Pedro Joaquin Beltran Aban Art

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A solitary horse stands prominently against a cream-colored background. Created with multiple layers of oil paint, the artwork boasts a unique texture, reveal...

Pair of Tiki ceramic figures by artist Howard Pierce (1912-1994). Howard Pierce's artistry is cherished among collectors, a following he gained in over 5...

Vintage wood mask. The edge undulates and is lightweight. Date and artist unknown.

Dogwood Blossoms. 1949. Dimensions: Tile 6 X 6 Frame 7.75 X 7.75 inches. Provenance: The tile was in the possession of the Beers family and is from the estate. Catalogue raisonné number at Galerie St Etienne: Kallir T #87 An exceedingly rare, authenticated, and hand painted floral decorated tile by Grandma Moses herself, fired by Helen Beers. Tile dated 1949 and signed moses recto as well as 'Moses Fired by Helen C. Beers, painted by Grandma Moses, Pinewold Pottery'. There are only a handful of these known to exist, approximately five, this being one of those five, outside the private collection of Galerie St. Etienne, Manhattan NY. This listing is for the tile only. The photo archive, from the family, will be listed separately and is included here just for provenance and reference. Anna Mary Robertson Moses (1860 – 1961), or Grandma Moses, was an American folk artist. She began painting in earnest at the age of 78 and is a prominent example of a newly successful art career at an advanced age. Moses gained popularity during the 1950s, having been featured on a cover of Time Magazine in 1953. She was a subject of numerous television programs and of a 1950 Oscar-nominated biographical documentary. Her autobiography, titled My Life's History, was published in 1952. She was also awarded two honorary doctoral degrees. She embroidered pictures with yarn, until disabled by arthritis. In her 1961 obituary, The New York Times said: "The simple realism, nostalgic atmosphere and luminous color with which Grandma Moses portrayed simple farm life and rural countryside won her a wide following. She was able to capture the excitement of winter's first snow, Thanksgiving preparations and the new, young green of oncoming spring ... In person, Grandma Moses charmed wherever she went. A tiny, lively woman with mischievous gray eyes and a quick wit, she could be sharp-tongued with a sycophant and stern with an errant grandchild." Moses's work has been a subject of numerous museum exhibitions worldwide and has been extensively merchandised, such as on greeting cards. In 2006, her 1943 painting titled Sugaring Off was sold at Christie's New York for US$1.36 million, setting an auction record for the artist. Her work is fundamental for any Naive art or Americana collection. She was known as either "Mother Moses" or "Grandma Moses", and although she first exhibited as "Mrs. Moses", the press dubbed her "Grandma Moses", and the nickname stuck. As a young wife and mother, Moses was creative in her home; for example, in 1918 she used house paint to decorate a fireboard. Beginning in 1932, Moses used yarn to embroider pictures for friends and family. She created quilt objects, a form of "hobby art". Lucy R. Lippard stated in "The Word in Their Hands" that she found "hobby art" to be "an activity so 'low' on the art lists that it still ranks way below 'folk art'". She found that hobby art often involves reuse of otherwise discarded objects. Moses painted scenes of rural life from earlier days, which she called "old-timey" New England landscapes. Moses said that she would "get an inspiration and start painting; then I'll forget everything, everything except how things used to be and how to paint it so people will know how we used to live." From her works of art, she omitted features of modern life, such as tractors and telephone poles. Her early style is less individual and more realistic or primitive, with a lack of knowledge of, or perhaps rejection of, basic perspective. Initially she created simple compositions or copied existing images. As her career advanced, she created complicated, panoramic compositions of rural life. During a visit to Hoosick Falls in 1938, Louis J. Caldor, an art collector who worked as an engineer in the state of New York, saw paintings made by Moses in the window of a drug store. He bought their supply and ten more from her Eagle Bridge house for $3 or $5 each. The next year, three Grandma Moses paintings...

Mid century carved marble figurative girl and kitten by Rodney Marshall Winfield (American, b. 1925). Presented in rustic wood frame. Bio on verso. Image, 14"H x 10"W. Rodney studied at Cooper Union School in New York and worked as a designer at the Emil Frei...

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Delicate blue butterflies flit across a softly textured neutral background. Subtle black outlines define their fragile forms, while their rhythmic repetition cr...

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Artist Jessica JH Roller paints a primitivist portrait of her cat, Rachel. With her sleek black fur and striking yellow eyes, the feline's electric personalit...

This ceramic dish was made by an unknown Chinese artist in the 1860s. It features sepia designs on a white background. The dish has a 5 1/4" diameter.

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Two magical birds find refuge in an evergreen forest, seeking shelter from the cold winter weather. Jewels and prominent markings adorn their bodies. This whimsical woodland scene exudes an air of wonder and enchantment reminiscent of holiday festivities.

About the Artist
Artist Jessica JH Roller paints whimsical and playful compositions of animals and people, marked by bold colors and primitivist linework. She distills a scene into a few simple shapes, using color to create contrast and vibrancy, often choosing palettes that reflect pop culture. "My adopted kittens, Tony and Larry, opened my eyes and unleashed the artist inside me," shares Jessica. "After, I started to notice birds, trees, color, everything." Jessica brings to life her dynamic creations...

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Artist Jaime Ellsworth captures a clever brown dog skillfully balancing a red ball and a black bird on its head. With curious gazes, the critters turn to their right as if something has piqued their interest. The two-tone backdrop of ochre and moss green sets the stage for this endearing scene.

About the Artist
Jaime Ellsworth paints animals. Her career as a cowhand never got off the ground, so she stumbled into art never knowing it would complement her passion for animals so completely. Most subjects are her own, but lately she has expanded out of her corral to include bears and beasts not commonly seen on San Juan Island, in the Pacific Northwest, where she's lived for the last 30 years. She suspects it will be years before she runs out of inspiration or has jeans that aren’t covered with paw prints or paint.

Words that describe this painting: dog, bird, ball, whimsical, happy, playful, animals, acrylicpaint, portrait, profile, primitive, animals, primitive, acrylic painting, brown

Dog Ball...

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Symbolic of water's vitality, artist Kira Yustak depicts a sight of hands cupping water from a clear river. She paints the introspective piece with an absorbi...

Here is a rare late 19th Century-early 20th Century painted and stenciled Jewish plate with a Yiddish greeting. A rare piece of Jewish Porcelain from the Pre War era. In a bold black...