Marion Huse Art

This contemporary vibrant, expressive abstract floral painting, "Vase with Pink Roses", is a striking work by French artist Natalya Mougenot, ren...

Oil Painting of a rose bush, on a bright sunny day. Crisp blues make up the sky above, the horizon meets distant land across a body of water. bright greens and yellows make up a verd...

Edgar Levy (1912-1975). Floral Still Life with Shell, ca. 1955. Oil on canvas measuring 28 x 36 inches. Unframed. Signed with artist monogram lower left. Edgar Levy is remembered ...

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

Beautiful Post-Impressionist landscape painted in Bloomsbury Group era period and style. Oil on canvas, 18 x 24 inches; 22 x 28 inches framed. Unsigned. Some areas of paint loss as...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a nighttime view of Pontarlier, a commune in eastern France near the Swiss b...

Painted en plein air in Sag Harbor, New York, a small sketch of the classic charming architecture. Painted from underneath the Sag Harbor Cinema, Fen...

Louise Delorme (b. 1928). Vase of Flowers, 1969. 26 x 36 inches; 27 x 37 inches framed. Signed lower left. Titled and dated on verso. Excellent condition.

Jim’s of Lambertville is proud to offer this artwork by: James Lechay (1907 – 2001) Born in the Bronx in 1907, James Lechay spent most of his childhood in Brooklyn before moving to Joilet, Illinois at age 13 to live with his uncle after his mother passed away. In 1928, he received his B.A. in psychology from the University of Illinois. The next year, he attended one week of graduate school before leaving to study under his brother, the painter Myron Lechay, in New York. At his brother’s studio, James began to associate with other artists of the time such as Milton Avery, Mark Rothko, Arshile Gorky, William Zorach, and Raphael and Moses Soyer. From Myron, James Lechay learned to train his eye to observe natural forms and developed a philosophy dependent upon the relationship built between the artist and the subject. Lechay became engaged in the social and political issues of Depression-era New York and even joined the social realism movement for a brief time in the 1930s. He operated as the leader of the Artists Union while employed by the Works Progress Administration (WPA). With the WPA, Lechay traveled to Las Vegas, New Mexico, where he established a gallery and exhibited the works of Milton Avery, Max Weber, and other WPA artists. Despite his association with many artists and artistic communities in New York in the 1930s and 40s, Lechay opposed adopting a style due to its popularity and commercial success. His use, however, of large brushstrokes from Abstract Expressionism, the flattened plane of Modernism, and the simple compositions of early Abstraction created a combination of styles completely his own. A painter of a vast range of subjects, including still lifes, portraits, and landscapes, Lechay was known to reduce these forms to their visual essentials. Lechay often did not date his paintings as he frequently reworked them, even after they were exhibited, calling his pieces, “finished at all stages and never finished”. In 1945, Lechay was hired by the University of Iowa’s art department, where he worked alongside Mauricio Lasansky, Humbert Albrizio, Carl Fracassini, and Byron Burford...

Nelson H. White was born in New London, Connecticut in 1932. White has been surrounded by art and artists from the time he was born. He received his earliest art instruction from his...

"Soft Yellow Sunset" soft contemporary impressionist oil painting of the sun setting over Noyack Bay in Sag Harbor, New York. Fenske works in a loose-im...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...