Pello Irazu Art

artist: Anastasia Kurakina painting on print glicee canvas hand signed 2024 the canvas will be shipped rolled, without stretcher bars or frame Collective exhibitions: 2023 Lond...

The Beatles, left to right, John Lennon, Ringo Starr, George Harrison and Paul McCartney, posing with colored cells over their faces during the Abbey Road session to record the promotional video for Paperback Writer, 19th May 1966. This was the same session from which the back cover photo for the Revolver Album was chosen. The photo was part of a series taken by Robert Whitaker during the filming at Abbey Road on 19 May and demonstrated the Beatles’ adoption of fashions from boutiques that had recently opened in Chelsea, rather than the Carnaby Street designers they had favored previously. From these Chelsea boutiques, Lennon wore a long-collared paisley shirt from Granny Takes a Trip...

George Harrison of The Beatles taken by Robert Whitaker in Chiswick Park, London, 1965. All limited edition prints in this collection are hand numbere...

The Beatles by photographer Robert Whitaker. This formal photo shoot image is fondly known as 'Umbrella'. The Beatles are depicted holding two large striped umbrellas on the banks of Loch Earn...

The Beatles, approaching the stage at Shea Stadium by Robert Whitaker. The Beatles walking onto the field at Shea Stadium in New York City. This show ...

A vintage print by Helmut Newton, dating back to the year 2000, bearing original stamps on the verso and accompanied by a certification of authenticity issued by Davide Manfredi, for...

16" x 20", signed limited edition print of David Bowie by Masayoshi Sukita. Taken at RCA Studios, New York, 1973. As featured in the new movie, Moonage Daydream. This print is also ...

Individual technique on grey military blanket Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of F...

This artwork depicts an above-ground parking structure at night. The building is of cylindrical shape, with three storeys. Lit fluorescent tubes are visible through the open spaces...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...

Collage of photographs of the Rolling Stones from Norman Seeff’s 1972 portrait session for the Exile on Main St. album. Unlimited Graphix Series. Open edition...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in 2004. The character of Magdalena Peszkowska's works Series Stand is like an poetic archive of memories, which call for a classification and reconstruction of the time of childhood and the intense experience of time with everything around it. Gdansk - where the artist comes from - becomes a mythical place, This city, with a very strong symbolic potential inherent in its history, needs editing from a single point of view. Magdalena Peszkowska uses her own photos or those from the family album. She transfers them to gray field blankets and camp beds with her own secret technology Then she paints on the used objects. Many of her objects show figures from the closest circle of Peszkowska, often it is herself, her family or places close to her in Gdansk. Her objects have intentional signs of use. The field blankets have a sewn-in wooden bar to hang them on the wall. The field military beds...