Osi Audu Art

Canvas 3D ‘Velvet’ 2016 Linen yarn, textile stripe, stainless steel hanger; size of the textile: 155 x 64 cm (128 cm circuit), Canvases 3D are decorative fabrics entirely designed ...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

"I Pray You Haven't Changed" is an original sculpture by Traci Johnson made of yarn on cloth on faux fur, mirror. This piece measures approximately. 19"h x 13"w. Born in New York Ci...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...

"Tears Melt My Icy Heart" is an original sculpture by Traci Johnson made of yarn on cloth on faux fur, mirror. This piece measures approximately. 48"h x 39"w. Born in New York City ...

„Presence” 2018 Pair of twin handwoven textiles, linen yarn, acrylic textile paint, aluminum construction; textiles: 310 x 67 cm; aluminum construction: 255 x 65 x 55 cm. The object...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

Canvas 3D ‘The Way’ 2016 Linen yarn, textile stripe, stainless steel wall hanger; size of the textile: 134 x 70 cm (140 cm circuit). Canvases 3D are decorative fabrics entirely desi...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

"How does my hair look?" is an original piece by Sarah Detweiler made from scrunchies, synthetic hair, and yarn. This piece measures 32" diameter. Detweiler has found catharsis and joy in recalling her own experiences as a child of the 80s and a teen of the 90s, during what seemed like a simpler time. Likewise, the "Memory Palace" collection offers a reprieve from the strange and complex reality of life in the 21st Century, for adults and children alike, inviting viewers to fall “down the rabbit hole” into a warped reimagination of vignettes from Detweiler’s youth. The exhibition title refers to a mnemonic memorization technique known as the “Method of Loci” through which information is retained and retrieved by conscious mental association with a specific physical location. In the context of Detweiler’s work, each painting, object, and installation functions as a “room” in the artist’s “memory palace,” with specific memories encapsulated therein. The visual representations of Detweiler’s memories are skewed from reality, like the memories themselves, from super-sized silly putty to hand-stitched static from the late-night glow of a television set. About Sarah Detweiler Sarah Detweiler is a Philadelphia area-based visual artist translating her experiences into figurative and narrative mixed media paintings. She has a BFA in Visual Communications from University of Delaware and a master's degree in Art Therapy from Pratt. Sarah is an award-winning artist who has shown her work in solo and group exhibitions in galleries across the country and virtually. She exhibits regularly at Paradigm Gallery in Philadelphia where she has had 2 sold out solo exhibitions. Her work has also been seen on television and film...

Judy Rushin-Knopf (1959) was born in Dallas Texas and lives in Tallahasee, FL. Her work addresses bodies, access, and connection. She has exhibited her paintings, sculptures, and tex...

SUSANNAH MIRA Ripple Effect In Sandstone • yarn, cotton, fabric 15.50w x 15.50h x 4.00d in $560.00