Michael Manning Sculptures

Niki de Saint Phalle Brooch (Oiseau), ca. 2005 Zamak, gold tone finished, nickel free (Incised Signature) Incised signature on the back of the jewelry (Niki De Saint Phalle) and the clasp (Niki). 2 3/10 × 1 3/5 inches Authorized by the Estate of Niki de Saint Phalle! This colorful, whimsical piece - "Oiseau" (Bird) can be worn both as a brooch and as a necklace. Bears the Niki de Saint Phalle's incised signature. Collectible work. Makes a terrific gift. Biography of Niki de Saint Phalle Childhood Niki de Saint Phalle was born in France in 1930 to an aristocratic Catholic family. She had an American mother, a French banker father, four siblings, and grew up bilingual in French and English. Her father lost his wealth during the Great Depression and the family moved to the US in 1933, where Saint Phalle attended Brearley School, a girls' school in New York City. Saint Phalle reported later in her life, in an autobiography titled Mon Secret (1994), that her father had sexually abused her from age 11. From an early age, Saint Phalle pushed boundaries in her artistic and personal life. Though she found Brearley School to be a formative experience, later claiming that it was there she became a feminist, she was expelled for painting the fig leaves covering the genitals of statues on the school's campus red. She then attended Oldfields School in Maryland, graduating in 1947. As a young woman, Saint Phalle also worked as a model, appearing on the front covers of Life Magazine and Vogue. When she was 18, Saint Phalle eloped with Henry Matthews, an author and childhood friend. While Matthews studied music at Harvard University, Saint Phalle began to explore painting, and gave birth to her daughter Laura in 1951, when she was 20 years old. Early Training and work In 1952, the Matthews and Saint Phalle moved to Paris, where he continued to study music and Saint Phalle studied theater. The couple traveled extensively in Europe, gaining exposure to art by the Old Masters. The following year, Saint Phalle was diagnosed with a "nervous breakdown" and hospitalized in a psychiatric facility. She was encouraged to paint as a form of therapy, and consequently gave up her theater studies in favor of becoming an artist. The couple moved to Mallorca off the coast of Spain, where their son Philip was born in 1955. During this time, Saint Phalle developed her imaginative, self-taught style of painting, experimenting with a variety of forms and materials. She also discovered the architecture of Antonio Gaudi, which had a strong influence on her work. Gaudi's Park Guell in Barcelona was instrumental in Saint Phalle's early conceptualization of the elaborate sculpture garden she would fulfill much later in her career. Mature Period At the end of the 1950s, Saint Phalle and her husband moved back to Paris. In 1960, however, the couple separated and Saint Phalle moved to a new apartment, established a studio, and met artist Jean Tinguely, with whom she would collaborate artistically. Within a year, they had moved in together and begun a romantic relationship. Saint Phalle became part of the Nouveau Réalisme movement along with Tinguely, Yves Klein, Arman and others. She was the only woman in the group. Her first solo exhibition in 1961 punctuated a dynamic period of Saint Phalle's early career, and she met a number of influential artists living in Paris at the time, such as Robert Rauschenberg and Jasper Johns, whose use of found objects was to have a strong influence on Saint Phalle's work. She was also friendly with Marcel Duchamp, who first introduced her and Tinguely to Salvador Dalí. The three artists traveled to Spain together to an event celebrating Dali's work, in which a life-sized bull sculpture was detonated with fireworks. In 1963, Tinguely and Saint Phalle moved to an old house just outside Paris, where she began to work on architectural projects as well as her renowned shooting...

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Metallic Enamel and Epoxy Resin on solid maple Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism ...

Homemade Hermes Birkin Bag ( Kelly Green ) 2015, 15”x14.5”x1.5” inches unframed, 18.75 "x 18.75 x 2.5 framed Cast Resin, Edition of 15 Also available in Kelly Green, White, Gold and Silver. The frame is a white shadow box frame with plexiglass. The Homemade Hermes Birkin Bag is a sculpture that celebrates the beauty, and status, that the docents of fashion have bestowed upon coveted objects and accessories as such. In a Duchampian gesture of representation, the artist has created an object that has been “elevated to uselessness”, yet reveals much about our society’s infatuation with consumption and materialism. Cast in resin the sculpture becomes an apropos trope of our time, a perfect conversation starter. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...

Only 4 sculptures by Sanseviero remain available for the Summer season here in the Hamptons . We have sold 40 sculptures (See the image with all 40 sold sculptures.) This is one of t...

Artwork made with Mahogany on MDF painted with metallic gold gloss automotive enamel The inspiration for this piece in terms of design and color came from the mid century modern mov...

Only 4 sculptures by Sanseviero remain available for the Summer season here in the Hamptons . We have sold 40 sculptures (See the image with all 40 sold sculptures.) This is one of those 4 sculptures. Now is the time to purchase one of the last 4 sculptures still available before the end of the Hamptons Summer season. We are pleased to offer "4 White Boxes illusion sculpture...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #30", 2017 Ceramic in Uriarte's Talavera, Puebla, Mexico 44.5 x 44.5 x 6.5 cm. (17.5 x 17.5 x 2.6 in.) Hand-signed by author ________________...

Peter Reginato combines biomorphic shapes and painterly precision in his bright welded-steel sculptures. With their organic, lyrical forms, his pieces resemble the three-dimensional ...

Homemade Hermes Birkin Bag (White) 2015, 15”x14.5”x1.5” inches unframed, 18.75 "x 18.75 x 2.5 framed Cast Resin, Edition of 15 Also available in Gold and Silver. The frame is a wh...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #13", 2017 Ceramic in Uriarte's Talavera 22 × 22 × 2 2/5 in (55.9 × 55.9 × 6.1 cm) Hand-signed by author ____________________________________...

Homemade Hermes Birkin Bag ( Kelly Green ) 2015, 15”x14.5”x1.5” inches unframed, 18.75 "x 18.75 x 2.5 framed Cast Resin, Edition of 15 Also available in Pink, White, Gold and Silver. The frame is a white shadow box frame with plexiglass. The Homemade Hermes Birkin Bag is a sculpture that celebrates the beauty, and status, that the docents of fashion have bestowed upon coveted objects and accessories as such. In a Duchampian gesture of representation, the artist has created an object that has been “elevated to uselessness”, yet reveals much about our society’s infatuation with consumption and materialism. Cast in resin the sculpture becomes an apropos trope of our time, a perfect conversation starter. Shelter Serra’s paintings, sculptures, and drawings explore mass consumption and cultural identity. He juxtaposes subject matters that are both common and recognizable: a Campbell's Soup Can, a copper plated baseball hat, and a Hermes Birkin bag...