Olivia Cognet Pottery

Organic Vase, 2015, (Ceramic, C. 12.1 in. h x 7.5 in. d, Object No.: 3389). Turi Heisselberg Pedersen has, all through her career, strived to develop the vessel as abstract form and as an independent sculptural object. As Turi notes “working in clay is to me connected with many underlying cultural bound references, but also strongly connected to nature. The very process of building in clay is a process from nature to culture. We have an inherent understanding of beauty and design evolved in thousands of years of visual impressions from our cultural history, but especially also from nature. In this context, I am aiming to create a visual and emotional reading of the objects, working with shape, rhythm, volume, movement, and texture”. In the interplay between culture and nature, Turi’s works are inspired by geological structures and crystal formations, but also by architecture, the edged rendering of a computer drawing or folded paper shapes. Most of her faceted shapes seem to have a seed of coincidence or unplanned development, reminding one of crystal formations growing in irregular clusters.? Heisselberg Pedersen’s sculptures are hand-modeled from stoneware and glazed with slip-glazes, which gives the works a stone-like, dry surface with a rich texture. Some of Turi’s designs...

An asymmetrical bowl handcrafted by Ewen Henderson, (1934-2000) Mixed clay layered with pink, olive green, and grey glazes.    

Eye-catching Majolica ceramic white and green strawberry shaped tureen. Manufactured by Bordalo Pinheiro, Portugal, 1960s. This cute tureen has a very realistic design with leaves on the top. A leaf shaped serving plate and a small serving spoon complete the set. This highly decorative serving piece will be a nice addition to any kitchen or dining table. It will be a cool choice used as sauce tureen. Excellent condition. On sale as a set of three pieces, strawberry tureen...

Orange Jelly, 2018 (Porcelain; Unique, C. 7.6 in. h x 3.2 in. d. Object No.: 3590) The ceramic designer Ahryun Lee was born in Seoul, South Korea in 1989 and lives and works in Muni...

These are a beautiful pair of French Faience dinner plates with pierced rims, made by the Luneville K&G factory and dating to the late 19th century, circa 1895. These large circular earthenware pottery plates are well potted with pierced reticulated rims. Both plates are hand painted over a printed outline, with a similar bold floral pattern in different shades of Pink, blue, green and yellow enamels. Both plates have the the black printed Luneville, K&G factory mark on the base, dating them to the late 19th century, circa 1895. Overall a very decorative matching pair of French Faience plates.

A fine vintage Santa Claus character jug or decorative mug by the English pottery firm, Royal Doulton.

Blue Jelly, 2018 (Porcelain; Unique, C. 9.8 in. h x 5 in. d. Object No.: 3580) The ceramic designer Ahryun Lee was born in Seoul, South Korea in 1989 and lives and works in Munich, ...

Yellow Origami Vessel, 2015 (Ceramic, C. 11 in. h x 12.5 in. w x 12.5 in. d, Object No.: 3323) Ann Van Hoey is an award-winning ceramic artist and her work is in the collections of ...

Spherical sculptures by the Belgian ceramist Antonio Lampecco. Round Ceramic with crystallized enamel and a tiny aperture removing any function to the object. Humble, Lampecco didn...

Manufactured by Schramberger Majolika-Fabrik. Printed maker's mark, impressed model number "3366". The pattern is called "Gobelin 8" designed by Eva Zeisel. Literature: Pat M...

A great Italian Post Modern art pottery bowl by noted artist , Pino Castagna . Signed. Biography: Pino Castagna was born in Castelgomberto, Italy, in 1932, and studied in the schools of fine arts of Verona and Venice. Together with Scottish sculptor Michael Noble and his wife, Ida Borleti, from 1957 and 1963 he designed a creative skill stimulation programme for the mental patients of the Verona psychiatric hospital, as well as directed a ceramics school and workshop in Garda. His growing interest in sculpture was encouraged by frequent visits to Paris and Milan. In 1969, he moved his workshop to Costermano del Garda, Italy, where he currently lives and works. Since then, Castagna’s work has been characterised by constant experimentation with new techniques and materials as diverse as ceramics, aluminium, stone, wood, concrete, strings or tree branches. Each of these offers a new and original expressive possibility, which the artist explores by testing the materials’ plastic potential and pushing their endurance limits. In addition to his practice as sculptor, Castagna’s oeuvre encompasses painting and design, as well as public art, fully revealing the architectural and environmental vocation of his work. Remarkable examples of this vocation may be found in Cespo veneziano [Venetian Basket...

Set of very decorative, late 19th century blue-green French Majolica asparagus plates, hand-painted in white, green and purple, showing four asparagus spears in relief, and with fluted rims. The underside is stamped "Depose K G Luneville...