Margaret Souttar Paintings

Late 20th Century oil on canvas view of a rugged mountain landscape by Franco British artist Isabell Pardoe. The painting is not signed but came directly from the artist's atelier. ...

"Wild Mushrooms IV" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Atilt, 1982, acrylic on canvas, 32 x 48 inches, signed and dated lower right, “Alfred P. Maurice 2725 A South Michigan Ave, Chicago, IL, 60616” inscribed verso, “ATILT” inscribed verso, “Maurice.018” inscribed on frame, exhibited: 1) Alfred P. Maurice Artist in the City Paintings 1979 - 1997, Archer Gallery of Clark College, Vancouver, WA, April 8 – April 30, 1997, #11, and 2) An Artful Life: Celebrating the Life of Creator, Teacher, and Collector Alfred Maurice...

Miniature Painting of Radio City Music Hall, New York City - a unique original from leading British Cityscape Artist, Angela Wakefield. Art measures ...

Park, 1980, acrylic on canvas, signed and dated lower right, 32 x 48 inches, inscribed verso “Alfred P. Maurice, 2725 A South Michigan Ave, Chicago, IL, 60616, ‘Park”, labeled verso ...

Antenna, 1980, acrylic on canvas, signed and dated lower right, 32 x 48 inches, “Alfred P. Maurice, 2725 A South Michigan Ave, Chicago, IL, 60616, ‘Antenna’” inscribed verso, exhibit...

"Hibiscus Garden I" is an abstract expressionist painting by Romina Milano where a dance of black gestures unfolds across colorful brushstrokes infused with raw emotion. Romina Mil...

Armand Merizon (American, 1920 - 2010) Signed: Merizon '99 (Lower, Right) " Michigan Landscape ", 1999 Acrylic on Board 20" x 30" Housed in a housed in its original 1 3/4" Frame...

Late 20th Century oil on canvas view of the colourful buildings and roofs in St Tropez, South of France, by Franco British artist Isabell Pardoe. The painting is not signed but came ...

Introduction to Eric Schutte A publication in the art magazine 'Atelier', made us aware of his work. Very special we found his paintings, square-air paintings where the influences of the weather, the light to a special touch and a very colorful whole. Versatile What we do, when we see an artist's work that appeals to us, is to search for other work. This also applies to Eric. His website taught us that he is very versatile. In addition to paintings, Eric has found a special way of design. With waste plastic, iron and other material he makes the most special installations, commissioned, but also free work. An appointment was made quickly! Eric Schutte lives and works in Ommen, his studio is next to a beautiful mill. At the time of visit it is cold, there is some frozen snow and it is almost dark when I arrive. In the studio it is immediately clear that Eric is busy with everything. Mountains with tubes of oil paint, different donkeys with semi-manufactured paintings, a particularly large pile of waste plastic. Eric is an enthusiastic narrator, besides being an artist, he is a drawing teacher for a few days a week. I can imagine how he knows how to enthuse his students! Eric talks about special assignments that constantly lead to new ideas and new 'free works'. (The free work Eric likes to call 'research'.) For example, a cow, at De Brink in Ommen, produced Eric on behalf of the municipality. He made the cow out of iron. Old iron from all farmers in the immediate vicinity of Ommen. With this old iron he constructed a cow, the iron is particularly visible, but also the cow. Very clever! Environments Eric takes me enthusiastically to his work. The paintings, classical in origin, made with elegant imagination, and the images, beautiful and simple at the same time, and therefore also stimulating to look better. With these paintings Eric is always looking for the edge, during the opening exhibition we have a special work from him. Is it a 6-part, or are it 6 separate paintings of a railway crossing where a train is passing by? Anyway, you keep looking at it. Eric tells about this when I pick up the work: "I see something then, and then I want something with it, and this is it. Yes, otherwise I can not explain it ". Another and special piece during the opening exhibition is also by Eric Schutte. A calf made from almost 2000 yellow ear tags of slaughtered calves and iron. Particularly plastic and very lifelike. Eric Schutte is an artist who makes both conceptual and classical work. Eric himself about this: "The conceptual work consists of a figurative design in which the non-obvious use of materials is part of the imagination. The concept also plays a major role in classical work, but the material (use) is more traditional. I consider making images as a continuous game and research in which the idea and the design are equal and influence each other ". The opening exhibition and the work of Eric that we have kept in stock has been sold for a large part. Particularly enthusiastic and enthusiastic are people who see his work. During the exhibition 'Naar buiten!' We show new work by this special artist. Acrylic paintings made in the snow, outside in the cold. Also a number of works of waste plastic. The artist tells about his painting of a forest made from waste plastic: We make a waste mountain from nature, I make nature from waste again. The work is called biotope, our living environment. Nature, but at the same time, our environment is plastic. If later excavations are made to this time, the main thing that is found will be plastic. We live in the plastic age.

Tower and Wires, 1987, acrylic on canvas, signed lower right, 24 x 16 inches, exhibited: Alfred P. Maurice Artist in the City Paintings 1979 - 1997, Archer Gallery of Clark College, ...

"Shoreline", Modern Coastal Landscape Eucalyptus Trees, Sunset Coastal Landscape Watercolor by Kipp Stewart (American, b. 1928), late 20th century. This vivid scene uses a soft and dreamy polychromatic palette of golden rod yellow, subdued purple, and dark green. Acrylic on natural edge paper. Signed in the lower right, "Stewart". Tag on verso with title ("Shoreline"), artist's name, size, and materials. Presented in a light wood frame, mounted on a white background. Image size: 12.75"H x 17.5"W. Paper size: 23"H x 30"W. Framed size: 30.5"H x 38"W x 1.25"D. Kipp Stewart (American, b. 1928) is an artist, architect, and designer from Pennsylvania. Known to furniture obsessives for the Declaration series he codesigned for North Carolina’s Drexel Furniture, Stewart is most commonly associated with mid-century design movements of his adopted home state of California. There, in 1972, Stewart designed the Ventana Big Sur, a luxury resort near Montecito for which he oversaw architecture, planning, furniture and interior design across 160 acres of land. By the time Stewart spearheaded the Ventana, he was already well versed in furniture design. After briefly serving in the U.S. Navy as a teenager, Stewart enrolled at the Chouinard Art Institute (present-day Cal Arts) in Los Angeles. By the time he graduated, he was steeped in the world of modern seating design, experimenting with new chair models that bridged form and function. Charles and Ray Eames were important influences on his early work, which included a chrome-framed lounge chair whose reclined shape bears a striking resemblance to the Eames iconic lounge. In the late 1950s, Stewart partnered with another West Coast furniture designer, Stewart MacDougall, on a line of modern furniture for Drexel. (The pair were also producing case pieces and more for Glenn of California.) Drexel soon unveiled Stewart and McDougall’s Declaration line, which was constructed entirely of natural walnut and featured the choice of white porcelain or brass drawer pulls and cabinet door handles...