Lynne Drexler Art

"Dancing with" Abstract Acrylic on Linen Painting 46" x 30" inch by Hossam Dirar "Dancing with" (2016) by Hossam Dirar 46” x 30” Mixed media on linen canvas CHAOS This project i...

This contemporary, expressive oil painting titled "Flowering Fields" was created by French artist Natalya Mougenot and is part of her series inspired by the scenes of the summer seas...

Sorin Bica's "The Last Waltz", a 41 x 82 inch oil painting, shows an abstract, highly stylized composition filled with clustered human figures rendered in a bold, graphic manner. The...

This work is one of a group of over 100 works personally selected by the artist, and gifted to a close personal friend in 1969. Exhibited: 1967 National Academy Annual Exhibition -...

Sorin Bica's "Find Your Own Path" is a 80 x 62 x 2 inch abstract expressionist oil painting on canvas. This modern painting features bold purple, white, orange, and red tones with la...

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 15 x 12 inches, frame size “The savage art of Bosco bears its ruden...

A richly colored abstraction by Japanese artist Naohiko Inukai. This early work demonstrates the artist's fluidity and expression with paint prior to wh...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

"Blossom" Abstract Painting 35" x 55" inch by Carole Baines Pollination and bush fruits in spring time. Carole Baines is a self-taught, London-born artist based between Townsville ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right and verso, titled verso. 39.25 x 31.75 in. 40.25 x 32.75 in. (f...

Walter Gaudnek (Czech, 1931-2022), Untitled (Abstract Figures), Oil on Canvas, signed lower right, unframed. 58" H x 48.5" W x 1" D. Provenance: From a Scarsdale, New York Estate.

Title: The Blue Picnic Blanket Figurative Contemplate Male Masculine Gentle Kind Colorful Flowers Blossom Pink Blue THE BLUE PICNIC BLANKET celebrates the quiet times, happy mome...