Nicola Grellier Art

Spanish artist Xavi Carbonell born 1971, actively paints like a child as an adult, and leaves all of his pieces "untitled" so that each viewer can create their own story. The resulti...

40H x 60W inch, Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas Innovative and Contemporary O...

Richard Smith, British (1931-2016) Untitled (Abstract Composition) (1976) Gouache, crayon, charcoal and metal staples on Arches paper Hand signed lower center sheet: 22 x 22 inches ...

Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas Innovative and Contemporary Original New Medi...

Dimensions: 18 X 12 including frame, 16" x 11." image only. Frank Aumüller is a contemporary artist. Frank Aumüller is a german male artist born in Stuttgart (DE) in 1960. Frank Aumueller had his first exhibition at Art Cologne 1989 at Koelnmesse GmbH in Cologne in 1989, and Prognose at Württembergischer Kunstverein in Stuttgart in 2021. A notable show was 2041 Endlosschleife at Württembergischer Kunstverein in Stuttgart in 2014. Other notable shows were at Villa Merkel - Galerie der Stadt Esslingen in Esslingen and Museum für Neue Kunst in Freiburg. Frank Aumüller has been exhibited with Hildegard Esslinger and Beate Baumgärtner. Aumuellers jigsaw puzzle pictures are results of a multistage production process. Expressive, partially with strong auto-lacquers created paintings form the basis. Aumueller then takes a photograph of these abstract color experiments and cuts the photo by machine into jigsaw puzzles. Afterwards he reassembles individual parts, whereby the original parts produce a new picture in a new composition, a sculpture work. At first sight the jigsaw puzzle pictures appear as a "pleasant idea": The result of time-consuming artistic creation is presented as a well-known game for children and adults. This appears to be an ironic move by Aumueller. However, irony is not the artist's concern. There is more to the jigsaw puzzles than just a nice conception: Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. Aumueller labels his jigsaw puzzles "unstable equilibria" - a suitable description for many things in a world which in many ways appears to be stable and arranged. The jigsaw puzzle is more than just a means of formal expression. It is metaphoric message as well as a clue to the artistic intention. Solo Exhibitions Frank Aumüller: Fotografie Kunstraum Kleine Galerie, Haus am Stadtsee Bad Waldsee Germany Frank Aumüller fine arts 2219 Galerie für Kunst der Gegenwart Stuttgart Germany Group Exhibitions 2023 Bis die Bude brummt – 30-jähriges Jubiläum des Fördervereins Museum für Neue Kunst Museum für Neue Kunst Freiburg Germany. Exhibition series with: Mandana Moghaddam, Jacob Ott, Thomas Ruff, Pia Stadtbäumer, Peter Vogel, Georg Winter...

Stars & Sticks (Abstract Paintings) Cement and corroded steel on foam panels. Unframed. Auville works with construction cement. Applying techniques used in the construction and shi...

An original signed framed abstract expressionist painting by mid-century modern Chicago woman artist, Margo Hoff (1910-2008), "Stone Quarry" was created using acrylic, crayon and paper collage on board in shades of purple, blue, brown, white and black. Presented in a custom frame, outer dimensions measure 48 ½ x 40 ½ x 1 ¾ inches. Image size is 48 x 40 inches. Provenance: Estate of the artist, Margo Hoff About the Artist: A prolific artist, Margo Hoff’s exquisite style evolved throughout her career yet was always rooted in the events, people, and places in her life. The human experience was her soul focus, expressed through her eyes alone. Born in 1910 in Tulsa, Oklahoma, Hoff began creating white-clay animals at a young age, giving them to her friends and family. At eleven she contracted typhoid fever and was bedridden for a summer. During her convalescence, she drew and made cutouts, and it was during this time that her bold, artistic imagination came alive. She began formal art training in high school and continued her education at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago and attended the National Academy of Art and the School of the Art Institute of Chicago. Between 1933 and 1960—her Chicago years—Hoff’s works was deeply rooted in a figurative, regionalist style. She often used elements of magical realism, and many of her paintings have dreamlike qualities. As a child she learned about color by grinding down rocks, plants, and berries. Her color pallet during the Chicago years is indicative of her early-life color experimentation as she consistently used warm, earth tones in her work. Hoff was a born adventurer and traveled extensively. She lived, worked, taught, and painted in Europe, Mexico, Beirut, Lebanon, Uganda, Brazil, and China. She also showed at the Denver Art Museum’s Annual Western Exhibitions in 1952-54, 56, and 57. In 1957 she showed along side Colorado modernist Vance Kirkland at the Denver Art Museum’s exhibition, Man's Conquest of Space. What was once a focus on the representational, her work began to change after 1957 when she saw Sputnik in its orbit around Earth. At that moment, feet firmly placed on the ground, she was able to imagine herself in space, looking down from the cosmos, and what she saw was an abstracted world. She then had the opportunity to peer into an electron microscope where once again she was looking down into what seemed to be a realm of pure abstraction. These two events profoundly changed her perspective and she began to move from figural painting to abstract, geometric collage. In 1960, Hoff moved to New York City and she began creating collages. Placing the canvas on the ground, and working from all sides, she used strips of painted paper and tissue—and later painted pieces of canvas—glued onto the canvas surface, building layer upon layer, shape against shape, “action of color next to stillness of color.” She believed these simplified, abstracted forms held the spirit of the subject in the same way poetry reduces words to their essence. These pieces range from aerial cityscapes, to dancers in motions, to flora...

Molt (3/26/2015) (Abstract Painting) Acrylic on museum board. Unframed. This artwork is part of the series "A Painting A Day" The pieces from the series may come as quite a shock...

Acrylic on museum board. Unframed. This artwork is part of the series "Painting A Day" The pieces from the series may come as quite a shock to people who have always viewed Langley...

Acrylic on museum board. Unframed. This artwork is part of the series "A Painting A Day" The pieces from the series may come as quite a shock to people who have always viewed Lang...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...

This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in wh...