Large Modernist Italian Oil Painting Surrealist Abstract Figures
By Marco Cingolani
Located in Surfside, FL
Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion ...
Paper, Oil
Price Upon Request
Gold Digger
By Marco Cingolani
Located in New York, NY
This oil painting by the Italian painter Marco Cingolani is a vibrant and abstract composition characterized by its dynamic interplay of colors and textures. The background consists...
Canvas, Oil
Price Upon Request
Gold Heart
By Marco Cingolani
Located in New York, NY
The oil painting by the Italian painter Marco Cingolani features a rich tapestry of colors and abstract forms. The composition is a blend of warm and cool tones, creating a visually ...
Canvas, Oil
Price Upon Request
Gold Rush
By Marco Cingolani
Located in New York, NY
Beautiful pieces by a visionary abstract painter. His art is celebrated for its depth and vibrancy, challenges conventional perceptions, encouraging a profound reflection on the inte...
Canvas, Oil
Price Upon Request
Gold Bloom
By Marco Cingolani
Located in New York, NY
An abstract oil painting inspired by nature, forests and landscapes, by Italian Master painter Marc Cingolani. The paintings has a marked surface texture with Gold paint layered over...
Canvas, Oil
$14,216
H 19.69 in W 24.02 in
Surrealist Mineral Landscape Spanish Catalan Oil Canvas Painting Dalí Circle art
By Antoni Pitxot
Located in Sitges, Barcelona
Dalí Circle Surrealist Mineral Landscape, Spanish Catalan Oil Painting Artist: Antoni Pitxot Soler / Antoni Pichot Soler (Figueres, 1934 – 2015) Title: Surrealist Mineral Landscape ...
Oil
$4,520
H 30 in W 48 in
Twilight - Muted Color Atmospheric Abstract Landscape Oil Painting on Canvas
Located in Los Angeles, CA
Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...
Canvas, Oil
$1,275
H 28 in W 33 in D 2 in
Antique European Olive Grove Landscape Signed Impressionist Framed Oil Painting
Located in Buffalo, NY
Brightly colored impressionist landscape oil painting by William H. Partridge (1858 - 1938). Framed. Oil on canvas. Signed. Image size, 24H by 29L.
Canvas, Oil
$2,175
H 24 in W 24 in
Golden Slumber - Moody Abstract Atmospheric Landscape Oil Painting on Canvas
Located in Los Angeles, CA
Mark Acetelli’s oil and mixed media paintings awaken the viewer’s sense of exploration and adventure; they demand a new discovery. His artworks exhibit a chemistry of complexity and ...
Canvas, Oil
$1,894Sale Price|27% Off
H 9.06 in W 6.7 in
Signed Oil Painting Cadaqués 2001 – Organic Surreal Composition on Cardboard
By Antoni Pitxot
Located in Sitges, Barcelona
Artist: Antoni Pitxot Title: Untitled (Cadaqués, 2001) Medium: Oil on cardboard Dimensions: 23 × 17 cm (9.05 × 6.69 in) Framing: Unframed Signature: Signed “Pitxot 01” upper right In...
Oil
$395
H 18 in W 24 in D 2 in
Antique American School Abstract Expressionist Forest Interior Oil Painting
Located in Buffalo, NY
Antique American abstract expressionist oil painting. Oil on canvas, circa 1950. No signature found. Image size, 24L x 18H. Framing available.
Canvas, Oil
$3,150
H 30 in W 20 in D 1 in
Road Less Traveled Hawaii Surrealist Mid Century Figurative Abstract Landscape
By Marguerite Blasingame
Located in Soquel, CA
Road Less Traveled Hawaii Surrealist Mid Century Figurative Abstract Landscape Symbolistic and romantic Surrealist 1940s figurative abstract landscape with a figure journeying down a path in an idyllic landscape by Marguerite Louis Blasingame circa 1940-45. Signed Blasingame lower right corner; from a collection of her work. Unframed. Condition: Excellent; professionally cleaned and UV varnished. Image, 30"H x 20"W. Marguerite and her husband Frank Blasingame...
Oil, Linen
$1,421
H 21.66 in W 18.12 in D 0.79 in
Holy Split I Mixed Media Original Painting on Canvas, Abstract Landscape, 2026
By Nicholas Evans
Located in Paris, IDF
HOLY SPLIT I 2026 Paris, France HOLY SPLIT I is an ethereal mixed medium painting on canvas depicting a surreal dreamlike rift in a serene landscape. Abstract fuchsia forms suggesti...
Cotton Canvas, Oil, Acrylic, Pencil
$2,650
H 30 in W 20 in D 1 in
Destiny's Path, Hawaii - Surreal Mid Century Hawaiian Figurative Abstract
By Marguerite Blasingame
Located in Soquel, CA
Destiny's Path, Hawaii - Surreal Mid Century Hawaiian Figurative Abstract Symbolistic and romantic 1940s surreal figurative of pastel orange figure...
