Manuel Lorente Art

Signed oil on canvas nudes in landscape circa 1910 by Belgian neo-impressionist painter Georges Lemmen. The work depicts nude bathers on a sunny beach beside the sea. Signature: Signed lower left with the cachet of painter Dimensions: Framed: 23.5"x24.5" Unframed: 14.5"x15.5" Provenance: Olivier Bertrand (expert on the painter) has confirmed the authenticity of this work Georges Lemmen was the son of an architect and studied under Amédée Bourson at the academy in St Joost-ten-Node. He was invited in 1889 to join the Group of Twenty ( Cercle des XX) which had been launched in 1884 by Oscar Maus and had in the interim emerged as an influential force in Belgian artistic circles, not least by bringing to public and critical attention the work of such artists as Georges Seurat and Paul Signac. The Cercle des XX would be reborn in 1894 as La Libre Esthétique. In the early days of the Cercle des XX, Lemmen espoused a pointilliste technique. His earlier painting was clearly influenced by the Neo-Impressionists; over time, however, his style became more subtle and nuanced - recalling, perhaps, that of his compatriot Van Rysselberghe, another Cercle des XX member. With the group's rebirth as the Libre Esthétique, Lemmen's work became more intimiste in character, most notably in his portraits, nudes and still-lifes, where the influence of Bonnard and Vuillard is unmistakable, as is that of Renoir, particularly after Lemmen's travels in the Midi in 1911. From this point onwards, he would go on to make a major contribution to the renewal of the graphic and decorative arts in terms of his input to the new 'free' aesthetic and to Art Nouveau. Although his draughtsmanship retained its essential purity and elegance of line, his painting became more fleshy, imprecise and sensual, his compositions governed less by technical considerations than by the urgent need to express his emotions. Between 1889 and 1893, Lemmen exhibited at the Salon des Indépendants in Paris, aligning himself with the Neo-Impressionists. In 1893, Henry van de Velde invited him to participate in the Pour l'Art association that had been created in Antwerp. He travelled to the south of France in 1911. By this juncture, he had already exhibited solo on two occasions (in 1906 and 1908) at the Galerie Druet in Paris. A further solo exhibition in 1913, his first in Brussels, cemented Lemmen's reputation. Museum and Gallery Holdings: Bremen (Kunsthalle): Standing Nude Combing her Hair Brussels (Mus. royaux des Beaux-Arts de Belgique): Children's Room (watercolour); Reading; Couture; Young Girl by the Sea...

Polish, b. 1949 Pawlowski was born in 1949 in Poland. He studied at the Academy of Fine Arts in Warsaw. In 1979 he was awarded his "authorization and certification" by the Ministr...

A wonderfully rich beach scene done in Zandvoort Holland in the Mid-20th Century depicting figures in the sand. Some figures are by the water as kids play in the distance. The impres...

Waves crashing in on the rocks at Polzeath Oil Paint on Canvas 18 H x 23 W x 3 D cm (7.09 x 9.06 x 1.18 in) Sold framed Image size: Height: 15cm (5.91 in) Width: 20cm (7.87 in) Co...

The winter night landscape is immersed in silence and cold light. A river flows calmly through the painting, its dark water hidden in places by thin ice and snow. Moonlight reflects ...

➡️ Landscape River scene⬅️ ⏩It is signed Bernard Héranval⏪ Rouen on the banks of the Seine ⭐Medium:⭐ Oil on canvas ⭐Technique: ⭐Impasto painting with expressive brushwork. ⭐Size...

Antique American oil painting. Oil on canvas. Framed. Measuring: 24 by 30 inches overall, and 18 by 24 painting alone. Provenance from a Sag Harbor, NY collection. Measuring: Handsom...

Jane Peterson Untitled (Harbor Scene at Night), circa 1915 Signed lower left Oil on canvas 20 x 16 inches Provenance Dr. Milton L. Berg, Tulsa, OK Thence by descent Born Jennie Ch...

A nicely detailed rural landscape with farmers scything hay at dusk by American artist William Preston Phelps (1848-1923). Phelps was born in Chesham, New Hampshire, and after studyi...

Following liminality always comes rebirth , it is a pause for gathering strength, and our modern world is deeply lacking such pauses. Through my art, I reflect our unity with nature ...

In Katharina Husslein's floral-themed paintings, her profound connection to nature and deep inspiration drawn from flowers are unmistakable. Through her textural and abstract approac...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...