Max Ingrand Furniture

Rare table lamp of excellent quality...Max ingrand Fontana Arte

Simple, elegant and functional coffee or cocktail table. Suspended on tapered brass legs are two levels of glass. Designed by Max Ingrand and manufactured by Fontana Arte ca. 1955. G...

Smallest version of the iconic model 1853 frosted glass table lamp designed in 1954 by the French glassmaker, Max Ingrand, for Fontana Arte, Italy. Stylish, practical lamp occupying a small footprint but emitting a strong and pleasant light from two sources (glass shade and glass base). Early example with original, vintage switch...

Designed by Max Ingrand and manufactured by Fontana Arte about 1960. Clear and frosted glass on a metal plate.

This original, rectangular Mod. 1929 mirror is designed by Max Ingrand and was produced for Fontana Arte, c.1960. This particular piece is distinguished by its beautiful yellow colou...

Max Ingrand for Fontana Arte large square glass flush mount ceiling light model 1990 consisting of white enameled perforated metal structure suspending a larger thick clear polished ...

Max Ingrand, Pair of rare rose colored acid-etched crystal table lamps or sconces, glass and brass, designed for Fontana Arte, Italy, 1950s. It is an extremely sophisticated model, ...

Exceptional quality mirror in thick curved glass with mirror plate Manufactured by Fontana Arte, Milan, Italy. Reverse with manufacturer's paper label Complete with the back pl...

Made in Italy, 1950s. This vide-poche / ashtray is made in 3-cm thick Nile green ground glass. It is a vintage piece, therefore it might show slight traces of use, but it can be co...

Made in Italy, 1950s - 1960s. This vide-poche / ashtray is made in 3-cm thick dark green curved and ground glass. On the bottom it shows slight traces of use. It is a vintage piec...

Rare backlit mirror and shelf designed by Max Ingrand for Fontana Arte, 60s. Frosted glass composed of 25 decorative elements. Frosted curved glass shelf. Like every creation of Max ...

Mirror Model "1669" by Max Ingrand for Fontana Arte, Italy, 1960s

Max Ingrand by Fontana Arte mirror mod. 2377, Italy, 1965. Mirrored coloured yellow/orange cut glass frame black wood fitting. Perfect vint...

table lamp in metal and glass edited by Fontana Arte,1954

Table Lamp 1853 Max Ingrand for Fontana Arte 1954 Needs to be rewired

Max Ingrand, Fontana Arte, Mid-Century Modern, Ashtray, Cut Crystal, 1960s Max Ingrand's 1960s cut crystal ashtray, designed for Fontana Arte, exemplifies mid-century modern design ...

Max Ingrand, Pair of rare rose colored acid-etched crystal table lamps or sconces, glass and brass, designed for Fontana Arte, Italy, 1950s. Bibliography: Franco Deboni, Fontana...

Due lampade da soffitto modello '2211' di Max Ingrand per FontanaArte. Corpo in cristalli grigi, schermo in vetro diffusore bianco satinato, montatura in ottone nichelato. Lampade an...

Stunning ceiling lamp model 2448 designed by Max Ingrand and manufactured by Fontana Arte in Italy 1960. The lamps feature a round chrome structure that holds thirty-two chiseled gla...

Questo capolavoro di design incarna la perfetta fusione tra arte e funzionalità, rendendolo un elemento imprescindibile per chi desidera arricchire i propri spazi con un tocco di raf...

Rare pair of sculptural wall sconces designed by Max Ingrand for Fontana Arte, circa 1960s. Each fixture features a leaf-shaped structure composed of thick curved glass with a froste...

Max Ingrand project, 1954, for Fontana Arte, Italy, white satin glass, small brass seal in the vase, metal base, white lacquered. Best known for its elegant and innovative vintage lighting pieces, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents — chiefly architects — and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italy’s most inventive modernist designers: Giò Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti. The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti — then the artistic director of the Richard-Ginori ceramics workshop and the editor of the influential magazine Domus— at a biannual design exhibition that became the precursor to today’s Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the company’s signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant — a stratified hanging sphere. The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesa’s designs for lighting — as well as for tables and items including vases and ashtrays — express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table — an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art. Six years after Chiesa’s 1948 death, the École des Beaux Arts–trained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces — whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass. Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the company’s artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels...

