Paul Storr Serving Bowls

An impressive Antique Solid Silver Coffee Biggin on stand with a burner featuring design elements so iconic in the work of Paul Storr. The Silver Biggin has a magnificent bone handle...

1970 Wedgwood jasperware footed bowl. Light blue jasperware with all-over white neoclassical motif. Signed on the underside.

Sterling Silver ( Silver Salts )

Modern sterling silver bowl. Made by Tiffany & Co. in New York, ca 1937. Round with curved and fluted sides. Rim flat and applied with incised band. Short foot ring with same. Fully ...

We are thrilled to offer you this pair of sterling silver bowls by The Randahl Shop of Chicago, Illinois. Hand-hammered and designed in the Arts & Crafts style, it’s uber-sleek and c...

Introducing our exquisite Vintage Sterling Silver Compote/Candy Dish, a timeless piece that adds a touch of elegance to any setting. Crafted with the utmost precision and attention t...

This is a spectacular pair of oval dishes made by Coalport between 1815 and 1820. The dishes bear the famous and very wonderful bird pattern with the number 759. Panels with stunning hand painted birds and flowers are set in a cobalt blue background with rich gilt decoration. We also have two plates available in this pattern; please see separate listings. This pattern is very desired and doesn't come to the market often, so this is a rare opportunity. Coalport was one of the leading potters in 19th and 20th Century Staffordshire. They worked alongside other great potters such as Spode, Davenport and Minton, and came out with many innovative designs. When we say "Coalport" we usually think of the one Coalport factory that became famous, but in its beginning years there were two factories, one run by John Rose and the other by his brother Thomas Rose. Thomas Rose went into partnership with Robert Anstice and Robert Horton and they were located directly opposite John Rose, across the canal. The brothers' factories had much in common with each other and they shared many different shapes and patterns. Ultimately, the John Rose factory proved more profitable and John Rose bought Thomas' factory in 1814, making it the one Coalport factory that became so famous. Many of the Coalport items, of either factory, are now collectors' items. The stunning thing about pattern 759 is that each bird is different, as well as each flower formation. All birds and flowers are painted carefully in their own colours; they are all different species. Each bird is an individual with its own expression; in fact I once had a large dinner service...

Beautiful vintage Asian sauce dishes, hand-painted with intricate designs. This set of 4 adds an elegant, cultural touch to your table setting.

A square, pink-anodized bowl, handmade of aluminum, attributed to Fritz August Breuhaus de Groot. Executed by Zeppelin Metallwerke in the early 1930s, made as tableware for the Zeppelin airships...

This is a wonderful English antique George III sterling silver 10 inch salver, by the world famous silversmith Paul Storr. It has clear hallmarks for London 1811 and the makers mark of Paul Storr. It is typical of his work with the raised gadrooned rim with anthemion at intervals, on four fabulous foliate bracket feet. The salver is engraved with a crest and motto and the underside is later engraved Charlotte J. Parke from C. J. Parke, March 1893' The centre is engraved with a crest above a motto 'True and Fast' and I have researched this crest: The Crest of Parke The crest as engraved upon this George III English Sterling Silver Footed Salver by Paul Storr hallmarked London 1811 is that of the family of Parke. It may be blazoned as follows: Crest: A stag’s head couped sable holding in the mouth a key or Motto: True and fast The family of Parke originally hailed from the County of Cumberland in the northeast of England1 later settling in the County of Dorset at Henbury House, Sturminster Marshal, near Wimborne. Given the evidence of the inscription found on the underside of the salver ‘Charlotte J. Parke from C. J. Parke, March 1893’ it was undoubtedly at one time in the possession of Charles Joseph Parke (died 9th March 1893) of Henbury House aforesaid and gifted to Charlotte Josephine Parke (baptised 4th January 1857 died 2nd January 1941) his third daughter by his wife, Ellen Mary Ethelston. I would venture the following hypothesis that the salver was bequeathed to Charlotte in her father’s will that was granted probate at London on the 20th May 1893. The ‘March 1893’ of the inscription acts as a remembrance of the month of the death of her father. It was noted that Charlotte’s father left an estate worth some £66,892, 19 shillings and one pence, a very considerable sum in the last decade of the 19th Century and even thereafter. Charlotte never married and was living at the time of her death at The Coppice, Sixpenny Handley in the County of Dorset. Her will was proved for probate at Llandudno on the 25th March 1941. She left an estate worth £18,866, 10 shillings and 4 pence. Again, a comfortable sum in 1941. See the photo of Henbury House, Sturminster Marshal, near Wimborne, Co. Dorset. The former seat of the Parke family. The house was destroyed by fire, the remains of which were demolished in the 1990's. There is no mistaking its unique quality and design, which is sure to make it a treasured piece by any discerning collector. Condition: In excellent condition with clear hallmarks and no dings, dents or signs of repair. Please see photos for confirmation. Dimensions in cm: Height 2 x Width 26.5 x Depth 26.5 Weight 0.69 kg Dimensions in inches: Height 1 inch x Width 10 inches x Depth 10 inches Weight 1.5 lbs Paul Storr born in London England in 1771, was to become one of the most talented silversmiths of the nineteenth century. Today his legacy of exceptionally well crafted silver, found worldwide in museums and private collections, leaves one in awe when compared to that of his contemporaries.After having served a seven year apprenticeship from the age of 14, he began his career in 1792 when he went into a brief partnership with William Frisbee. This did not last and in 1793 a new mark, (his initials ‘P S’) was entered. By the beginning of the nineteenth century he had established himself as one of London’s top silversmiths producing, amongst others, commissions for Royalty. In 1801 he married Elizabeth Susanna Beyer with whom he was to have ten children. In 1807 Paul Storr entered into a working relationship with Philip Rundell and by 1811 was a partner, and managing the workshops for Rundell, Bridge & Rundell. During this period he kept his own marks and separate workshop. However it was through Rundell, Bridge & Rundell who were appointed Goldsmith in Ordinary to George III in 1804 that his reputation as a master silversmith grew. His talents lay in being able to transform ideas and designs from Rundell, Bridge & Rundell’s designers, William Theed...

This exceptional silver punchbowl and ladle from Tiffany & Co. are crafted in the iconic Chrysanthemum pattern, one of the most beloved sterling patterns ever made. Because of its in...

A vintage European white cabbage lettuce leaf ceramic platter with attached bowl, circa late-20th century, Portugal. Piece is round-ish with leaf design including a ripple or wave ed...