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Marc Balakjian Art

Armenian, 1938-2017

Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Armenian by descent, Balakjian was raised in Lebanon. Balakjian spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. Balakjian came to England in 1966, initially to study architecture with a firm in Oxford. Balakjian then decided to study art at Hammersmith College of Art and took up a Postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating, Balakjian began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976, Balakjian had become a full-time partner, collaborating with other artists as well as continuing his work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff – all demanding characters – appreciated Balakjian's attention to detail and his ability to anticipate their thoughts and intentions. Balakjian printed the most technically difficult plates to produce excellent results.

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Artist: Marc Balakjian
In the Silence of Passing Years
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof XII / XII. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category

Late 20th Century Contemporary Marc Balakjian Art

Materials

Mezzotint

Stones
By Marc Balakjian
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category

1990s Marc Balakjian Art

Materials

Mezzotint

In Memory of an Historic Phrase
By Marc Balakjian
Located in New Orleans, LA
Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
Category

1970s Modern Marc Balakjian Art

Materials

Mezzotint

Elegy for a Forgotten Day
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof and is annotated VIII / VIII The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category

Late 20th Century Abstract Marc Balakjian Art

Materials

Mezzotint

Consequence of an Absence ( A loss makes one more appreciative)
By Marc Balakjian
Located in New Orleans, LA
This image is from an edition of 50. The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars...
Category

Late 20th Century Abstract Marc Balakjian Art

Materials

Mezzotint

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Marc Balakjian was enigmatic in his subject matter creating images that are disturbing in their ambiguity. Is this image just striped fabric tied with ropes on a platform or is this is a flag-draped coffin symbolizing those who passed "in memory of an historic phrase"? Politicians may turn the phrase but a price must be paid. This small edition mezzotint was created in 1975 in an edition of only 5. Armenian by descent, Marc Balakjian was raised in Lebanon. He spent his early years in the small town of Rayak, before moving to Beirut at the age of 10. He came to England in 1966, initially to study architecture with a firm in Oxford. He then decided to study art at Hammersmith College of Art and took up a postgraduate degree in printmaking at the Slade School of Art in 1971. After graduating he began working at Studio Prints in 1973, just as it was establishing itself in Queen’s Crescent. By 1976 he had become a full time partner, collaborating with other artists as well as continuing his own work, much of which is inspired by his Armenian and Lebanese culture and heritage. By the 1980s work was falling off, so Balakjian and Studio Prints introduced in-house plate-making to serve painters and sculptors who had little experience with printmaking. Artists such as Leon Kossoff, Frank Auerbach, Lucian Freud and Ken Kiff...
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For an Uncertain Departure
By Marc Balakjian
Located in New Orleans, LA
This image is an artist proof . The artist's subject matter was enigmatic: a recurring theme was that of anonymous packages tied with knots of rope; sometimes there are prison bars i...
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Marc Balakjian art for sale on 1stDibs.

Find a wide variety of authentic Marc Balakjian art available for sale on 1stDibs. You can also browse by medium to find art by Marc Balakjian in engraving, mezzotint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Marc Balakjian art, so small editions measuring 6 inches across are available. Customers who are interested in this artist might also find the work of Claudio Verna, Luigi Gheno, and Jacques POLI. Marc Balakjian art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $160 and tops out at $495, while the average work can sell for $355.

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