Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
2010s Contemporary Mary Lee Bendolph Art
Etching, Intaglio
Although she is among the best known of Alabama’s famed Gee’s Bend quilters, influential textile artist Mary Lee Bendolph is also regarded as an icon of American folk art. Using bold-colored strips of discarded cloth in the richly kaleidoscopic and dazzling geometric patterns that define her work, Mary Lee Bendolph created extraordinary quilts that represent a tradition of Deep South quiltmaking that stretches back generations.
Bendolph was born in 1935, the seventh of 17 children, in Gee’s Bend (now Boykin), a geographically isolated community located in a remote bend of the Alabama River. In the early 19th century, Gee’s Bend was populated by enslaved laborers, tenant farmers and sharecroppers. It wasn’t until the Great Depression and the 1940s that the residents could be free landowners under the Franklin D. Roosevelt administration.
Like many of the young girls living in Gee’s Bend, Bendolph learned quiltmaking from her mother at the age of 12. While she continued quilting throughout her adulthood, Bendolph was dedicated mainly to looking after her family and working as a professional seamstress.
Bendolph participated in events related to the struggle for Civil Rights during the 1960s, marching to Camden in 1965 after Martin Luther King Jr.’s visit to Gee’s Bend. In 1968, she also briefly worked for the Freedom Quilting Bee, a community-led cooperative that organized quilters and saw them forging commercial partnerships and earning museum exhibitions. Decades later, in 1999, Bendolph’s story of life in Gee’s Bend was featured in “Crossing Over,” a Pulitzer Prize-winning story in the Los Angeles Times. While she had stopped quilting by the 1990s, Bendolph’s passion was renewed in 2002 after seeing the critically acclaimed exhibition “The Quilts of Gee’s Bend” at the Museum of Fine Arts, Houston.
Bendolph’s quilts are characterized by her use of strong colors, abstract arrangements and rhythmic yet unpredictable patterns. In addition to quiltmaking, Bendolph has also experimented with printmaking, producing limited-edition, intaglio abstract prints such as Lonnie’s Flag, Fields and Snaggletooth.
During the 2000s, Bendolph’s quilts and prints were the subject of exhibitions throughout the United States such as “Mary Lee Bendolph, Gee’s Bend Quilts and Beyond” at the Austin Museum of Art from 2007 to 2010. More exhibitions have been staged at Turner Contemporary, the Philadelphia Museum of Art, the Museum of Modern Art and the Virginia Museum of Fine Arts.
Bendolph’s quilts are also found in numerous public collections including the National Gallery of Art, the Metropolitan Museum of Art, the Dallas Museum of Art, the High Museum of Art and the Huntington Library, Art Museum and Botanical Gardens.
On 1stDibs, find a range of Mary Lee Bendolph prints and other art.
Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
Lonnie's Flag
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition 50
Etching, Intaglio
Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
Snaggletooth
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
$480
H 14.5 in W 17.5 in
"This Must Be the Place VE 5/7" Intaglio, hand colored, patterns
By Katie VanVliet
Located in Philadelphia, PA
This piece titled "This Must Be the Place VE 5/7" is a variable edition piece by Kate VanVliet and is made from Intaglio with soft ground on Rives BFK. This piece is an edition of 7 ...
Archival Paper, Color, Etching, Intaglio
$9,600
H 34.5 in W 36 in
Hair of the Dog, Signed Minimalist Abstract Intaglio Etching by Richard Serra
By Richard Serra
Located in Long Island City, NY
This etching is hand-signed and numbered from an edition of 30 and comes beautifully framed. Serra, known as a large-scale sculptor, is considered one of the most important conceptu...
Etching, Intaglio
Untitled
By Jasper Johns
Located in New York, NY
Jasper Johns Untitled 2010 Intaglio on Revere Standard White 19 x 21 1/2 inches 48 x 55 cm Edition of 50 Signed, dated, and numbered in graphite (lower recto) Frame available upon request Available from Matthew Marks Gallery...
