Lucy Beale Art

Abstract Expressionist seascape oil painting.

Antique American modernist abstract oil painting by Christine Opolus. Oil on canvas, circa 1950. Signed. Image size 35L x 45H. Housed in a period ...

Abstract Moonlit Landscape, signed and dated "Douvos"

Phillip has used acrylic instead of oil on this abstract expressionist painting. Giving a bolder finish, painted by the rockery in the artist's garden Framed

Vintage modernist abstract painting by Suzanne McCullough (b.1916). Oil on canvas. Housed in a period frame. Image size, 24L x ...

The Dorians played a significant role in the development of the Greek city-states during the Bronze Age -- and Doves are widely recognized as symbols of peace, primarily in the story...

Oil on canvas. Signed lower right; signed, titled, dated along rear stretcher. 48.25 x 52.25 in. 49.5 x 53.5 in. (framed) Custom framed in a solid maple floater, painted a light gray. Provenance Marian Locks Gallery, Philadelphia Exhibited 1996 - Locks Gallery, Philadelphia (Warren Rohrer...

Oil on canvas. Signed lower right, signed, dated, and titled verso. 59 x 62.75 in. 60.75 x 64.5 in. (framed) Custom framed in a matte white hardwood floater, with gilded metallic front. Roger Mühl was born on December 20, 1929 in Strausbourg, France, where he attended the National School of Decorative Arts. He spent most of his life living and working in Provence, while regularly exhibiting in London, Paris, Geneva, Tokyo, and New York. Mühl is best known for his brightly colored, heavily textured landscape renderings of the south of France. His bucolic paintings...

Oil on canvas. Signed Verso. Harriet was born and raised in Brooklyn, New York, and lived with her husband in Park Slope for over 35 years. She attended the Brooklyn Museum Scho...

Parallel Construction, oil on canvas, 48 x 54 in. Oonju Chun’s large abstract expressionist paintings delightfully employ the basics of good, nonobjective ...

In this piece, the intense use of negative space highlights each individual marks character, weight and texture. The painting explores various types of mark making and paint application inspired by elements of the landscape painted in various thicknesses, intensities and with a variety of different tools. Each mark is calculated and responsive to the one that came before it, creating a cause and effect relationship across the surface of the canvas. Restraint is a key element of this new body of work from artist Matt Higgins and the option to go further is always there. However, the excitement and spontaneity of the piece would therefore be sacrificed. Done in one session of intense meditative focus, A Place We Can See depends upon the exact moment of creation...

Shane McClatchey is a painter based in Laguna Beach, California. His body of work explores the relationship between people and the ocean. Evoking the Dutch Golden Age of painting in ...