Nathan Durfee Art

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This fine pair of 1950 oil paintings by O.J. Ghiso offers a sophisticated visual inventory of traditional Argentine hunting life. Painted with metic...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

A lively, colorful 1950s Mid-Century Modern city park scene with a horse & carriage ("Rome Street") by famed Chicago artist, Francis Chapin. Possibly a scene painted near the histor...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Louise Lenka German, early 20th century Chicken and Chicks in a Barnyard Landscape Circa 1910 Oil on panel Signed lower right In a gilt period frame A finely painted early 20th-cen...

2025 Unique work on paper Acrylic paint on paper 76 x 56 cm Mint condition, housing in the original packaging David Shrigley (born 1968) is a celebrated British visual artist. His w...

Two Terrier Puppies in the Kitchen w/Carrots Vincent De Vos (Belgium 1829-1875) Oil on wood panel Signed and date "10 12 62" lower right 13 x 17 1/2 (18 1/2 x 23 1/2 inches A charming study of a Dutch...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

"Galloping Horse and Rider" Alessio Issupoff (1889 Russia-1957 Rome) Oil on wood panel Signed lower right 5 1/2 x8 1/2 (13 1/2 x 16 1/2 frame) inches This is such a stunning little jewel, it's almost hard to believe. Alessio Issupoff dedicated his whole life to art and was shaped by his years at the Moscow School of Painting, and later absorbed a great deal from Impressionism and the work of the Italian Renaissance masters. But he kept his distinctive style and remained true to the idea that excited the generation of painters of the turn of the 20th century — “the embodiment of the great beauty of everything alive.” Alexei Vladimirovich Isupov, known by his Italianized name Alessio Issupoff, was born in Vyatka (now Kirov) on March 10, 1889. The son of an icon carver and gilder, he learned to paint from the artisan painters who worked with his father. Wanting to give expression to his own artistic creativity, the young Alexei did not take up his father's trade but left Vyatka for Moscow where he attended the School of Painting, Sculpture and Architecture. His mentor was the painter Apollinary Mikhailovich Vasnetsov, brother of Viktor, who introduced him to the Moscow artistic milieu and helped him find work. By studying and visiting museums, Issupoff formed his own aesthetic “taste” by modifying it on contemporary Russian and French Renaissance art...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...