By Moroso, Massimo Iosa Ghini
Located in Brooklyn, NY
Postmodern Hunter green leather Balzo armchair, Massimo Iosa Ghini, Moroso, 1987.
Iosa-Ghini's Bolidista manifesto (1982) exhorted designers to “break the reign of the angular line” and “find once more the sinuous curve.” Bolidismo is derived from bolide, the Italian word for a fast-moving object (such as a speeding bullet), or an object whose appearance implies speed. Iosa-Ghini followed up his Bolidist manifesto with an appealing series of chairs, cabinets and table-top accessories for such marques as Memphis and Moroso. The pieces combine the exuberance of his early work as a set designer and cartoonist with a smiling look back at 20th century design influences--including futurism (the avant-garde movement preceding World War I that romanced the wind-swept, streamlined look of ships, bridges and airplanes); Buck Rogers (1930s and 1940s science fiction), and 1950s moderne (furniture with skinny, pointy legs). On an architectural scale, he created Bolido, a New York nightclub and restaurant that boasts sweeping stair rails...
Category
Late 20th Century Italian Post-Modern Massimo Iosa Ghini Armchairs