ParadisoTerrestre

Designed in 1973 - Paradisoterrestre Edition 2017 Rectangular-shaped ceiling element with applied white fabric fringe, easily removable, washable, heat-resistant and fire-proof. He...

Designed in 1965 - Paradisoterrestre Edition 2018 Materials: shaped polyurethane, polished aluminum brackets, removable wool fabric manufactured by Kvadrat or chenille velvet fabric...

Materials: wool and bamboo silk. Colours: shades of blue; also available in shades of pink or shades of green. “After The Other Side, my first collection for Paradisoterrestre in 2...

Designed in 1972 - Paradisoterrestre Edition Materials: brass-plated metal structure, cardboard canvas light diffuser Colours: diffuser in white, black, green, blue “A flash of joy and poetry. The simplest directional lampshade in history meets the objet trouvé. The perfect object was born.” In the studio located in Rue Férou...

Designed in 1967 - Paradisoterrestre Edition 2023 Materials: glass Colours: smoked grey or bronze Designed by Augusto Betti in 1967, Glass coffee table consists of a smoked...

Designed in 1971 - Paradisoterrestre Edition 2019 This “functional work of art” represents in an exemplary way the concept of Ultramobile, operation conceived by Dino Gavina in 1971 with the aim of adapting in a surprising way the surrealist object to daily use. Sacco Alato was born in foundry while making Margarita, casting a bag of concrete and splitting it in two. Lacking any other props, the big road rocks provided the feet for this seat/sculpture. Almost 50 years after the first prototypes and the very few works produced by Simon International, the re-edition of Sacco Alato in the historical...

Materials: plywood base and back, polyurethane foam structure upholstered with linen cotton Métaphores (different colours available). “After The Other Side, my first collection for ...

Designed in 2004 - Paradisoterrestre Edition 2017. Man Ray once again surprises us with unexpected idea: an enigmatic, anticipating, suggesting work. A seed that will germinate in the following decades. Dino Gavina met Man Ray in Paris. At the beginning the meeting was tense because the artist thought he was facing a journalist or a critic. Then his aggression turned into kindness as soon as he realized that Gavina wanted nothing more than to know him. From the corridor they went to the atelier, and stayed together for hours. At that precise moment an extraordinary lifelong friendship was born. Venere mirror...