Mary Beale was one of the most successful professional female Baroque art portrait painters of the late 17th century. She started painting alongside her father, whose membership in The Painter-Stainers’ Company introduced her to the renowned court painter Peter Lely and many of his contemporaries. At 18, she married Charles Beale, a colour-mixer, Charles would stretch many of her canvases and mix pigments for work. Later, Charles would meticulously record Mary’s artistic process, clientele and technique, giving us a rare window into the world of a brilliant woman flourishing in a nearly exclusively male field. Mary would paint the noted physician Thomas Sydenham, who wrote The foundational medical text observationes medicae, the politician, William Pierrepont, John Lake, the Bishop of Chichester, John Tillotson, the Archbishop of Canterbury and John Maitland (1616–82), Duke of Lauderdale. Beale’s catalog became a who’s who of London’s most influential and she was prolific.
Portrait of His Royal Highness James, Duke of York and Albany
By Mary Beale
Located in London, GB
Mary Beale Portrait of His Royal Highness James Duke of York & Albany 1633-1699 Oil on canvas, inscribed on reverse, unsigned Image size: 30 x 25 inches (76 x 63.5 cm) Contempora...
Canvas, Oil
Portrait of Nell Gwyn
By Mary Beale
Located in London, GB
Mary Beale Portrait of Nell Gwyn 1633 - 1699 Oil on canvas, unsigned Image size: 14 ¾ x 16 ½ inches Gilt frame Beale’s portrait depicts a woman seated, head tilted to one side, eyes...
Canvas, Oil
$36,725
H 31.34 in W 26.38 in D 1.97 in
Male and female portrait, both in silk kimono, possibly textile dealers
By Christoffel Lubieniecki
Located in Amsterdam, NL
CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...
Canvas, Oil
$166,414
H 94.49 in W 85.44 in D 1.19 in
Oil on Canvas Painting Portrait of the Italian Noble Family of Zanardi Count
By Lucia Casalini Torelli
Located in Firenze, IT
This museum quality old master oil on canvas formal portrait painting depicting the family of the Count Zanardi is signed by the artist- the female painter Lucia Casalini Torelli- and published in a book dedicated to Casalini Torelli’s workshop and academy. This palatial masterpiece artwork comes directly from the ancient Villa Maraini Guerrieri - Palidano di Gonzaga (Mantua), an historic Italian heritage building owned by the descendants of the family portrayed for more than two centuries, until 1998. The big scale of this oil on canvas masterpiece painting states the relevance of Lucia Casalini Torelli as a painter. The present artwork is a formal family portrait painting that aim to introduce the characters depicted according to their social role in the society. The noble family is all gathered under a loggia overlooking a park, the landscape in the background is partially covered by a beautiful red cloth on the right side. The father stands up and holds the hand of his eldest son, proudly introducing his future heir. The son wears a light-blue dress and red boots, he is depicted in a serious pose holding a black tricorn hat under his arm and a rapier sword on his belt. The mother wears an elegant gold and dark green brocade dress, she is sitting with her youngest daughter on her knees while her second son is by her side. The little daughter wears a lovely long red and dress with white lace and holds an apple on her hand. The son stands next to his mother and is dressed in a brown priestly clothes. This palatial old masters piece was probably painted in 1740 due to the similarities with Cardinal Doria’ s portrait, now on display at the Doria Palace Museum, the official residence of the Prince of Genoa. The painting features original canvas (“prima tela”) and antique original patina, it is in excellent overall condition considering the age, use and its large scale. A formal detailed condition report and the results of the inspection with the UV lamp accompanied by photos is available on request. As well as for its exceptional quality and quite perfect state of conservation, this painting is particularly important and even more valuable both for the artist who painted it and for its absolutely exclusive provenance. Lucia painted the most prominent and powerful noble families of her time, the location of these paintings is unknown to the art market as it is extremely likely that the portraits are still kept in private collections. Furthermore, Lucia was one of the most appreciated artists of her time, so important that she was admitted as a member of the academy at a time when women were forbidden to attend these studies. In 1706, Felice Torelli...
Canvas, Oil
$8,177Sale Price|25% Off
H 51.19 in W 33.47 in D 1.19 in
Venice Landscape Italian Oil on Canvas Painting in Gilt Wood Frame, Belle Epoque
Located in Firenze, IT
This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...
Oil, Canvas
$22,953
H 21.46 in W 18.12 in
Presumed Portrait of Jean-Jacques-Blaise Baloin de Belvèse, Baron de Vennac
Located in BELEYMAS, FR
Marianne Loir (Paris 1705 – Paris 1783) Presumed Portrait of Jean-Jacques-Blaise Baloin de Belvèse, Baron de Vennac (?-1781) Oil on oval canvas H. 54.5 cm; W. 46 cm Unsigned Grandda...
