Peter Gerakaris Art

The project Pink Freud and the Pleasant Horizon stems from Andre von Morisse’s interest in the powerful influence of Freud, Darwin, and Christ on ideas about psychological, scientific and spiritual motors of human life and on popular culture since the 20th century. The exhibition at ART 3 focuses on the impact of Sigmund Freud theories on contemporary society. Von Morisse is particularly concerned with the moment when society ceased to treat shared responsibilities and values as fundaments of its organization, and became atomized by bringing needs of the individual to the fore. A pivotal figure in this transition was Freud’s nephew, Edward Bernays (1891-1995). An American born in Vienna, he became the father of public relations. Bernays combined the psychoanalytical ideas of his uncle with theories of crowd psychology to pioneer the PR industry's use of social sciences to design public persuasion campaigns. He developed techniques of manipulating public opinion while serving Woodrow Wilson during WWI and later worked for the biggest US companies. He was the one responsible for the 1920s smoking campaign targeted at women. Born in Norway in an artistic family and educated in the US, von Morisse turns his acute insight rooted in the European tradition of intellectual irony to examination of American visual and popular culture. His imagery combines cartoon aesthetics with surrealism and pop-art, employing icons of mass culture and history of art for a playful exploration of the consumerist era. ABOUT ANDRE VON MORISSE ANDRE VON MORISSE (Norwegian, b. 1966 in Oslo, Norway, lives and works in the US) Von Morisse is a conceptual painter, interested in exploring aspects of human psychology and how we interact with the world. With his work End of a New Dawn, reviewed by Jonathan Goodman in Art in America (Oct. 2005, p.180), he was the Winner of the Best New Contemporary Artists Award 2005 at the Kunstnerenes Hus Museum in Oslo, Norway. End of a New Dawn explores relationship between painting and photography “reversing" the traditional roles of the two mediums by using paintings as the starting point for an elaborate and intricate photographic process. Andre von Morisse was born in Oslo, Norway in 1966 and came to America in 1978. In 1990, he graduated cum laude from the Art Center College of Design in Pasadena, CA and moved to New York in 1991. His works were featured in many group shows in galleries and museums in the US: Kunstnerenes Hus Oslo, Norway; The Gibbes Museum of Art, Charleston, SC; Mobile Museum of Art, Mobile, AL; Leigh Yawkey Woodson Art Museum, Wausau, WI; Museum of Southwest Texas, Midland, TX ; Art Museum of South Texas, Corpus Christi, TX. He had solo exhibitions with Silas Von Morisse Gallery (2016 & 2018), McKenzie Fine Art (2005 & 2003), and James Graham and Sons (2000, 1997) in New York, NY. His work was reviewed in: Artsy (2018), Artcritical (2018), Two Coats of Paint (2018), Artnet news (2017), The Vienna Psychoanalyst (2016), Photograph (2016), New York Times T Magazine (2014), ELLE Girl Japan (2014), Blouin Art Info (2014), Luxe Immo (2013), Art News (2007), The Morning News...

Bruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...

Water & Light are two main components that make the Greek landscape unique and irresistible. Greek painter Maria Filopoulou takes up these two clichés unashamedly and transforms thei...

Oil painting on Belgian linen canvas. Very layered with subtle colours showing the sunlight. It depicts the cast shadow of the Eiffel Tower on a sunny day and the people walking in t...

«Ta meg i mot» oil on canvas by Anastína Eyjólfsdóttir. A toppless woman equipped with blue boxing gloves poses by the shore. Behind her, the sky and small strip of sea create a bl...

Provenance: Ibid Projects Private collection, Los Angeles

Shit happens sometimes. In this piece, the artist wanted to create an unsettling and claustrophobic space where people feel most private and vulnerable. Inspired by artist Tala Madani, she created a cartoon figure to act as the voyeur, a bright and unwelcome disturbance that cannot be ignored. Samantha Van Heest...

In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

This painting was inspired by the artists very first toy, a small blue giraffe, given to her as a day-old baby. It is something that has been around her whole life, and even though it is inanimate, there is a feeling of personification through the years of wear. Her brother as a baby would call giraffes “fa,” which is always a sweet memory she associate with this toy. Samantha Van Heest...

Giorgi Qochiashvili's colourful world is impressive to say the least. Inspired by poetry, Japanese culture and films of Jim Jarmush, he creates massive paintings...

Ellipses plays with the nature of awkward interaction and subtle facial expressions. Is it all internal, or can awkwardness feel like a palpable and personified presence? Samantha Van Heest...

In our society where everything runs so fast, stopping to consume a painting forces us to stop and reflect on an idea or a problem and consequently helps us develop a capacity for se...