Patrizia Casagranda

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from I...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from I...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...

Women, and their empowerment, are a constantly recurring element in the works of Patrizia Casagranda, whether as a movie star, princess, mythological figure, rubbish collector from India or a member of a particular faith. "I think women are great," the Krefeld, Germany artist and mother of three daughters states. The juxtaposition of these portraits create a tension that is both evocative and aesthetic. Patrizia travelled to India, where she met the rubbish girls from the Indian snake caste, the Kabelia, who gave her their rubbish finds, which she in turn used, literally, as the basis of her works. The idea of her art was born, the recycled materials "from the street", such as truck tarpaulins, pieces of jute, fabric, paper or cardboard, are overlaid with "15 to 20, sometimes more" layers of painting, consisting of a mortar-gypsum mixture enriched with pigments. Patrizia also wants the viewer to contemplate what the word type fragments are on her paintings; these can be a poem or even Charlie Chaplin's speech from the film The Great Dictator...