Mario Cespedes Prints and Multiples

Kenny Scharf Ratfinkbonerthunk : Surrealist Rat, 1990 Original Giclee Print Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) Published by Editions Vermorel in 1990 ...

Triple layered 3D constructed mixed media serigraph on white museum board with crystals, glitter and additional embellishments. Hand signed lower right by Charles Fazzino. Hand num...

Keith Haring Headstand Original vintage exhibition Poster printed in Screenprint On thick paper 90 x 60 cm (c. 36 x 24 in) INFORMATION: Official screenprint poster for the Haring e...

Ed Ruscha A Particular Kind Of Heaven, 1983 Poster 61 x 92 cm 24 x 36.2 inches Fine Arts Museums of San Francisco exhibition poster Ed Ruscha’s expansive oeuvre defies easy categor...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

An important 1934 WPA-era color serigraph by American modernist Hilaire Hiler (1898–1966), this dynamic work titled Native American Fox Costume exemplifies the artist’s bold synthesis of modernist abstraction, cultural symbolism, and avant-garde color theory. The composition depicts a stylized figure in ceremonial fox costume, poised with a bow and adorned with an elaborate feathered headdress, rendered in striking contrasts of black, red, and white. The result is a powerful visual rhythm that reflects both the graphic experimentation and cultural fascination characteristic of early twentieth-century American Modernism. Executed during the WPA period, this original serigraph demonstrates Hiler’s distinctive semi-abstract style, in which figuration is reduced to geometric structure and symbolic form. The flattened composition, bold outlines, and saturated palette create a sense of movement and ritual energy, reinforcing the work’s connection to mythic narrative and Native American-inspired themes common in WPA-era printmaking. The artist’s engagement with color theory and structural design is evident throughout, making this an especially strong example of his print oeuvre. Hilaire Hiler was a key figure in American modernism, known not only as a painter and printmaker but also as a color theorist and educator associated with WPA mural projects, including work for the Aquatic Park...

Mario Testino Private View Bi-Lingual (Chinese-English), hand signed and stamp numbered, 2012 Limited Collector's Edition Hardback Monograph with Lenticular Cover portrait of Lady Ga...

Dreamy abstract figural landscape of a metallic gold sun hung low in a purple sky with peace doves over a bright blue ocean and sailboat. In the foreground a reclining female figure ...

Mixed-media incorporating heliogravure and hand-colored drypoint etching on Arches paper, edited in 1963. Limited edition, numbered 133/150 in lower left corner. Hand signed by artis...

"Balcony" 1938 WPA Print Mid 20th Century American Broadway Theatre Modernism. Silk screen on paper, 15” x 20". Numbered 15/20 lower left. Pencil si...

Toilettes de Mme Bréant-Castel, from La Mode Illustrée is a modern artwork realized in 1876. Mixed colored etching and collages on paper. Fabric miniatures of dresses were added to ...

Robert Longo Untitled [from Men in the Cities], 1989 Signed, dated, annotated '3SS' and numbered 6/12 in pencil Lithograph with embossing, on Rives BFK paper, with full margins. 40.6...