Maison Krieger Vitrines

19th C. French Louis XV style hand carved vitrine in oak with original glass. Hand carved decorations indicative of the Louis XV style along with cabrio...

This impressive French Louis XV style breakfront bookcase vitrine, crafted in solid oak circa 1980, is a striking example of fine European craftsmanship. The substantial design featu...

A good quality late 19th century French Louis XVI style Kingwood vitrine, having gilded ormolu mounts, serpentine fronted with shaped glass panels, glass shelves within, foliate marq...

A fine vitrine in the manner of Francois Linke Constructed in kingwood, with gilt bronze mounts, in the Louis XVI Transitional style; rising from bronze foliate sabots, with gent...

Distressed paint but structurally sound and tight, Vernis Martin vitrine with hand painted panels, bronze mounts and curved glass. Has working lockset & key. Three glass shelves all ...

Mid-Century Modern Penedo Marble Display Cabinet, Hand-Crafted in Portugal - Europe by Greenapple The Penedo marble display cabinet captures the enduring beauty of nature’s landsca...

A very fine Amboyna wood and gilt-bronze empire style vitrine cabinet with a glazed front and sides. The cabinet is mounted all over with superb quality well chiselled gilt-bronze mounts and surmounted by a clock with an enamel dial face surrounded by Zodiac motifs. The cabinet is crowned with a bronze bust of Napoleon. Signed E. Brunet. French, circa 1880. Eugene Brunet was one of the most successful ébénistes of high-quality Parisian furniture during the late 19th and early 20th centuries. He produced items for wealthy patrons and exhibited at many of the international exhibitions of the period. In 1889, he joined brothers Frederic and Alexandre Roux, establishing themselves at 20 rue de la Perle under the name of Roux Et Brunet...

Condition: Original Vintage Condition Materials: Hand Painted Wood, Original Curved Glass, Brass Accents, Original Skeleton Key Style: French Louis XV This elegant curio vitrine ...

Display your treasured objects in this beautiful, early 20th century French Empire style mahogany vitrine. Beveled glass panels can be found in the case antique’s door and sides, all...

This incredible French Art Deco vitrine has a large glass front with glass shelves inside. Gold hardware to accent the wood beautifully. Can be...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

A palatial and superb early 20th century gilt bronze Mounted Louis XVI style Mahogany Vitrine by François Linke François Linke The arched top with scrolled corners and centered by a laurel wreath and crossed acanthus branches, above a central large door at top by a lyre on drapery-covered plinth, flanked by scrolling acanthus, with a smaller door to each side hung with floral swags and with central oval plate, the divides cast with a slender flower-filled vase, the interior with adjustable shelves and drawers to the bottom, on shaped foliate-cast plinth and acanthus-capped tapering feet. Inscribed F. Linke to the top right bronze mount and stamped “C LINKE” on the back of the locks. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new – Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...