Linen, Oil
$2,950
H 36 in W 48 in
Rural Life Remembrance, Abstract Oil Painting on Canvas, Floral Landscape, 36x48
Located in Baton Rouge, LA
I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...
Canvas, Oil
$1,164
H 22.84 in W 23.63 in D 1.58 in
Living it Up-original oil abstract landscape painting - surreal contemporary art
By Alison Johnson
Located in London, Chelsea
We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...
Canvas, Oil
$745
H 39.25 in W 33.25 in D 2 in
Large, Unique Abstract Surrealist Oil Painting in the Chicago Imagist Tradition
Located in Chicago, IL
A Unique, Unusual and Striking Abstract Surrealist Painting Completed in the Chicago Imagist Tradition by Notable Artist, Stanley Dean Edwards (Am. Born 1941). Titled "The Last Living Face in Pompeii", the painting is oil and acrylic on canvas presented in its original frame. The artwork shows a unique synthesis of Post-War Surrealist influences, including the avant-garde Italian artist Enrico Baj and the vibrant palette of the Chicago Imagist school, namely Ed Paschke and his contemporaries. The collage-like references in the composition recall the artwork of sculptor H.C. Westermann and others experimenting with assemblage, found objects and the integration of inanimate objects. Artwork size: 38 1/2 x 32 inches; Framed size: 39 1/4 x 33 1/4 inches. Signed "Edwards", lower right; signed, titled and dated on reverse. Provenance: The Artist; Private Collection, Chicago, IL (circa 2010). Born 1941 in Joliet, Illinois, Stanley Dean Edwards moved to Chicago early in life to pursue his life as an artist. His mother was a Chicago public school teacher, and his father was a Methodist minister. He studied painting and design at the School of the Art Institute of Chicago (SAIC), receiving a BFA in 1967. While at SAIC, Edwards was influenced by Vera Berdich's printmaking classes and Daniel Massen's design classes. After a brief stay in New York (1967-1970), where he was profoundly shaken by urban rioting and general upheaval of this time, Edwards returned to Chicago and later set up a studio in the Pilsen Neighborhood. Edwards is primarily a figurative painter whose work is informed by both Surrealism and Constructivism. Early hard-edge paintings from the mid-1960's feature a series of screaming babies set in brightly colored environments. These works offer religious suggestions, as the infants are paired with ecclesiastical figures presented atop an altar. Other protagonists of his series include dogs and faceless men. (1) In the early 1960's, Stan Edwards was part of a diverse group of artists that included George Kokines, Ray Siemanowski, Michael Hurson and Peter Holbrook among others. These artists and Edwards were part of that decade's vanguard and their work was included in an exhibition titled, "Twelve Chicago Artists" at the Walker Art Center. The curator was Jan Van der Marck. Edwards called his paintings of babies, dogs and erotic torsos from that period "image painting" because they were taken not from the model stand but cast off photo images. One painting from this period, Infant in Altar IV, is a 60" x 60" an oil and acrylic painting and was loaned by the National Museum of American Art at the Smithsonian to the Museum of Contemporary Art for its fifty year retrospective titled, "Art in Chicago, 1945 to 1995." The painting is part of the Martha Jackson memorial collection at the National Museum of American Art. (2.) Recent paintings, which Edwards calls "Icons for a New Era: Assembled Art Imagery," feature iconic images composed of items from popular culture; witty titles often allude to the materials from which they were made. The found objects, vibrant colors, and slick presentations of his works indicate their relationship to and a continuation of Pop art. Both humorous and sinister, Edwards' paintings reflect the psychological uneasiness associated with the close of the twentieth century. (3.) One painting of this series titled Surveyor is a 66" x 60" oil and acrylic painting and appears in the book Humor in Art by Nicholas Roukes, published by Davis Inc. The book is widely used as a text for art and design projects. (4.) In October of 2002 Edwards presented a retrospective exhibition of his work at the Illinois Institute of Art where he taught art and design in the foundation program. His lecture and exhibition were presented as part of "Chicago Artist's Month" sponsored by the Department of Cultural Affairs for the City of Chicago. In 2004 Edwards completed a major commission for the new Veterans' Administration building in Chicago. The commission centered on patriotic themes and one large 6 and 1/2' x 10' painting is dedicated to prisoners of war. Five others are 48" x 48" and depict the military branch seals, and four paintings 32" x 32" are based on 19th century patriotic engravings. Stan Edwards, who retired from the Illinois Institute of Art in 2009, lives and works in Chicago, Illinois. Sources: (2. & 4.) Press release (1. & 3.) "Art in Chicago 1945 1995, MCA.) COLLECTIONS: Selected corporate & institutional collections National Museum of American Art/Smithsonian Corcoran Gallery of Art Ceco Corporation Crain Communications Thrall Railcar Company American Hospital Association Plyzynski & Associates, Inc. NYC North American Jet Corporation Ball State University Illinois Institute of Art at Chicago State University of New York Harris Bank & Trust Dallas Theater Center Electronic Media Magazine Johnson Controls Central National Bank of Cleveland Associates Commercial Corporation Corporate Art Source Veterans' Administration Commission, Chicago, 2004 Ten site specific paintings Siemens Corporation COLLECTIONS: Selected private collections Walter & Dawn Clark Netsch Beatrice "Buddy" Mayer Douglas Ross Larry Aronson Marc & Ilana Platt Phil & Joan Krone Craig & Janet Duchossois Sally Fairweather Shirley Hardin Brian Boyer Pritzker collection James Speyer collection Michael Greany Ed & Lindy Bergman Collection Leigh Block Collection Professor Harold Platt Professors Lew Erenberg & Susan Hirsch Dr. David Gross Professor Mihaly Csiksentmihalyi Dr. Paula Young Dr. & Mrs. Imre Hidvegi EXHIBITIONS: Selected exhibitions Biennial Drawing Exhibition, Art Institute of Chicago, 1962 Momentum II, Lexington Hall, University of Chicago, 1964 The Sunken City Rises, Hermann Hall, Illinois Institute of Technology,1964 Eye on Chicago, Hermann Hall, Illinois Institute of Technology, 1964 29th Corcoran Biennial, 1965, Washington, D.C. Inaugural exhibition, Fairweather-Hardin, 1965 Society for Contemporary Art, Art Institute of Chicago, 1965 12 Chicago Painters...
