Nathan Durfee Figurative Paintings

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Artist Comments
Mr. and Mrs. Anderson commissioned a formal family portrait, insisting their beloved pet elephant, Elbert, be included. Elbert is family, after all. When the co...

"Rye" is an original piece by Kay Seohyung Lee made from oil on panel. This piece measures 10"h x 8"w x 0.5"d and comes with a gallery-issued Certificate of Authenticity and is signe...

In "Case", banal, everyday things meet in this painting to create an unusual, strange, absurd and ironical situation derived by the disproportional scale size of things. Rudolf Kos...

Louise Lenka German, early 20th century Chicken and Chicks in a Barnyard Landscape Circa 1910 Oil on panel Signed lower right In a gilt period frame A finely painted early 20th-cen...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

Circle of Graciela Rodo Boulanger. Woman Walking Dog, ca. 1970. Oil on wood panel measuring 5 x 7 inches; 12.25 x 14.25 inches framed. Signed indistinctly upper right.

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

The smiling figures in the helicopter, hatching from a frozen crab-apple, have false hopes that they are on a fun adventure, unaware of the imminent danger- they are about the chameleon’s prey. Fortune can turn on a dime. Such is the subject of Christopher Klein...

Rudolf Kosow’s Loyalty is a haunting contemporary surrealist and monochrome painting that places a small female figure beside a monumental sleeping lion on the edge of a high and dra...

Orientalist oil painting with Equestrian subject Continental, Early 20th century Canvas size: Height 21cm, width 32cm Framed size: Height 30cm, width 40cm, depth 3cm Drawing upon a ...

Artist Comments
The surreal painting depicts a carnival scene unfolding beneath a cloudy night sky. Tents, a Ferris wheel, and white bunnies scatter across the scene. At the c...

Bart Koning (Dutch artist) Duck 37,9 x 49,9 cm (Framed included in price 38,3 x 50,3) Oil paint on wood panel We're proud to introduce Dutch/ German artist Bart Koning. Incredibly ...

Rudolf Kosow’s Atop presents a surreal and contemplative encounter between a monumental cow and a solitary woman perched quietly on its back, reading an illuminanted book. The animal...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...