Max Ingrand for Fontana Arte rare and elegant floor lamp model 1692 composed of brass stem tapering towards the top and bottom with decorative brass element on top holding tinted fro...

Chiseled crystal table lamp by Max Ingrand for French glass company Saint Gobain. Turquoise colored crystal resting on brushed nickel-plated brass circular base. Impressed manufactur...

A globular bubble glass table lamp designed by Max Ingrand for the renowned French glass company, Saint-Gobain. This stunning lamp features an organic form, chiseled glass piece that...

Rare Italian Mid-Century Modern chandelier / pendant / fixture by Max Ingrand for Fontana Arte in double saucer form with opaque, satin green glass in a textured pattern. A 3 part ta...

Floor lamp model '2003' designed by Max Ingrand and produced by Fontana Arte from 1962. It features a brass profiled crystal base, a brass stem, and a conical glass diffuser.

The rare flush mount ceiling lamp, model 1937, was designed by Max Ingrand and manufactured by Fontana Arte in Italy in 1961. This exquisite lamp features a beautiful diamond-shaped ...

Rare and unusual pendant designed by Max Ingrand for Fontana Arte in the late 1960s, chrome cap and white inner reflector. Etched and frosted diffuser glass. In excellent condition, ...

Max Ingrand for Fontana Arte rare and exquisite pair of modernist sconces or wall lights with light blue bent cut and bevelled glass and smaller central bent frosted glass held by br...

Paire of huge 1960s candlestick designed by Max Ingrand

Max Ingrand for Fontana Arte table lamp composed of frosted glass shade mounted on brushed nickel base creating a lustrous glo...

Max Ingrand design years '60 for Fontana Arte space age ceiling lamp 2027 six point light. Measure long 32 inches, perfect original condition a. vo...

Mid-Century Modern Rare Coffee Table by Max Ingrand, 1955

Modern vintage pendant consisting of a nickel-plated brass structure and partially frosted glass. Designed by Max Ingrand and produced by Fontana Arte. Made in Italy, c. 1960's. *Rew...

A rare, Mod. 2220 nickel-plated brass ceiling pendant by Max Ingrand for Fontana Arte, Italy c.1960. This curvaceous, tapered ceiling light has a lovely aged patina which contrasts b...

Flower Shaped Mirror by Max Ingrand for Fontana Arte, Italy, 1960s

Opaque glass, chiseled glass, chrome plated brass Model 2441 table lamp by Max Ingrand for Fontana Arte. This style allows for multiple variations, within context. They have been ...

Pair of opaline glass lamps by Max Ingrand and Pietro Raimondi for Fontana Arte. US Wiring and each takes a regular Bulb or LED bulb. In very good condition, no chips, no breaks. L...

Mid-Century Suspension Mod. 2364 by Max Ingrand for Fontana Arte, Italy

Max Ingrand Mirror model “1669” Manufactured by Fontana Arte Italy, 1950s Colored glass, mirrored glass. Measurements 71 Ø cm. 28 Ø in. Provenance Private collection, ...

Max Ingrand (1908-1969) Glass table Manufactured by Fontana Arte Italy, 1960 Glass Measurements 75 cm x 75 cm x 35h cm. 29.52 in x 29.52 in x 13.77 H in. Literature I Q...

A square mirror adorned with a wreath of flowers, butterflies, ladybugs, and ribbon, a creation of the verre e´glomise´ masters of their time, husband and wife duo Max and Paule Ingrand...

Vintage pendant with two large curved faceted beveled glasses, mounted on chrome frame by Max Ingrand for Fontana Arte/ Made in Italy, circa 1960s

Max Ingrand for Fontana Arte rare and exquisite set of four wall or flush mount ceiling lights model 2319 with gem-cut crystal glass diffusers mounted on lacquered bronzed brass stru...

Max Ingrand was a French designer, glassworker, and decorator. After studying at the National School for Decorative Arts of Paris, he mastered the techniques of stained and engraved ...

Max Ingrand was a French designer, glassworker, and decorator. After studying at the National School for Decorative Arts of Paris, he mastered the techniques of stained and engraved ...

Max Ingrand was a French designer, glassworker, and decorator. After studying at the National School for Decorative Arts of Paris, he mastered the techniques of stained and engraved ...