Michael Patterson Art

1961 Coty Award Plaque Kenneth Hairdresser Jacqueline Onassis Bronze Fashion Bronze on wood. The wood plaque measures 12 3/4" by 20 3/4 inches. The bronze plaque itself is 13 3/4 x 8 3/4 inches and the the bronze inscription, which reads "COTY, American Fashion Critics Special Award 1961 to KENNETH of LILY DACHE...

Bust Of A Young Woman Bronze sculpture signed by the artist inside the cast and dated 1988, 1st cast in London. Kevin Berlin is an international arti...

Ted Egri (American, 1913-2010) Bronze sculpture Rabbi Signed Egri and numbered 4/30 on side. Dimensions: 12"L x 8.5"H x 6.75" D Born in New York city in 1913 to a Hungarian Jewish emigre family (both of his parents were born in Hungary), Egri was first exposed to music later dropping that for art. He studied with Howard Giles at the Master Institute of the Roerich Museum in New York where he was introduced to Oriental arts, Chinese and Japanese art forms, and later with Hans Hofmann. He worked for the Federal Arts Project, the WPA, making mural paintings and silkscreen prints as well as easel painting. Once WWII began, Egri signed up to serve as a map maker for the Navy, and was witness to some of the fiercest battles in the Pacific. As an artist, he painted many important depictions of his wartime experiences and these works have all be donated to the U.S. Naval Museum. Already a practicing painter and instructor at the Kansas City Art Institute, Ted Egri came to Taos, New Mexico with his wife Kit in 1950 to continue his study of painting at Ribak's Taos Valley Art School on the GI Bill. Louis Ribak quickly introduced Egri to Eulalia Emetaz, the owner of La Galleria Escondida, who gave him his first one-person show in 1951. A prolific and versatile artist, as well as arts organizer and advocate, Egri's contributions to underserved African American, Native American, Hispanic and women were honored by two Taos mayors, with no less than two Ted Egri days during his 50-year art career in Taos. Egri remained in Taos. He became widely known for his sculpture, influenced by cubism and painting, with his style ranging from abstract to realistic. Egri had incredible draftsmanship - charcoal, pencil, pastel, watercolor, oils, mixed media, pen and ink, acrylic, gouache Over time his work gradually shifted from its focus on human struggle to an exploration of natural elements and the changes that come about as a result of living in a physical environment like Taos. "The impact of the majestic Sangre de Cristo Mountain Range and the vast spaces of the mesas directed me toward space and form. I moved into sculpture," Egri said in a 1987 interview with ARTSPACE magazine. He was included in a show at Stables Gallery along with Emil Bisttram, Louis Catusco, Edward Corbett, Lawrence Calcagno, Keith Crown, Andrew Dasburg, John De...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

Oil on canvas Ilia Menabde is a Georgian painter born in 2003 who lives and works in Tbilisi, Georgia. His practice explores the relationship between memory, time, place, and contem...

In “Chinoi #2,” Philip and Kelvin LaVerne return to their favorite theme of Chinoiserie reverie, rendering a lyrical vignette from acid etched bronze and pewter. A lone boy sits with...

"Person on a Horse" is a concrete, glass and steel structure with horse in mid-stride looking up and forward. The person astride leans forward as in encouragement to the stead or in weariness of the journey, perhaps both. Leslie Hawk...

Boaz Vaadia Zofar, 1997 Bronze, bluestone, and boulder Overall 20 x 29 x 27 inches From the edition of 7 Provenance Elaine Baker Gallery, Boca Raton, Florida Boaz Vaadia is the in...

Large sized sculpture of a standing shirt including large piedestal.

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Oil paint on canvas Unique work Hand-signed by the artist Stéphane Fauchille, dream anthropologist “Would you, for a moment, like to become the Claude Lévi-Strauss of the aborigin...

Charna Rickey 1923 - 2000 Mexican-American Jewish Woman artist. Signed Bronze House of Books, Architecture Bronze sculpture, signed Charna Rickey and on the front "House of the book." It depicts an open Torah. Original patina. Approx. dimensions: 7 in. H x 9 in. W x 8.5 in. D. Weight: 13.1 lbs. Modernist Judaica Sculpture Born Charna Barsky (Charna Ysabel or Isabel Rickey Barsky) in Chihuahua, Mexico, the future artist lived in Hermosillo and immigrated to Los Angeles when she was 11. She was educated at UCLA and Cal State L.A., she married furniture retailer David Rickey and explored art while raising their three daughters. Moving through phases in terra cotta, bronze, marble and aluminum, she found success later in life. Rickey became one of the original art teachers at Everywoman's Village, a pioneering learning center for women established by three housewives in Van Nuys in 1963. She also taught sculpture at the University of Judaism from 1965 to 1981. As Rickey became more successful, her sculptures were exhibited in such venues as Artspace Gallery in Woodland Hills and the Courtyard of Century Plaza Towers as part of a 1989 Sculpture Walk produced by the Los Angeles Arts Council. Her sculptures have also found their way into the private collections of such celebrities as Sharon Stone. Another of Rickey's international creations originally stood at Santa Monica College. In 1985, her 12-foot-high musical sculpture shaped like the Hebrew letter "shin" was moved to the Rubin Academy of Music and Dance at Hebrew University in Jerusalem. The free standing architectural Judaic aluminum work has strings that vibrate in the wind to produce sounds. Rickey also created art pieces for the city of Brea. They commissioned some amazing art pieces by Laddie John Dill, Walter Dusenbery...

Oil on canvas Signed Unique work 1 / Hélène DUCLOS, 2016 – Artist Statement “Questioning the human condition and the position of being alive – What is it to be a living being? Who /...

Portrait of a Spanish Woman by Lydia HERRICK-HODGE (1886-1960) Bronze with a gold-brown patina Presented on its original base made in fine Belgian black marble American School Fran...

"The Test," 1970 Aluminum sculpture in 5 parts. Artist's cipher and AP stamped into male figure, front, 20 5/16" x 12 1/2" x 6 5/7" (approx.) American sculptor King is most noted fo...