Maria Raycheva Paintings

This French mid-century Impressionist still life by Marcel Masson is a compelling celebration of rustic elegance and artistic spontaneity. The composition, featuring flowers and dried corn arranged in a dark, graceful vase, captures the beauty of natural simplicity through Masson’s distinctive painterly style. His textured brushstrokes and warm, earthy palette evoke a sense of authenticity and timeless charm, creating a piece that feels both intimate and universal. For art collectors, this work represents a fine example of mid-century Impressionist still life, highlighting the artist’s ability to elevate everyday objects into subjects of beauty and contemplation. Marcel Masson’s expressive technique and harmonious use of color imbue the painting with depth and emotion, making it a valuable addition to any collection of 20th-century art. Interior designers will appreciate the versatility and understated elegance of this painting. Its neutral tones and rustic subject matter make it an ideal complement to a variety of interiors, from minimalist modern spaces seeking a touch of organic warmth to traditional rooms needing an accent of French...

The night still life with a bouquet of lilacs will become a remarkable and modern home decoration, blooming lilacs branches always decorates any house interior, the impressionistic a...

From the Tyndale Monument is an Original oil painting by Eleanor Woolley. This painting was started Plein air and finished in the studio. Looking down on the landscape from the Monum...

This painting is of Albert Bridge on the River Thames. It is spring and the early prolific blossom is beautiful pink against the light blue sky. Its huge dark piers contrast against ...

Sunny floral still life with sunflowers in vase is wonderful and stylish home decor. The sunflower plant is known to each of us. It rises on a powerful thick stem with wide, rough le...

Gorgeous American Impressionist still life oil painting of a basket of vibrant vegetables with a white curtain background by Monterey, California artist Genevieve Rogers (American, 1...

Melanie Parke’s latest selection of still lifes looks at quotidian interiors and imbues them with magic. All of the elements of the still life are present: a stem in glimmering glass...

This striking oil on canvas of red and white camellias by Scottish painter James Stuart Park is a testament to the artist’s exceptional skill and his ability to bring the natural wor...

French mid-Century Flower painting with thick impasto brush or palette knife strokes. One notable artist known for their mid-20th-century flower paintings with impasto is Vincent va...

Lee Tiller Swansong – Streatley on Thames Contemporary Impressionist Painting Oil Paint on Canvas Canvas Size: H 60cm x W 76cm x D 2cm Sold Unframed Please note that insitu images ar...

Barbara Hack presents "Geraniums," an original oil painting on canvas board created in 2022. This charming piece measures 4 x 6 x 1 inch (10.16 x 15.24 x 2.54 cm) and is elegantly fr...

Wonderful mid century portrait of woman named Charlotte by Irinia Belotelkin Roublon (Russian/American, 1913 - 2009), circa 1960. Signed lower right corner and on verso. Unframed. Image size: 14"H x 11"W. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija...