MILOS GRASS Art

"Beautiful Manta" is an original piece by Kevin Snipes made from ink, gouache, pastel, and acrylic on paper. This piece measures 8.25”h x 6”w and is signed en verso. Kevin Snipes (h...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...

Darkness prevails in this moody acrylic painting by Toronto contemporary artist Lynne Fernie. Thick dashes of black, gray, white and red suggest movement and add texture. The forest ...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass. Philip Wittmann work is based on signs. Sign...

Born and raised in Atlanta, Virginia Candler studied art history and English at Vanderbilt University. After working in education, she began pursuing her life-long interest in making...

"Can't Be Bothered With Details (Diptych)" is an original piece by Kevin Snipes made from ink, gouache, and acrylic on paper. This piece measures approx. 8.25”h x 12.25”w and is sign...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin Blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

Born and raised in Atlanta, Virginia Candler studied art history and English at Vanderbilt University. After working in education, she began pursuing her life-long interest in making...

The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow. ​He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle. Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass. Philip Wittmann work is based on signs. Sign...

Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass. Philip Wittmann work is based on signs. Sign...