Lucien Pissarro Paintings

A very attractive antique oil on canvas landscape painting by the French Post Impressionist artist Max Bouvet (1854-1942), the painting circa 1890. The painting depicts a pastoral sc...

Anna Shesterikova's "View of Lake Garda" is a large-scale, airy, light-filled canvas that evokes the spirit of a southern autumn landscape and the calm solemnity of nature. The lake ...

A beautiful oil on canvas painting by the French artist Jean Salabet. This exceptional work captures the prime of his career, depicting vibrant flower vendors along the Arc de Triomp...

Mountain landscape in oil, spring, mountain, Switzerland, impressionist, horizontal "Margelkopf In April" (50 × 40 cm, oil on canvas) is a subtly emotional mountain landscape painte...

Signed oil on canvas landscape circa 1930 by German post impressionist painter Max Clarenbach. The work depicts a winter scene, with snow laying thick on the ground. To the foregroun...

Scottish Bluebells in April/May feature in this contemporary painting of woodlands in the Scottish Colourist tradition. Large, four feet wide in the frame, this artwork brings spring...

➡️ Moutain Landscape in Autumn) ⬅️ ⏩It is signed A Boulgaric⏪ ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size:⭐55x46cm / 21.7x18.1 inch w...

In this oil painting, I dove into the raw majesty of the northern landscape, melding figurative elements with impressionistic flair to capture a scene both vibrant and serene. My bru...

This atmospheric harbour scene by Hermanus Koekkoek Jr., working under the pseudonym Jan van Couver, exemplifies the artist’s mature approach to maritime and town views during his London period. The composition presents a Dutch waterfront animated by boats, windmills, and clustered buildings, all set beneath a vast and dynamic sky. The emphasis on shifting weather conditions and the interaction between water, light, and architecture reflects a deep engagement with both tradition and contemporary developments in nineteenth century painting. Koekkoek belonged to one of the most distinguished artistic dynasties in the Netherlands. As the son of Hermanus Koekkoek the Elder and nephew of Barend Cornelis Koekkoek, he inherited a strong foundation in landscape and marine painting. His early training within the family atelier in Amsterdam provided him with a disciplined understanding of composition and natural observation. However, his later move to London in 1869 marked a decisive shift in both style and market orientation. It was during this period that he adopted the name Jan van Couver, a strategic choice that aligned his work with a broader European appeal. The present painting reveals a confident and increasingly free handling of paint. The foreground water is rendered with swift horizontal strokes that capture the movement of the surface, while the boats and harbour structures are constructed through more concentrated applications of pigment. The use of impasto is particularly notable, lending the painting a tactile presence and enhancing the interplay between light and texture. This painterly richness contributes to a vivid sense of immediacy, as if the scene were observed directly on site. The sky dominates the composition, occupying a large portion of the pictorial space. Broad, swirling brushstrokes articulate the mass of clouds, which appear to gather and disperse in response to changing atmospheric conditions. This treatment reflects the influence of the Hague School, whose artists sought to convey the mood and variability of the Dutch landscape through tonal harmony and expressive brushwork. Koekkoek’s interpretation is more animated, however, suggesting an openness to impressionistic tendencies that were gaining ground across Europe. At the same time, the painting remains anchored in a clear compositional structure. The line of the harbour guides the viewer’s eye into the distance, where the forms dissolve into a softer haze. The presence of windmills, a quintessential feature of the Dutch landscape, reinforces the sense of place while also introducing vertical accents that balance the horizontal expanse of water and sky. The architecture is suggested rather than fully defined, allowing atmosphere and light to take precedence over detail. Koekkoek’s work occupies an interesting position between tradition and modernity. While rooted in the conventions of Dutch marine painting...

Gabriel Godard (1933-2023) The Red Bush, 1979 Oil on canvas Artwork: 28 x 20 1/2 in. l 71 x 52 cm Framed: 31 1/2 x 24 in. l 80 x 61 cm Signed lower left Condition: Perfect condition...

Carl Wuermer (1900 - 1981) Late Summer, 1924 Oil on canvas 26 x 28 inches Signed and dated lower right Provenance: McColl Fine Art, North Carolina Known for serene, realistic lands...

Achille Laugé 1861-1944 French The Garden Near Cailhau Signed "A. Laugé 96" (lower left) Oil on canvas “Laugé’s art is one of great sensitivity and controlled reason; he is a mas...