Maurice L. Bower Art

This piece is framed measuring 42 by 26 inches. Based in Carrollton, Georgia, Erin Dixon is a mixed media artist whose work bridges realism and surrealism....

A Large, Dynamic 1950s Mid-Century Modern Watercolor of Lower Manhattan, New York City by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). The image is watercolor, pastel and c...

Ksenya Istomina Rosehip 20 x 20 cm (Framed 32 x 32 cm) Oil on cardboard This Still-life painting by Russian artist Ksenya Istomina is made in 2020 during the Lockdown in Russia. The...

Watercolor on artist's board, 10 3/4 x 20 1/4 inches (273 x 515 mm), the full sheet. Signed and dated in black watercolor in the lower right on the recto. Some scattered light spots ...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

An unfinished but spirited plein-air composition of what appears to be the Shenandoah or Potomac River valley with the Blue Ridge Mountains in the distance. Watercolor on board with...

Oil on board, signed (lower left), 40cm x 56cm, (51cm x 67cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Pio Semeghini (Quistello 1878 - Verona 1964) - Falzè di Piave. 25.5 x 34.5 cm (without frame) - 52 x 61 cm (with frame). Mixed media drawing, charcoal and pastels on paper, within ...

Alkyd-oil on board, 81cm diam., (100cm diam framed). Although most famous for his portrait of HM Queen Elizabeth in the National Portrait Gallery, London, from the late 1970s up un...

Vintage bi-plane