Michael Blaser Art

After Bridget Riley Bridget Riley Works 1959-1978: A Major Retrospective Exhibition, 1978 in collaboration with five international museums Published by the Fine Arts Council UK Offs...

Offset print 4C process with cold stamp Edition of 300 Signed and numbered on the front Mint

Helen Frankenthaler Pro Musica's Contemporary American Choral Music (Hand signed by both Helen Frankenthaler and Aaron Copland), 1982 Offset lithograph poster (Hand signed by Helen F...

Artist: (after) Yves Klein (French, 1928-1962) Title: "Galerie Karl Flinker (Peintures de Feu)" Year: 1976 Medium: Original Offset-Lithograph, Exhibition Poster on light smooth wove ...

"Florence," a captivating Impressionistic masterpiece by the talented artist Irina Trushkova, beautifully captures the essence of one of the world's most enchanting cities. Rendered ...

Offset lithograph with cold stamp Edition of 300 Signed and numbered in ink lower right Mint, as issued Sold in the original packaging

Takashi Murakami Superflat Exhibition Poster 1999: Rare 1990s exhibit poster designed by Murakami and published by Marianne Boesky Gallery New York...

Mark Ryden The Gay 90's (Hand signed by Mark Ryden), 2013 Hardback monograph (hand signed by Mark Ryden) Boldy signed by Mark Ryden 12 1/4 × 9 1/4 × 1 inches This elegant hardback monograph with illustrated covers and no dust jacket, as issued, was signed by the artist for the present owner at the exhibition "Mark Ryden: Dodecahedron" at the Paul Kasmin Gallery on December 10, 2015. It makes an excellent gift! Publisher ‏ : ‎ Rizzoli; First Edition (April 16, 2013) Hardcover ‏ : ‎ 146 pages with color illustrations Publisher's blurb: Celebrated Pop Surrealist artist Mark Ryden’s newest body of work, presented in this book for the first time. Crowned "the high prince of Lowbrow," Mark Ryden has become a fixture of the contemporary alternative art movement. In his newest work, Mark Ryden: The Gay 90’s, the artist casts...

Roy Lichtenstein Vintage Museum Press Kit (National Gallery, LACMA & Dallas Museum), 1994 -1995 Offset Lithograph brochures, press releases, magazines and a bookmark 12 x 9 inches Un...

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front Unframed Signed by Bridget Riley in her inimitable hand on the occasion of this 2009-2010 exhibition at the Southampton City Art Gallery of works from the Arts Council of Great Britain collection. Bridget Riley Biography Bridget Riley's (b. 1931) abstract compositions yield a singular sense of visual pleasure for the viewer, a notion derived as much from the artist's formative encounters with Old Master and Impressionist painting as from her early experiences with nature. Since 1961, she has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, a wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. This sense of dynamism was explored to great effect in the artist's earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 1967, Riley introduced color into her work, thus expanding the perceptual and optical possibilities of her compositions. Riley was born in 1931 in London, where she attended Goldsmiths College from 1949 to 1952 and the Royal College of Art from 1952 to 1955. Riley’s first solo exhibitions were held at Gallery One, London, in 1962 and 1963, followed by two exhibitions at Robert Fraser Gallery, London, in 1966 and 1967. She was also at that time included in numerous group exhibitions such as Towards Art?, Royal College of Art London (1962); The New Generation, Whitechapel Gallery, London (1964); and Painting and Sculpture of a Decade 1954–1964, Tate Gallery, London (1964). In 1965, her work was included in the now-seminal group exhibition The Responsive Eye, organized by William Seitz at The Museum of Modern Art, New York. In 1968, she represented Great Britain at the 34th Venice Biennale (along with Philip King), where she was the first living British painter to win the prestigious International Prize for Painting. Her first retrospective, covering the period from 1961 to 1970, opened at the Kunstverein Hannover in 1971 and subsequently traveled to Kunsthalle Bern; Kunsthalle Düsseldorf; Galleria Civica d’Arte Moderna, Turin; and the Hayward Gallery, London. More recent significant solo presentations include those at Dia Center for the Arts, New York (2000-2001); Museum Haus Esters and Kaiser Wilhelm Museum, Krefeld, Germany (2002); Museum of Contemporary Art, Sydney (2004-2005); Musée d'Art Moderne de la Ville de Paris (2008); Walker Art Gallery, Liverpool (traveled to Birmingham Museums and Art Gallery; Norwich Castle Museum and Art Gallery; Southampton City Art Gallery; 2009-2010); The National Gallery, London (2010-2011); Art Institute of Chicago (2014-2015); The Courtauld Gallery, London (2015); De La Warr...

Color offset lithograph. Signed and numbered 2/100 in pencil by Cottingham. This work is based on the same-titled color screenprint by Cottingham.

Christo and Jeanne-Claude The Pont Neuf, Paris Wrapped (Hand Signed), ca. 1985 Offset Lithograph Hand Signed by Christo on the front upper left 24 1/2 × 37 inches Unframed This elega...