Margaret Souttar Art

One of a series of 18 lithographs drawn by the artist fo¬r the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist lower right in pencil; numbered lower left in pencil. Printed in inky black, this print features a shadowy landscape. Brush sweeps to the left, and the sky is drawn with long horizontal lines. In the bottom half of the composition, the ground looks rocky, perhaps dotted with shrubs. Windswept Landscape displays Moore’s fascination with light and dark – what he called a “…bias towards the blackness and mysterious depths.” Moore was inspired by the prints of Rembrandt and the drawings of Seurat, and even drew on his memories of viewing the Altamira cave paintings, recalling how some of the images used the shadow of candlelight on the rough surface of the rock to model light. Shortly before starting work on this series of lithographs, Moore had fallen ill, leaving him aware of his own mortality. His mood pervaded these prints with a sense of danger and foreboding. The Auden/Moore limited edition book and portfolio were exhibited on publication at the British Museum, London, with an accompanying catalogue. Windswept Landscape is one of a group of lithographs...

Artist

Late 20th Century oil on canvas view of a rugged mountain landscape by Franco British artist Isabell Pardoe. The painting is not signed but came directly from the artist's atelier. ...

This black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...

Original “Is that Gun LOADED?” vintage National Rifle Association of America vintage poster. Archival linen backed in excellent condition, mint, and ready to frame. Printed in 1946 on a thick cardboard stock. Excellent condition, vibrant green and reds. 22 x 14 inches. NO paper loss, no tears. These are images of the exact poster you will receive. The poster shows a careless man incorrectly holding a rifle pointing towards another person. The men’s camping gear...

Original Moteur Auxiliaire Cyclex vintage mid-century modern vintage bicycle poster. Eye-catching artwork depicting a cyclist in motion, we...

Original “Be Sure of Your Backstop” vintage National Rifle Association of America vintage poster. Printed in 1946 on a thick cardboard stock. Gppd condition with slight wear and...

Introduction to Eric Schutte A publication in the art magazine 'Atelier', made us aware of his work. Very special we found his paintings, square-air paintings where the influences of the weather, the light to a special touch and a very colorful whole. Versatile What we do, when we see an artist's work that appeals to us, is to search for other work. This also applies to Eric. His website taught us that he is very versatile. In addition to paintings, Eric has found a special way of design. With waste plastic, iron and other material he makes the most special installations, commissioned, but also free work. An appointment was made quickly! Eric Schutte lives and works in Ommen, his studio is next to a beautiful mill. At the time of visit it is cold, there is some frozen snow and it is almost dark when I arrive. In the studio it is immediately clear that Eric is busy with everything. Mountains with tubes of oil paint, different donkeys with semi-manufactured paintings, a particularly large pile of waste plastic. Eric is an enthusiastic narrator, besides being an artist, he is a drawing teacher for a few days a week. I can imagine how he knows how to enthuse his students! Eric talks about special assignments that constantly lead to new ideas and new 'free works'. (The free work Eric likes to call 'research'.) For example, a cow, at De Brink in Ommen, produced Eric on behalf of the municipality. He made the cow out of iron. Old iron from all farmers in the immediate vicinity of Ommen. With this old iron he constructed a cow, the iron is particularly visible, but also the cow. Very clever! Environments Eric takes me enthusiastically to his work. The paintings, classical in origin, made with elegant imagination, and the images, beautiful and simple at the same time, and therefore also stimulating to look better. With these paintings Eric is always looking for the edge, during the opening exhibition we have a special work from him. Is it a 6-part, or are it 6 separate paintings of a railway crossing where a train is passing by? Anyway, you keep looking at it. Eric tells about this when I pick up the work: "I see something then, and then I want something with it, and this is it. Yes, otherwise I can not explain it ". Another and special piece during the opening exhibition is also by Eric Schutte. A calf made from almost 2000 yellow ear tags of slaughtered calves and iron. Particularly plastic and very lifelike. Eric Schutte is an artist who makes both conceptual and classical work. Eric himself about this: "The conceptual work consists of a figurative design in which the non-obvious use of materials is part of the imagination. The concept also plays a major role in classical work, but the material (use) is more traditional. I consider making images as a continuous game and research in which the idea and the design are equal and influence each other ". The opening exhibition and the work of Eric that we have kept in stock has been sold for a large part. Particularly enthusiastic and enthusiastic are people who see his work. During the exhibition 'Naar buiten!' We show new work by this special artist. Acrylic paintings made in the snow, outside in the cold. Also a number of works of waste plastic. The artist tells about his painting of a forest made from waste plastic: We make a waste mountain from nature, I make nature from waste again. The work is called biotope, our living environment. Nature, but at the same time, our environment is plastic. If later excavations are made to this time, the main thing that is found will be plastic. We live in the plastic age.

‘Help RCA Help USA, Beat the Promise, You and I Beat the Promise,’ original WWII antique vintage military poster. In the foreground are two clasped hand...

Late 20th Century oil on canvas view of the colourful buildings and roofs in St Tropez, South of France, by Franco British artist Isabell Pardoe. The painting is not signed but came ...

Represented by George Billis Gallery, NYC & LA -- From Robertson's Artist Statement, "Growing up on the plains of west Texas, I understood the notion of wide, open spaces. The tablet...

Paper: 25.25 x 20.5 in. / 64.1 X 52 cm. Image: 10.75 x 11.5 in / 27.3 x 29.2 cm. One of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 bo...