Marcello Avenali Art

Lithograph, 1952 Handsigned by the artist in pencil and numbered 6/75 Publisher : Maeght (Paris) Printer : Mourlot (Paris) Catalog : Saphire E 14 37.00 cm. x 55.50 cm. 14.57 in. x 2...

Artist: Marc Chagall Medium: Lithograph Title: Brown Still Life Portfolio: Chagall by Jacques Lassaigne Year: 1957 Edition: 6,000 Framed Size: 13 3/4" x 15 1/2" Sheet Size: 9" x 7 3/...

Lithograph in colors on arches paper. Hand signed and numbered by Ivan Schwebel. Edition 115/190. From the "Ten Painters on War and Peace" portfolio. Printed on May 10, 1978 to ...

This artwork titled "La Melodie Acide II" 1980 (printed and published in 1983) is a color lithograph on Guarro paper after Joan Miro 1893-1983. It is si...

This stunning large-scale hand-painted canvas edition is created in oil by Shizico Yi and is 95% hand painted directly onto canvas. Signed on the front and fully signed and numbered ...

This Artist’s Proof is approximately 90% hand-painted with original oil paint and gesso by Shizico Yi, applied directly onto a premium Giclée canvas made from her original oil painti...

This artwork "Tulips in a Vase" 1995 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 169/200 in...

Josh Rowell Old Farm, 26.11.23, 30 Min, 2023 Giclee and acrylic on canvas 50 x 70 cm 19.7 x 27.6 inches Josh Rowell generates his artistic vision by focusing on technological advances that shape our contemporary lives, communicating our increasingly mediated human interactions within the confines of visual art. The artist juxtaposes traditional, handmade techniques; with the intangible nature of the digital age. This position between the real and virtual produces a complex body of work that explores and reshapes information, highlights changes in human interation and celebrates the hand-made in a time that is increasingly being enveloped by the virtual. Born in 1990 in Kent, England, Rowell graduated from Kingston Art School in 2013, where he received a first class BFA with honours. Following a course in Art Criticism at Central Saint Martins college, Rowell returned to Kingston Art School for an MFA in 2015, where he was awarded a first- class distinction. His works have been exhibited in London, New York, Miami, Seattle, Basel, Hong Kong and Mexico and his works are part of public collections including the Uffizi Gallery in Florence, the Gregorian Foundation in Washington, London Kingston University’s contemporary art collection, and the Matilda collection in San Miguel De Allende. In 2017/18 he had his first museum exhibition at the Palacio Nacional de Guatemala. Rowell won the Public Choice award at the VIA Arts Prize 2017, and was included in Future Now, the yearly publication by Aesthetica listing the 100 most interesting emerging artists of the year. In 2019 he was selected for the Royal Academy Summer Exhibition, London and later in the year was invited to participate in the 9th edition of the Dentons Art Prize for which he was announced as joint-winner in 2020. Later in 2020 he was selected for the group exhibition ‘False Memory’ at Rugby Art...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Edition of 224 70 x 70 cm (27.6 x 27.6 in) Signed on the front Mint Sold in the original HENI packaging

This artwork titled "Spring 69" 1969 is an original color lithograph by American artist Nancy Genn, b. 1929. It is hand signed, titled and inscribed Artist Proof in pencil by the artist. The size is 23.75 x 34.65 inches. It is in excellent condition, it has very small marks in the back due to tape removal from previous framing, not visible from the front. About the artist: Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. Her abstract expressionist paintings of this period, continuing through the mid-1970s, featured all-over compositions of colorful layers of gestural brushwork and calligraphic mark making resembling asemic writing. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture,[5] and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

Giclée print on poly-cotton artist canvas mounted on birch plywood stretcher Unique variant from an edition of 473 100 x 100 cm (39.4 x 39.4 in) Signed on the front Mint. Sold in...

SCROLLS by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed using traditional hand lithography techniques on archival Somerset paper 100% acid free. SCROLLS is a dramatic abstract collage, its vertical arrangement depicting a grouping of yellow and gold beige papyrus scroll fragments against a textured background of rich vibrant red and black. Ancient alphabet symbols written on the parchment are visible resembling Aramaic letters which create a mystical quality evoking the biblical history of the Dead Sea Scrolls. Aramaic was once the main language of the Jews and appears in some of the Dead Sea Scrolls. It is closely related to Hebrew with the script being very similar. In SCROLLS, Moshe Castel creates a very aesthetically appealing and captivating contemporary arrangement of ancient Jewish symbolism. Print size - 29.75 x 21.5 in. unframed, excellent condition, vivid colors, hand signed in pencil by Moshe Castel Edition size - 150, plus proofs Year published - 1981 Printer - J K Fine Art Editions Co., NY Moshe Elazar Castel born in Jerusalem, Ottoman Palestine, in 1909, to Rabbi Yehuda Castel and his wife Rachel. The family was descended from Spanish Jews from Castile who immigrated to the Holy Land after the expulsion of the Jews from Spain in 1492. Castel attended his father’s school until the age of 13. He went on to study at the Bezalel Art School in Jerusalem, where he was encouraged by his teacher to study in Paris furthering his art education at the Academie Julian and Ecole de Louvre in Paris. He was greatly influenced by European masters Rembrandt, Velasquez, Delacroix and Courbert after spending his days copying their works hanging in the Louvre. Castel returned to Palestine at the onset of WWII. The subject of Castel’s early paintings were scenes of Sephardic Jews in the Holy Land. In 1947, Castel helped to found the "New Horizons" (Ofakim Hadashim) group together with Yosef Zaritsky, Yehezkel Streichman...