Memphis Milano Armchairs

Sculptural Design with Bold Lines and Postmodern Appeal This pair of Italian lounge chairs from the 1970s is a compelling expression of vintage modernism, showcasing a sculptural woo...

Details Senior Armchair by Marco Zanuso for Arflex Dedar Milano Fandango 002 upholstery with professionally polished brass legs Italy, c.1960 Height 100 cm (39.4 in) Width 76 cm ...

We are delighted to offer for sale this fully refurbished, George Smith Norris armchair upholstered in Mulberry Flying Ducks linen which is part ...

Designed for the 3rd Memphis exhibition by George Sowden (UK), it is a melding of his memories of British Arts & Guilds (Macintosh, etc.) and a rectilinear homage to Gerrit Rietv...

Armchair 'P72A' Osvaldo Borsani 1955 Founder with his brother Fulgenzio of Tecno, the architect Osvaldo Borsani designed most of Tecno's and italian design's icons, like the working...

Mid-century modern Mitzi armchair with a black ebonized wooden structure, seat, and, back upholstered with a bright red velvet. Designed by the Italian designer Ezio Longhi for E...

Postmodern Italian Armchair in Original Fabric, 1970s This striking postmodern armchair is a rare and captivating example of Italian design from the 1970s. An icon of mid-20th-centu...

Baughman was inspired by the courageous young avant-garde designers known as the Memphis Group that burst on to the works stage in 1981 with a total disregard for the traditions and design tenants of restrained, idealized Modernism, Baughman designed a small collection of 11 colorful, post-modern pieces and convinced Coggin to put the collection into production by 1984. The unexpected designs made a splash upon their debut, with critics praising Baughman’s graceful and carefully considered take on the wild Italian ‘new design.’ The wider American audience and Coggin’s well-to-do yet conservative clientele did not take to Baughman’s experiment in exercising complete creative control. ''Only galleries bought it,'' Baughman told the NYT in the months after the collection’s release. Pieces from the 1984 Prisma collection are extremely difficult to come by. Literature: Oscar Fitzgerald, American furniture: 1650 to the Present , 2017. P 517; CH 19 Postmodern and AvantGarde Furniture...

The First chair in enameled wood and metal, was originally designed in 1983 by Michele De Lucchi. Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchymia and Memphis. His architectural designs have been mainly for office buildings in Japan, in Germany, in Switzerland and in Italy. He has taken care of numerous art and design exhibitions and has planned buildings for museums as Triennale di Milano, Palazzo delle Esposizioni di Roma and Neues Museum...

"Lido" sofa / loveseat / settee designed by Michele De Lucchi For Memphis Milano, 1982. This early example retains the original fabric and finish in very good condition. An icon of...

Peter Shire Wexler lounge chair upholstered in yellow velvet. Peter Shire: Peter Shire is an LA-based artist whose work eludes all attempts at categorization. He has created cera...

Armchairs Lady In the style of Marco Zanuso, 1950s, set of 2. These armchairs have been designed on the style of Marco Zanuso. Restored: new rigid padding, fabric replaced. Packaging...

The Big Sur couch is made out of 100% wool, and the structure is in lacquered wood. The couch was originally designed in 1986 by Peter Shire for Memphis M...

Rare and beautiful armchair designed by Augusto Bozzi for Saporiti, early 1950s. Three-section curved plywood frame on black lacquered metal frame. Foam padding and cushions, blue ve...

Primula chair in metal and wood by George J. Sowden by Post Design collection/Memphis Additional Information: Painted metal structure, painted wooden seat and back, feet in rubbe...