Mogens Koch Sofas

Kaare Klint for Rud Rasmussen. Pair of Safari chairs new upholstered with mokka aniline leather. New straps of butt hide leather. Frame in solid ash. Model Safari chair, made by Ru...

Mogens Koch furniture designed a lot of award wining midcentury furniture. The Danish architect was known for his functional approach to furniture design and for prioritizing comfort and accessibility. Koch also drew on older traditions and techniques. His chairs and tables show the influence of the Shaker Style and Englisch pieces of the 18th century. Koch was born in Copenhagen and attended the Royal Danisch Academy of fine Arts. After graduating, he worked as an assistant to Kaare Klint, an important figure in Danish modernism who was responsible for establishing the furniture design program at Koch’s alma mater. Klint favored historical styles and inspired Koch to view furniture design as an evolutionary process built on the traditions of the past. Over the course of their partnership, in the late 1920s, Koch began creating modular bookcases. In 1932, Rud Rasmussen began to produce Koch designs. An early Koch seating design that the Danish manufacturer made was the MK Safari...

The vintage design two-seater sofa model 5011 created by Kaare Klint. This iconic piece is crafted in original cognac leather and features a distinctive six-legged mahogany base. The...

MK16 folding Safari chair designed in 1932 by Mogens Koch and produced in 1960's by Cado, Denmark. Stained beech wood, leather, brass and new canvas upholstery.

Beautiful made pair Folding Chairs (model MK-16) after the design of Mogens Koch. These examples where manufactured by Valmazan, Spain and features a stained oak frame with brass det...

An elegant Scandinavian Modern armchair / side chair designed by Kaare Klint featuring Cuban mahogany and the original natural leather upholstery. Made in Denmark by Rud Rasmussen ci...

Teak Mogens Koch MK-16 Safari chair in rosewood foldable safari chair by Danish architect and designer Mogens Koch. These are re-editions by Interna of the ...

Three-seater sofa model 5011 in original leather and eight-legged ash base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Shipping services: Ask for our competitive shipping quote. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Two-seater sofa model 5011 in original cognac leather and six-legged mahogany base. Produced by Rud. Rasmussen Cabinetmakers, Denmark. Minor marks on the frame, patina to the leather. Back covered in original canvas. Shown at the Copenhagen Cabinetmakers’ Guild exhibition in 1935. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Gorm Harkær, Klintiana: “Kaare Klint”, vol.2, pg 94. Shipping services: Ask for our competitive shipping quote. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale chair was also clearly visible in the famous Red Chair, designed in 1927 for the lecture hall at The Museum of Arts and Crafts (now Design Museum Denmark), but with its straight back deprived of all unnecessary decoration and its beautiful Niger leather, the Red Chair was far from an imitation. Other important works include The Propeller Stool (1927), The ‘Mix Chair’ designed in collaboration with his pupil Edvard Kindt-Larsen in 1930, the Safari Chair (1930), The Deck Chair (1939 and The Church Chair designed in 1936 for the Bethlehem Church in Copenhagen. Also noteworthy are Klint’s well-proportioned cabinets and wardrobes...

Kaare Klint for Rud. Rasmussens Snedkerier, sofa, model ‘4118’, leather, mahogany, Denmark, design 1930, production 1970s Kaare Klint originally designed the present three-seat sofa...

Danish lounge chairs designed by Kaare Klint in 1933 and produced by Rud Rasmussen in the 1960s. This pair features an ash wood frame strapped together by camel-colored leather sling...

Mogens Koch for K. Ivan Schlechter, 'fireside' wingback lounge chair and ottoman, model MK50, mahogany, leather, Denmark, design 1936, production 1964-1979. Mogens Koch's wingback c...

An original pair of Mogens Koch folding chairs model "MK-16" made at Rud Rasmussen, Copenhagen in the 1970s Mogens Koch designed the MK16 Fo...

Kaare Klint for Rud Rasmussen, sofa, model '4118', leather, mahogany, Denmark, design 1930, production 1981 Kaare Klint originally designed the present three-seat sofa, known as 411...

Kaare Klint three-seat sofa in original leather on a Cuban mahogany frame and produced by cabinetmaker Rud Rasmussen.