Mark Freeman Art

Etching and aquatint of Wall Street, New York circa 1928 by Max Pollak. Painter and printmaker Max Pollak, (1886-1970), was born in Prague, Czechoslovakia and was raised in Vienna, A...

"Picador" 1966 Experimental Surrealist Composition Intriguing mixed-media piece by prominent California artist Morris Broderson (b. 1928 d. 2011.) A picador sits upon his horse, hol...

Artist : Kory Twaddle Title : Basement Systems Materials : Acrylic, tempera, gouache, and glitter glue on cardboard drawing pad back Date : 2019 Dimensions : 18 x 12 x .2 in. Kory ...

Original Washington (D.C.) American Airlines mid-century vintage travel poster. Professional archival linen backed in very fine condition, ready to frame. Featuring one of the ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Celebration B, Lino-cut on Drawing paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

ROBERT TAVENER (1920-2004) Cornfield and Downs Signed, inscribed with title and numbered 45/75 Linocut Framed 40 by 55 cm., 15 ¾ by 21 ¾ in. (frame size 62 by 76.5 cm., 24 ¼ by 30...

Honore Guilbeau (1907-2006) To Market Lithograph printed on Sulgrave wove paper, November 1935 Signed in pencil lower right (see photo) Titled in pencil, lower left (see photo) From:...

Artist : Kory Twaddle "Autumn Biogram of the Nelson" Newsprint, graphite, conté crayon pastel, charcoal, beeswax, cardboard, paper, gingko leaves, stickers, and Mixed Media on drawi...

Experience the epitome of 1950s Riviera sophistication with this authentic original Monte Carlo vintage poster 1950s by master artist Jean-Gabriel Domergue. This exceptional travel d...

Matinicus, Second State Lithograph, 1916 Signed in pencil by the artist widow lower right (ESB initialed) see photo Titled "Mattinicus" by the artist in pencil (see photo) Edition: 5...

A lower Manhattan landscape as it existed in 1922, with Trinity Church and City Hall visible in the background. New York: c 1922 Etching with aquatint on heavy-weight cream wove pap...

Central Park Lithograph, 1955 Signed in pencil lower right (see photo) Published by Associated American Artists, NYC Edition: 250 Illustrated: AAA Cat. 1955-03, 1958-01 Reference: L....