Lynne Friedman Art

Oil on canvas painting of red, white, and yellow flowers in a vase next to a bottle of wine and a glass by California artist Molly E. Brubaker (American, 1922-2000). from aFcollecti...

This contemporary vibrant, expressive abstract floral painting, "Vase with Pink Roses", is a striking work by French artist Natalya Mougenot, ren...

Antique American impressionist portrait oil painting. Oil on canvas. Signed. Framed. Measuring 15 by 19 inches overall and 10.5 by 15 painting alone.

Impressive early American modernist abstract still life oil painting. Framed. Oil on canvas board. Signed. Image size, 24H by 16L.

Mid-Century Floral Still Life with Yellow and White Irises Gorgeous mid-century floral still life of a bouquet of Irises painted in 1959, by Pacific Grove and Santa Cruz, Californi...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

In this piece, I sought to capture the ephemeral beauty of nature, using the giclée print medium to convey the delicate dance between light and shadow. My brushstrokes breathe life i...

Antique American still life oil painting by Rudolph Colao (1927 - 2014). Oil on canvas. Signed. Framed. Measuring 30 by 35 inches overall and 24 by 28 painting alone.

In this oil painting, I sought to capture the delicate interplay between strength and ephemeral beauty. The dandelions, poised against a field of gold and green, embody nature's flee...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

The painting Autumn Bouquets is a still life with autumn flowers, where bright spots of color, like rays, contrast with the cold velvety blue background. Warm shades of flowers enliv...