in the upper left corner 37 x 27 cm 1854 Louis-Auguste Second, known under the name of Fereol, had an interesting multifaceted artistic career. He was born in an acting environment: himself the son of an actor, he was the cousin of Marie Dorval (the famous romantic actress who was Alfred de Vigny's mistress) and the nephew of Mademoiselle Mars. After having done the military school of Saint-Cyr, he became a second lieutenant in the young imperial guard and took part in the campaign of France in 1814. But he quickly reconverted in the spectacle and becomes in 1817 lyric singer (tenor) at the Opéra-Comique where he officiated until 1838, before exercising his talents at the Théâtre de la Renaissance. He is also a playwright (for example he wrote "Five Years of Intermission" in 1833). A fairly famous figure at the time, his miniature portrait by Paul Gomien was exhibited at the Salon of 1835. Painting is another of his activities, and not the least. A pupil of Xavier Leprince, he exhibited at the Salon in 1824, and this very regularly until 1848. In 1834, he exhibited no less than 7 paintings! These are essentially landscapes, of a fairly classic style, representing views of the North (Douai, Boulogne, etc.), Picardy (Amiens), Paris and its surroundings, Fontainebleau, and above all of Sologne and Orleans, city where he attended high school. At the Salon, he was domiciled in Paris at various addresses in the Batignolles district until 1835, then in Orleans from 1837. Widower in 1832 of his cousin Eugénie Boutet de Monvel whom he had married in 1822, he retired to his property of "L'ormette" in Saint-Denis en Val in the Loiret, before settling definitively in Orléans itself. in 1846. He leads a fairly active social life there (he had already founded the Musical Institute there, for example). His son Félix was born there in 1825, where he was a lawyer before embarking on a career as a doctor. A staunch Bonapartist, holder of the Saint Helena medal, he was awarded the Legion of Honor in 1862. His exaggerated patriotism manifested itself one last time when he committed suicide on September 5, 1870 after learning of the surrender of Sedan. He is the great-grandfather of the brothers Jacques and Pierre Brissaud, the famous painters and illustrators. Representative of the French tradition of hunting still lifes, this painting depicts a hanging...

The waitress. Oil on canvas, three quarter portrait of a beautiful waitress. Cubist style Measurements in centimeters: 122 x 48 x 2 cm / Framed: 152 x 78 x 4 cm. In Inches: 48.03 x 18.9 x 0.79 " Framed: 59.84 x 30.71 x 1.57 " Original three-quarter close-up of the surprised model at work, with the carefree and seductive air of young and happy waitresses at work. The painting is harmonious in its rich shades of blue, white, grey and violet, combined with muted, earthy tones and tints of ocher flesh. The flattened perspectives, the fractured surfaces and the graphic stylizations refer to the cubism of Picasso and Juan Gris. There are echoes of Modigliani in the treatment of his female models and we can detect an homage to Gauguin and Matisse, in his playful and sensual manipulation of color. ABOUT THE ARTIST Alfredo Roldán (Madrid- Spain, 1965) is a self-taught artist who, at the age of 22, began selling his works at street markets. In 1994 he won the award granted by the City Council of Madrid with the painting “El Baño Azul”, which now hangs in The Museum of Modern Art of Madrid. That year he began to work with the renowned British dealer...