Olivia Cognet Wall Decorations

Astonishingly beautiful and monumental mural spanning eleven individual panels (each just under 18 inches wide) which when assembled are 16 feet long by 6 feet high. The panels are reverse paint and applique on sheets of Plexiglass and were painted by Peter Ostuni (American, 1908-1992) in 1951 for the lobby bar of the Savoy-Plaza Hotel at Fifth Avenue between 58th and 59th Street, New York City under design firm Tom Lee...

Exceptional Mid-Century Ceramic Tile Mural by Joseph Roelants for Céramiques d’Hemixem (Gilliot & Cie), 1948 — Monumental & Unique A rare opportunity to acquire a monumental ceramic tile artwork...

For your consideration, large wall sculpture , silver-colored metal safety pin is styled similarly to oversized fashion jewelry, made of steel in silver paint. An oversized safety p...

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe in light gray, dark gray, and charcoal...

Leroy Setziol Monumental Carved Yellow Cedar/ Wall Sculpture for United States National Bank of Portland, 1963 Beginning in 1949, the United States National Bank of Portland embarked on a long-term program of acquiring and commissioning works by Oregon artists for installation throughout its growing network of branches. Working with artists, architects, landscape designers, and craftsmen, the bank sought to create public spaces that reflected the culture, economy, and character of Oregon communities. The program included paintings, sculpture, stained glass, ceramics, and architectural commissions and was celebrated in the 1963 exhibition A Bank As Art Patron at the Museum of Art, University of Oregon. This monumental wall mural by Leroy Setziol (1915–2005) was commissioned in 1963 as part of that initiative. Measuring nearly sixteen feet in length and just over three feet in height (191" x 37" x 7"), the work is composed of multiple hand-carved yellow cedar panels and represents an early large-scale architectural commission created during a formative period in Setziol's career. Composed of multiple hand-carved yellow cedar panels, the sculpture demonstrates Setziol's ability to create a unified visual statement from deeply incised geometric forms, rhythmic patterns, and abstract imagery. Individual sections of the mural vary dramatically in character, ranging from tightly ordered geometric passages to more organic and intuitive carving. Together they create a composition that rewards prolonged viewing and reflects the artist's belief that wood itself could serve as both material and subject. Particularly notable is the panel at the far right of the mural, which incorporates a series of carved livestock brands. Research conducted with the Oregon Department of Agriculture has identified these as registered Oregon cattle brands associated with ranching operations in the Junction City area. Their inclusion provides a rare documentary element within Setziol's otherwise abstract carving and establishes a direct connection between the artwork and the community in which it was installed. More than decorative motifs, the brands appear to acknowledge the agricultural families, ranches, and businesses that formed an important part of the local economy. In doing so, the mural transcends pure abstraction and becomes a reflection of community identity. The carving recognizes an important aspect of the region's agricultural heritage and establishes a direct connection between the artwork and the local community in which it was installed. Born in Portland in 1915, Leroy Setziol followed an unlikely path to becoming one of the Pacific Northwest's most respected sculptors. After service in the United States Army during World War II, he spent time in New York before returning to Oregon. Drawn to carving but lacking formal artistic training, he established a small studio behind the Portland home of his father, a Lutheran minister. During his first year as a professional sculptor he reportedly earned only fifteen dollars from the sale of his work. Working largely in isolation, Setziol developed a highly personal approach to carving that relied on intuition rather than academic training. His sculptures combined deeply incised geometric structures with forms inspired by nature, mythology, and the inherent character of wood itself. By the early 1960s his work had attracted the attention of architects and corporate patrons seeking original works that could be integrated into modern buildings. Commissions such as this mural for United States National Bank marked the beginning of a period that would lead to some of the most significant architectural projects of his career. The following year, architect John Storrs commissioned Setziol to create a series of monumental relief panels for Salishan Lodge in Gleneden Beach...

Two panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with lavender, white, and tan cotton fringe. Hanging wire is included on each panel. Ships with a sma...

Rare ceramic wall mural designed by Noomi Backhausen for Søholm, with a raised bird motif. The piece has a textured surface with carved details, cut-out elements and a strong handmad...

Immerse your space in the timeless beauty of the East with this stunning Persian ceramic tile wall hanging. This captivating piece, showcases nine individually hand-painted tiles m...

Ceramic artwork by Antoni Cumella, 1979. Hand-signed. In good condition, with minor wear consistent with age and use, preserving a beautiful patina. He was born in Granoller...

Wall-mounted clay and ceramic still-life relief fabricated at Graveren Sandnes (1852-1994) in Norway. Clean lines and soft colored glazing contrasting to...

A lovely abstract ceramic sculpture made by Britt-Ingrid Persson at her own studio in Sweden in the 1970s. The sculpture is unsigned but there is no doubt that this one is made by Br...

Large vintage Post Modern Curtis Jeré geometric or abstract brushed steel, black painted metal and copper wall sculpture. Signed and dated 1998. Overall very nice condition. Fits wel...

Somehow naively charming and sophisticated at the same time, this pierced sculptural panel by Jolan Cser, a Hungarian artist, depicts a nude shepherd youth playing the pipes, accompa...

This pair of wall pockets are sculptures are marked by an unknown maker, but originated from Japan and date to approximately 1940 and done in the period Mid-Century Modern style. The...

Rare Lucite and aluminum folding wall divider designed by Charles Hollis Jones. The wall divider is a tri-fold panel screen, it has three partitions each 12" Wide and 60" Tall. This ...