Maxfield Parrish Drawings and Watercolor Paintings

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

'After the Storm' by Herbert Lewis. Carmel, California, Paris, Académie Julian, New York, Art Institute of Chicago ----- Signed lower right, 'Herbert Lewis' (American, 1893-1962) and inscribed 'Caques 1928 and Tucson 1950'. Born in Chicago, Illinois, Herbert Taylor Lewis was known as a painter of abstracts, still lives and figure studies painted with a vivid palette in a bold Modernist style. Lewis first studied at the Art Institute of Chicago and the Chicago Academy of Fine Arts, and, subsequently, in Europe including at the Académie Julian in Paris during the birth of Modernism and Cubism in the early part of the 20th century. Upon his return to the United State, he kept a studio in New York City for several years but, by 1920, was living and painting in Arizona. In the late 1920s and 1930s, Lewis was working as an art instructor at Rockford College, Illinois, and, from 1943 to 1954, was a resident of Tucson. By the early 1930s, he lived part time in California...

Fox amidst the Hay Bales on a Misty Morning in a Field in the English Countryside, by British Artist Andrew Hutchinson Art measures 22 x 10 inches F...

A modern illustration by American artist Ray Quigley depicting two men inside of a church.

'Portrait of a Young Man in a Red Tie', gouache and ink on art paper, French School (1956). Step into the world of mid-20th century European art with a striking portrait that capture...

'Dinosaur Me & Baby' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). The scribblings of a c...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Fauve landscape with palm trees and Arab houses. 1 half of the 20th century. Gouache paintings on cardboard. Paintings is signed with monogram. Dimensions with Passepartout 45.5cm x ...

'Untitled II' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). There is so much energy in th...

E. Simms Campbell was the first African-American illustrator/ cartoonist published in nationally distributed, slick magazines, he created Esky, the familiar pop-eyed mascot of Esquire. This early work of 1930 was done on assignment for an interior page of Life Magazine. It features two Rowing teams engaged in spirited competition with cheering onlookers. This is a highly stylized black-and-white illustration and is masterfully executed. The work is composed of two illustrations, 6 x 9 inches and 2-3/4 x 2 inches respectively. It is initialed center bottow ESC. unframed Campbell left the University of Chicago and transferred to and received his degree from the Chicago Art Institute.[3] Professional career During a job as a railroad dining-car waiter, Campbell sometimes drew caricatures of the train passengers, and one of those, impressed by Campbell's talent, gave him a job in a St. Louis art studio, Triad Studios. He spent two years at Triad Studios before moving to New York City in 1929. A month afterward, he found work with the small advertising firm, Munig Studios, and began taking classes at the National Academy of Design.During this time, he contributed to various magazines, notably Life, & Judge Following the suggestion of cartoonist Russell Patterson to focus on good girl art, Campbell created his "Harem Girls", a series of watercolor cartoons that attracted attention in the first issue of Esquire, debuting in 1933. Campbell's artwork was in almost every issue of Esquire from 1933 to 1958 and he was the creator of its continuing mascot, the cartoon character in a silk top hat. He also contributed to The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. His commercial artwork for advertising included illustrations for Barbasol, Springmaid, and Hart Schaffner...

Genre: German Expressionist Subject: Woman Medium: gouache paint Surface: Paper board This is hand signed lower right. Framed it measures 17.25 X 15.5, sheet 12 X 10 This came from ...