Mixed Media, Acrylic, Oil
Sold
H 35.75 in W 47.5 in
Large Modernist Italian Oil Painting Surrealist Abstract Figures
By Marco Cingolani
Located in Surfside, FL
Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre, Gilbert & George, Charles Avery, Damien Hirst, Piotr Uklanski, Patrick Tuttofuoco and other great ones on the international scene. 2012 is the year of "Il Belpaese dell'arte", at Gamec di Bergamo, always curated by Pietrantonio and Maria Cristina Rodeschini, in the company of Elmgreen...
Paper, Oil
Magnite
By Marco Cingolani
Located in San Francisco, CA
This strong composition by Marco Cingolani has the feeling of Futurism or Primitivism or both together. The massiveness of the shapes gives the work a surreal quality. The forms seem...
Oil
Sold
H 35.75 in W 47.5 in
Large Modernist Italian Oil Painting Surrealist Abstract Figures
By Marco Cingolani
Located in Surfside, FL
Marco Cingolani was born in Como in 1961 and moved to Milan at a very young age, in 1978. He began to frequent the underground creative environment, where art was mixed with fashion and punk music. In those years a new artistic sensibility was being formalized in Milan, whose roots no longer sank in the history of art and in the citation but practiced the critical manipulation of reality and its communication through the mass media. The image was taken out of context, subtracted from the use of common sense, radically distorted, almost mocked. The work of Marco Cingolani, from the beginning, has always tried to cancel the regulatory power of media images, subjecting them to the radical care of the artist, certain that art offers a decisive point of view for the interpretation of the world. In this context the interviews of the Interviews were born, where celebrities for their privacy were submerged by the microphones and the famous series dedicated to the attack on the Pope and to the tragic story of Aldo Moro. After having participated in numerous group exhibitions including An emerging scene (1991, Museo Pecci, Prato) and Two or three things that I know of them (1998, PAC, Milan), he is dedicated to major anthological exhibitions at prestigious public institutions such as Palazzo Strozzi in Florence and Promoter of Fine Arts in Turin. In November 2006 he took part in the collective exhibition "Senza famiglia", in the Palace of the Promoter of Fine Arts in Turin. In 2007 Cingolani received a further consecration: the Galleria Emilio Mazzoli hosts the exhibition entitled "What color are they?" in which the pictorial reflections on the color of Power and its disguises are presented. The art of Cingolani has always been fascinated by the passage from news to history and vice versa; also in this case the UN blue helmets, the red urn containing the electoral ballots, the multicolored segments of the Wall Street charts, the military uniforms and the party flags are contextualized in highly symbolic scenarios. In 2009 a return to the origins for Marco Cingolani, often the author of works expressly inspired by the religious theme. In particular, for this exhibition entitled " Percorsi della Fede", the artist focused his attention on the Marian apparitions that have marked the last two centuries: Lourdes and Fatima . In the same year an exhibition in Lucca at the National Museum of Villa Guinigi, joins him to some of the leading Italian artists of the last two generations; by the universally recognized and celebrated masters, present in the main international museums such as Mimmo Paladino, Sandro Chia, Salvo, passing through some of the protagonists of the 52nd Venice Biennale as Gian Marco Montesano, Daniele Galliano, Nicola Bolla, Bertozzi & Casoni who exhibited in 2009 in contemporary at the Lucca exhibition and at the Italian Pavilion of the Venetian event, to get to the young artists of the last generation already present in important national and international artistic events. Giacinto di Pietrantonio invites him the following year, 2010 to PAC, Pavilion of contemporary art in Milan, for the collective exhibition "Hybrid", alongside Jan Fabre...
Paper, Oil