Intaglio, Etching
$14,500
H 33.375 in W 28.5 in D 1.25 in
Joan Miró “L’Oiseau du Forgeron” 1963 Signed Etching and Aquatint with Debossing
By Joan Miró
Located in Miami, FL
JOAN MIRÓ (1893–1983) – “L’OISEAU DU FORGERON” Etching and Aquatint in Colors with Debossing on Arches Paper ⚜ Hand Signed and Numbered ⚜ Custom Conservation Frame A POETIC DIALOGUE BETWEEN INDUSTRIAL MATTER AND THE LIFE OF THE BIRD “L’Oiseau du Forgeron”, or “The Blacksmith’s Bird,” is a 1963 etching and aquatint with debossing by Joan Miró, hand signed in pencil lower right and numbered 48 from the limited edition of 75. The work belongs to Miró’s celebrated Forgeron series, in which the artist used aggressive plate biting and physical debossing of the paper to summon the world of the blacksmith’s forge directly onto the printed sheet. Printed in colors on heavy Arches wove paper with the watermark present, the impression was published by Maeght Éditeur, Paris, the central printmaking publisher of Miró’s mature career, and is documented in Jacques Dupin’s Miró Engraver, Vol. II: 1961–1973 (Daniel Lelong Éditeur, Paris, 1989) as plate 363. The composition is built around a bold visual pairing. At its center sits a heavy gray geometric form, rendered through the combined effect of etching, aquatint, and debossing, the latter pressing the contours of the deeply etched plate physically into the paper to create a tactile, sculptural relief that mimics forged industrial iron. The form is perforated with a constellation of small circles that read as rivet holes and is edged with the irregular notches of a blacksmith’s tool...
Etching, Aquatint, Intaglio
$1,200
H 27 in W 34 in
Large Contemporary Annette Lemieux Photo Etching Aquatint Censor Abstract Print
By Annette Lemieux
Located in Surfside, FL
Annette Lemieux (American, 1957-) Date: 1994 Medium: photogravure, aquatint (photo etching) and stencil Hand signed and dated lower right. Editioned lower left. Dimensions: Sheet: 22...
Etching, Aquatint, Photogravure
$3,600
H 62.5 in W 24 in
Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
By Francesco Clemente
Located in Surfside, FL
Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Drypoint, Etching, Aquatint, Intaglio
$850
H 40 in W 30 in
Large Conceptual "Last Book of Life" Photo Etching 1970s Pop Art
By Les Levine
Located in Surfside, FL
Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...
Etching, Photogravure
Carmen, Cubist Aquatint Etching by Antoni Clave
By Antoni Clavé
Located in Long Island City, NY
Artist: Antoni Clave, Spanish (1913 - 2005) Title: Carmen Year: 1978 Medium: Intaglio Etching with Aquatint, signed and numbered in pencil Edition: XXV/XXV Size: 30.25 in. x 22.5 in....
Etching, Aquatint, Intaglio
$2,500
H 26 in W 34 in
Esperit Catala II, Abstract Expressionist Etching by Antoni Tàpies
By Antoni Tàpies
Located in Long Island City, NY
Date: 1974 Etching, Aquatint, and Intaglio on Guarro paper, signed and numbered in pencil Edition of 21/75 Size: 22 x 30 in. (55.88 x 76.2 cm) Frame Size: 26 x 34 inches Publisher: E...
Etching, Aquatint, Intaglio
$825
H 12 in W 12 in
Fern-12 Etching Print by Seiko Tachibana, Signed, Edition of 25, 2000s
By Seiko Tachibana
Located in Palm Springs, CA
A richly textured abstract botanical print by Japanese artist Seiko Tachibana. Fern-12 combines carborundum and intaglio techniques to create dramatic black organic forms against a luminous background filled with intricate cellular patterns. Signed and numbered from the edition of 25.. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe University, Japan. Her distinctive work balances Asian tradition with minimalist modernity. Tachibana’s work is exhibited internationally and has been acquired by many museum collections, including the Los Angeles County Museum, Fine Art Museums of San Francisco, The Portland Art...
Etching, Aquatint, Intaglio
$850
H 40 in W 30 in
Large Conceptual "Last Book of Life" Photo Etching 1970s Pop Art
By Les Levine
Located in Surfside, FL
Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...
Etching, Photogravure
$850
H 40 in W 30 in
Large Conceptual "Last Book of Life" Photo Etching 1970s Pop Art
By Les Levine
Located in Surfside, FL
Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...
Etching, Photogravure
Fourteen
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition 50
Etching, Intaglio
Fields
By Mary Lee Bendolph
Located in Berkeley, CA
Color softground etching with aquatint and spitbite aquatint. Edition of 50
Etching, Intaglio
Hope
By Mary Lee Bendolph
Located in Fairlawn, OH
Signed, titled, dated, and editioned in pencil by the artist Edition: 34/100 References And Exhibitions: The Flint Institute of Arts Print Society presentation print for 2010 Printed and published by Paulson Bott Press, Berkeley, CA (their blindstamp lower right corner of sheet) The artist is also celebrated for her quilts as seen in "The Quilts of Gees Bend...