Ottone Rosai Art

Dai Xiangwen was born in Hunan in 1991 and graduated from the Academy of Fine Arts of Jianghan University, He is a member of China Artists Association, China Designers Association, a painter of Li Keran...

Contemporary oil on canvas figurative still life painting by young Polish artist Julia Marchlewska. Painting is in dark colors and the composition is shown from an interesting perspe...

Mother Mary, 2017 John Hartley discovered his life's passion while growing up in Piqua, Ohio. Encouraged to develop his talents in an academic environme...

An original late 20th Century realist interior scene by Italian artist Andrea Vizzini. This important work was exhibited at The Anderson Gallery an...

Pierre Coquet - Still life with a pewter pitcher Reference number F445 Framed with a natural oak floated frame 50 x 73 x 2 cm (55 x 78 x 3,5 cm frame included) This work is painted w...

Collections: Robert Isaacson; James Draper, New York, 2014. Exhibited: Cambridge, The Fitzwilliam Museum, Beggarstaffs: William Nicholson and James Pr...

Snow, winter, white ,Night LEONID VAICHLIA (St. Petersburg, 1922/2013) Works by Leonid Vaichlia can be found in various private collections in Europe, Japan, United States and in t...

Along the fence. Plywood, oil, 14x14 cm

A seated redheaded figure is the focal point of "Herculaneum", a unique assemblage painting composed of three canvases with abstract and figurative paintings, attached to a wood panel painted with black text by Bay Area artist Michael Pauker...

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...

'Loose Cows,' 2021 by Daniel Blagg. Oil on canvas. 55 x 42." $19,000. Contemporary American Oil Painting with Big Tex, Cowboy, and Texas State Fair. Nothing s...

Matthias Alfen’s series of Janus figures are an innovation in figural art predicated on the advances made by the Futurist sculptor and painter Umberto Boccioni and the Modernist Alberto Giacometti. The qualities of chance and spontaneity, necessarily excluded in the sculptural work, are clearly evident in his drawings and paintings. “Psychograms” of unchoreographed hand movements display wide variation, repeatedly playing through one form after another. In the end, this multitude of variation serves to enhance the logic, consistency, and seductively rich appearance of Alfen’s designed sculptural works. Represented by Gallery Schuckin in New York, Paris, France, and Moscow, Russia. Matthias Alfen’s was strongly influenced by his family’s experience during World War II. His grandfather Klemens Alfen (1894-1955) was an accomplished painter and photographer, recognized for his landscape photography and for his technique (Special Honors for Excellence in Photo-Print Technology, 1932). He enjoyed the friendship and support of many in the artistic community, a community largely influenced by its German Jewish members. Having lost his entire circle of friends under Nazi oppression. Klemens, although not Jewish, also suffered under the Nazis for refusing to join them and struggling in post-war Germany, which had nothing to offer an artist like him, Klemens took his own life. At around the age of 16 he worked for some weeks as an assistant at his uncle’s art studio. Fritz Koenig...