The Second Tournament with the Tapestry of Samson and the Lion
By Lucas Cranach the Elder
Located in Chicago, IL
Watermark: Bull's Head with Serpent and Cross (Briquet 1575, dated 1492 by Briquet) Provenance: Martin Folkes (Lugt 1034) Reverend G. L. Blake (Lugt 1172) Reference: Bartsc...
Woodcut
Christ on the Mount of Olives
By Albrecht Altdorfer
Located in New York, NY
A brilliant and early impression of this woodcut. Dark, well-inked, with strong contrasts and no sign of wear. From "The Fall and Salvation of Mankind Through the Life and Passion of Christ."
Woodcut
$1,650
H 29 in W 19.25 in D 1.25 in
Edward Marecak Mid Century Abstract Geometric Woodcut Color Print Fine Art
By Edward Marecak
Located in Denver, CO
This original mid-century woodcut print by Edward Marecak demonstrates the artist’s interest in bold geometry, structured composition, and strong color relationships. The work reflec...
Woodcut
$2,800
H 31.75 in W 24.25 in D 1 in
"La Deese de Cythere" from the suite "l'Art d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "La Deesse de Cythere" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It i...
Woodcut
Green Column/Figure
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Etching, Woodcut
$4,000
H 21.75 in W 15.5 in
Joel Shapiro - Woodcut on laid paper, published by PACE Editions Signed/N Framed
By Joel Shapiro
Located in New York, NY
Joel Shapiro Woodcut (butternet and cherry) on Crown & Sceptre laid paper, 1987 Pencil signed and numbered 18 of 27 on the front Published by PACE Editions, NY (with original label v...
Laid Paper, Woodcut
Le Philosophe
By Karel Appel
Located in OPOLE, PL
Karel Appel (1921-2006) - Le Philosophe Woodcut print from 1977. The edition: 91/100. Dimensions of work: 65.5 x 49.5 cm The work is in Excellent condition. Fast and secure ship...
Woodcut
Chocolate Pie
By Wayne Thiebaud
Located in London, GB
Woodcut on wove paper Edition of 10 Signed and dated.
Woodcut
Nature Studies from the Royal Library at Windsor Castle
By Leonardo da Vinci
Located in New York, NY
Leonardo da Vinci "Nature Studies from the Royal Library at Windsor Castle" The J. Paul Getty Museum, November 15, 1980 - February 15, 1981 Exhibition Poste...
Offset
$1,575
H 32.25 in W 32.25 in D 1.5 in
Framed Rubbing of 1550 Brass Monument in Grote Kerk Church, Breda, Netherlands
Located in Alamo, CA
This is an engraving of a tomb monument rubbing that has been highlighted with gold color on a dark grey to black background. The rubbing is of a brass plaque on a stone slab. It has...
Engraving
Chasm
By Louisa Chase
Located in New York, NY
Louisa Chase was born in Panama City, Panama. Seven years later, her family moved to Lancaster, Pennsylvania. She studied painting and sculpture at Syracuse University and at the Yal...
Woodcut
Adorable Tim Engelland Farmhouse Pig Woodcut
Located in New York, NY
Tim Engelland (American, 1950-2012) Untitled, 1996 Woodcut 7 1/2 x 8 1/2 in. Signed and dated lower right: T. Engelland, 1996 Numbered lower left: 102/200 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield Academy, a prestigious preparatory school in Deerfield, Mass. There he taught art and photography, coached basketball and lacrosse, and served as faculty resident. When the school began accepting female students, Tim designed The Deerfield Girl, a bronze statue to accompany The Deerfield Boy statue...
Woodcut
To Battle
By Roy Lichtenstein
Located in New York, NY
Woodcut printed in blue on tan wove paper, 1950. Signed by the artist and dated in pencil, lower center margin. Numbered 4/11 in pencil, lower left margin. Printed and published ...
Woodcut
Sold
H 12.88 in W 22.5 in D 2 in
Moses and the Pillar of Cloud by Lucas Cranach the Elder and Studio
By Lucas Cranach the Elder
Located in New Orleans, LA
Lucas Cranach the Elder and Studio 1472-1553 German Moses and the Pillar of Cloud Oil on panel Moses and the Pillar of Cloud is a bold and evocative composition that showcases the signature intense color and intricate detail of Lucas Cranach the Elder’s celebrated oeuvre. The remarkable 16th-century oil on panel by Lucas Cranach and his studio captures the narrative moment when Moses leads the Israelites out of Egypt and encounters God manifested through a large pillar of cloud. Moses stands at the precipice of a bridge and turns back to soldiers helping to lead the group of Israelites who huddle closely together. Cranach depicts Moses with his traditional iconography, rendering the rays of light on his head which came to be interpreted as "horns" in the translation of the Bible. Using his traditional walking staff, Moses gestures toward the pillar, seemingly acknowledging that God will protect the group as they cross the bridge to the other side, leaving exile and entering a promised land. In a nod to Cranach’s Germanic locale, he renders the figures and setting in a manner that feels decisively more akin to European aesthetics than those of the Red Sea. Soldiers wear elaborate, gothic suits of armor that recall the livery of Northern European guardsmen. The terrain appears more like a European forest giving way to a sweeping valley than the arid landscape the Israelites trekked through on their journey across the Red Sea. Though still clearly recounting a story from the Old Testament, Cranach renders the cast of characters and setting in an earthly, familiar manner. This aesthetic shift speaks to Cranach’s own changing beliefs as he found himself at the center of the Protestant Reformation. After first gaining recognition in 1505 as the official painter of Frederick the Wise, Cranach established a thriving painting and print studio in Wittenberg, Germany. Cranach was renowned for his court portraits and genre paintings and was also well known for his association with the famous protestant reformer Martin Luther, then under the protection of Frederick the Wise. As Wittenberg became a bastion of new religious thought, Cranach soon befriended Luther and played an active role in creating the printed materials that proliferated throughout the Reformation...
Oil, Panel