Maarten Baas Sculptures
Furniture designer Maarten Baas doesn't subscribe to conformist notions of beauty and symmetry. He finds appeal in the character of aged patinas and wear from usage. As such, Baas doesn't seek to create furniture or decorative objects that are perfectly proportioned — for proof, look no further than to the unconventional cabinets of his Close Parity collection or the chairs with oddly shaped backrests he designed for Lensvelt.
Baas breaks unspoken rules, and his influential work is as much art as it is functional design — he’s garnered support from likeminded creatives in his field such as Phillippe Starck and Marcel Wanders, and explores how he might put unusual materials to work such as clay or charred wood in the construction of his chairs and table lamps.
Baas was born in Germany and grew up in the Netherlands. After graduating high school, he began his studies at the Design Academy in Eindhoven. Before he had even graduated, Baas made an impression on instructors and students alike with his graduation project.
Using pieces of secondhand furniture he had procured online — some of which was manufactured by IKEA — Baas scorched the wood all the way through with a blowtorch. He soon found a way to preserve the wood once it was burned through, and this led to his inaugural Smoke series. The chairs and a lighting fixture from this line were put into production by Moooi, a furniture brand Wanders cofounded with Revised’s Casper Vissers in 2001. Hospitality guru Ian Schrager got in touch, and a pool table from the collection was custom-made by Baas for the Gramercy Park Hotel.
Since Smoke, Baas has produced numerous pieces, with his best-known efforts involving the repurposing of existing furniture and modifying it to look the way he wants. Ever the innovator, Baas introduced a series of clock designs as part of an art installation that began to take shape in 2009 at the Salone Del Mobile in Milan.
The designer’s clocks see an incorporation of video and other technology. Each piece, such as the ten-foot tall model installed at Amsterdam’s Schiphol Airport in 2016, presents the illusion of human figures toiling to keep time behind its face by way of a 12-hour recorded performance.
Baas’s works are held in the collections of many notable museums, including the Metropolitan Museum of Art in New York City.
21st Century and Contemporary Maarten Baas Sculptures
Clay
21st Century and Contemporary Maarten Baas Sculptures
Clay
21st Century and Contemporary Dutch Modern Maarten Baas Sculptures
Metal
21st Century and Contemporary Italian Modern Maarten Baas Sculptures
Glass
21st Century and Contemporary American Modern Maarten Baas Sculptures
Steel, Brass
21st Century and Contemporary Italian Maarten Baas Sculptures
Ceramic
2010s Belgian Post-Modern Maarten Baas Sculptures
Clay
Late 20th Century Mexican Modern Maarten Baas Sculptures
Marble, Silver Plate
2010s Belgian Post-Modern Maarten Baas Sculptures
Clay
1890s German Beaux Arts Antique Maarten Baas Sculptures
Bronze
Early 2000s Dutch Modern Maarten Baas Sculptures
Other
20th Century German Mid-Century Modern Maarten Baas Sculptures
Plaster, Resin, Plastic
Early 20th Century Czech Art Nouveau Maarten Baas Sculptures
Spelter
2010s Mexican Organic Modern Maarten Baas Sculptures
Ceramic, Terracotta, Clay
Mid-20th Century French Classical Roman Maarten Baas Sculptures
Iron
1920s Austrian Art Deco Vintage Maarten Baas Sculptures
Bronze
2010s Belgian Post-Modern Maarten Baas Sculptures
Clay