Canvas, Oil
Portrait of young man - The artist's son
Located in BELEYMAS, FR
Auguste-Joseph Delécluse (Roubaix 1855 - Paris 1928) Portrait of the artist's son, Eugène Delécluse Oil on canvas H. 98 cm; W. 116 cm Signed lower right 1903 Exhibition: 1903, Salon...
Canvas, Oil
Eros and Psyche
Located in BELEYMAS, FR
Maurice SIODEAU (Cholet 1916 – Paris 1944) "By lightly touching her with his arrow, Eros revives the sleeping Psyche" Oil on canvas H. 146 cm; W. 114 cm (Prix de Rome format) Signed ...
Oil, Canvas
$2,025Sale Price|48% Off
H 24 in W 16 in D 1 in
“Enfant A La Collarette” The Child in the Collar.
By René Genis
Located in Berlin, MD
Rene Genis (French 1922-2004) “Enfant A La Collarette” The Child in the Collart. Portrait of a disturbing young man with a rather defiant, petulant look in his expression. Dark eye...
Canvas, Oil, Laid Paper
$16,067
H 27.29 in W 19.57 in
Christ as Salvator Mundi, Circle Van Dyck, Flemish Old Master, Christ Child
By Anthony van Dyck
Located in Greven, DE
The Christ Child as Redeemer of the World Oil on Canvas, 69.3 x 49.7 cm Provenance Private Collection, Belgium The present painting is known in different versions. One of them is ...
Canvas, Oil
Family portrait
Located in BELEYMAS, FR
Ange-René RAVAULT (Montargis, 1766 – Montargis, 1845) Portrait of a family from the Montargis or Pithiviers region Oil on canvas H. 73 cm; W. 60 cm Signed and dated lower left 1819 ...
Canvas, Oil
Self-Portrait
By John Hamilton Mortimer
Located in London, GB
Oil on canvas 30 x 25 ⅛ inches; 762 x 638 mm Verso: after Sir Joshua Reynolds, a self-portrait Not signed Painted c. 1758 Collections: Philip Gell (1775–1842), Hopton Hall, Derbyshire; By inheritance at Hopton Hall to his daughter, Isabella, who married William Pole Thornhill, who renounced Hopton and its contents in favour of his kinsman, Henry Chandos-Pole-Gell (1829–1902); By descent to his son, Brigadier General Harry Chandos-Pole-Gell (1872–1934), who sold Hopton Hall in 1918 and moved the family to Newnham Hall, Northamptonshire; By descent to his son, Lt Colonel John Chandos-Pole (1909–1993), Newnham Hall; Thence by descent until 2015, when acquired By descent to 2015; Lowell Libson & Jonny Yarker Ltd. Literature: Algernon Graves and Walter V. Cronin, A History of the works of Sir Joshua Reynolds P.R.A., London, 1901, IV, p. 1394. David Manning...
Canvas, Oil
Alfred Baldwin, Esq.
By Edward John Poynter
Located in London, GB
Oil on unlined canvas, stamped 26 x 21¼ inches; 66.5 x 54 cm Framed dimensions: 95.5 x 83.5 cm ‘Wood & Co 190 Brompton Road London SW’ Signed with monogram and dated ‘1878’, centr...
Canvas, Oil
$9,181
H 27.37 in W 22.96 in D 1.97 in
Self-portrait in Indonesian Landscape
Located in Amsterdam, NL
Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...
Canvas, Oil
Sold
H 35.44 in W 30.71 in D 2.37 in
Portrait of a Lady in Silk Dress & Blue wrap in oval, Mary Beale, Oil on canvas
By Mary Beale
Located in London, GB
Portrait of a Lady in an Elaborate Stone Cartouche c.1675-80 Mary Beale (1632-1699) Titan Fine Art present this superb portrait where the sitter has been portrayed wearing a low-cut white chemise under a gold silk robe with a draped light...
Canvas, Oil
Sold
H 33.5 in W 27 in
17th Century Oil Painting Portrait of Chief Justice Sir Edward Lyttelton Munslow
By Mary Beale
Located in London, GB
Mary Beale was one of the most successful professional female Baroque-era portrait painters of the late 17th century. Mary started painting along side her father, who’s membership in the Painter-Stainers’ Company introduced her to the renowned court painter Peter Lely and many of his contemporaries. At 18, Mary married Charles Beale...
Canvas, Oil