The Second Tournament with the Tapestry of Samson and the Lion
By Lucas Cranach the Elder
Located in Chicago, IL
Watermark: Bull's Head with Serpent and Cross (Briquet 1575, dated 1492 by Briquet) Provenance: Martin Folkes (Lugt 1034) Reverend G. L. Blake (Lugt 1172) Reference: Bartsc...
Woodcut
Lotus
By Hiroki Morinoue
Located in Lyons, CO
Color woodcut, Edition 30. Lotus is a twenty-six color woodcut from seven woodblocks printed in an edition of 30, plus proofs, on white Thai Mulberry paper. In this print, a compe...
Woodcut
Christ on the Mount of Olives
By Albrecht Altdorfer
Located in New York, NY
A brilliant and early impression of this woodcut. Dark, well-inked, with strong contrasts and no sign of wear. From "The Fall and Salvation of Mankind Through the Life and Passion of Christ."
Woodcut
Nature Studies from the Royal Library at Windsor Castle
By Leonardo da Vinci
Located in New York, NY
Leonardo da Vinci "Nature Studies from the Royal Library at Windsor Castle" The J. Paul Getty Museum, November 15, 1980 - February 15, 1981 Exhibition Poste...
Offset
$1,575
H 32.25 in W 32.25 in D 1.5 in
Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Engraving
$4,000
H 21.75 in W 15.5 in
Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed
By Joel Shapiro
Located in New York, NY
Joel Shapiro Woodcut (butternet and cherry) on Crown & Sceptre laid paper, 1987 Pencil signed and numbered 18 of 27 on the front Published by PACE Editions, NY (with original label v...
Laid Paper, Woodcut
$1,350
H 13 in W 10 in
"Chinese Banner" Letterpress Print by Shepard Fairey Contemporary
By Shepard Fairey
Located in Draper, UT
A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” cam...
Screen, Woodcut
$2,300
H 30.35 in W 23.15 in D 1.65 in
"Apollon" from the suite "lArt d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "Apollon" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is hand signed...
Woodcut
Carp - Woodcut by Jean Lurçat - 1948
By Jean Lurçat
Located in Roma, IT
Carp is a vintage woodcut print realized by Jean Lucrat in 1948. Good condition on a cream colored paper. No signature, on the back the title in french language. Jean Lurçat (French: 1 July 1892 – 6 January 1966) was a French artist noted for his role in the revival of contemporary tapestry. In order to fully appreciate and understand the works of Jean Lurçat, one must view them in the context of the history of tapestry, in particular, the downfall of its existence during the rise of the Renaissance. It was during this time that tapestry was somewhat re-invented, where by traditional techniques were misplaced in the likening of tapestry to paintings by artists of the likes of Raphael. Jean Lurçat is largely responsible for its revival in the 20th century when he redefined the importance of designing tapestry in a way that embraced the integrity of authentic tapestry...
Woodcut
$12,500
H 44 in W 33 in D 1 in
16thCentury German Northern Renaissance Woodcut Print Adam & Eve Baron Von Lanna
Located in Portland, OR
A rare and important monumental woodcut on paper, Adam and Eve by Hans Burgkmair the Elder ( 1473-1531 Augsburg, Germany ), circa 1525. From the collection of Baron Adalbert von Lann...
Handmade Paper, Woodcut
Vipers Tongue By Billy Childish
By Billy Childish
Located in Dubai, Dubai
Vipers Tongue By Billy Childish Billy Childish is a British artist, musician, and poet known for his prolific work across various mediums, including painting, punk rock music, and...
Woodcut
$5,860
H 29.93 in W 10.24 in
Tsukioka Yoshitoshi -- Watanabe no Tsuna Cutting Off the Demon's Arm at Rashomon
By Tsukioka Yoshitoshi
Located in BRUCE, ACT
Tsukioka Yoshitoshi Watanabe no Tsuna Cutting Off the Demon's Arm at Rashomon (Rashomon Watanabe no Tsuna oniudekiri no zu) Meiji period, 1887 Woodblock print Vertical oban diptych: ...
Woodcut
$512
H 6.89 in W 19.1 in D 0.04 in
Map of Methoni - Etching by George Braun - Late 16th Century
By George Braun
Located in Roma, IT
This Map of Methoni is an etching realized by George Braun (1541 – 1622) The state of preservation of the artwork is good but aged and the trace of foxing that doesn't affect the i...
Etching
Sold
H 12.88 in W 22.5 in D 2 in
Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
By Lucas Cranach the Elder
Located in New Orleans, LA
Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
Oil, Panel