Peter Pálffy Paintings

I believe this work of Art would remind viewers about their warm childhood, give them a rekindled desire to live, and find comfort in the people surrounding them. We all need a reaso...

In the quest to find utopia, I realized the role of truth and honesty in society cannot be underemphasized. It takes a thousand lies to cover a truth and this could lead to damaging ...

Perception is a painting that addresses individual perceptions about herself and how others see her. The subject in this painting gazes directly at the viewer to have eye-to-eye contact for an engaging conversation. She poses confidently and is ready for a dialogue. The motifs and icons generated from peacock feathers are used to weave the subject to further show the dignity of the personality. In the background of the painting are African icons to highlight the background of the subject. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. About Artist Emmanuel Ibitoye hails from Aiyedun in the Oke-Ero Local Government Area of Kwara State Nigeria. He developed an interest in art right from primary school. He further fuelled his passion for art at Osi Central Secondary School, Osi. He proceeded to Osun State College of Education Ila-Orangun where he studied fine and Applied art from 2012 to 2015. He is an Art Educator and a multi-media painter who uses his art to address issues such as environmental decadence, culture, and racism. He believes that art is a tool that can be used to bring about environmental and human sanity, cultural integration, and the breaking of racial barriers. He uses his art to project the black race in a dignified manner, he is the exponent of Neo- black Renaissance Art...

Debra Benditz Texas Artist Size: 60 x 48 Frame: 68 x 56 Medium: Oil "My Horse is Faster than Yours" Cowgirl We will only ship in the Continental United State for posted shipping price. Debra Benditz Texas Artist Statement My oil paintings are a vibrant expression of the feminine and the can-do spirit of the Wild American West as embodied by my paternal grandmother and great-grandmother, both award-winning horsewomen. I use saturated colors, often found in nature, to interpret burgeoning growth, beauty and the human form especially of Jennie Pawson and Aeola Huston Mitchell, my cowgirl ancestors. I know these feisty women from stories I heard my father tell and from old photographs showing the time Jennie met Theodore Roosevelt, and another from 1901, when she was named a champion of the Cheyenne, Wyoming Frontier Days. As a child I spent hours on the floor of my grandfather’s music room as Enrico Caruso serenaded me from the Victrola. I gazed in awe at the tall bookcases, art-covered walls and my grandfather’s art nouveau postcard...

Jeanie Tomanek: I don’t intentionally set out to make a calming painting, no, but I do try to have a sense of hope in my stories. I’m an optimist who believes there’s always some way...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. Peop...

"4 Koi 22" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades o...

Walk. Oil on cardboard, 70, 5 x 65, 5 cm Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Sar...

"9 Koi 23 - 2" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shad...

"6.5 Koi 23" is a complex work of koi fish swimming underwater filled with light and brilliant color painted in a lush and fluid style bordering on abstraction. Fish are in shades...

Signed oil on canvas circa 1965 by French expressionist painter Andre Brasilier. The work depicts four military men in French naval uniform on black horses. A wonderful piece in the artist's distinctive style. Signature: Signed: Signed lower left Dimensions: Framed size: 28"x32" Unframed: 20"x24" Provenance: Private French collection André Brasilier was the son of the painter Jacques Brasilier. After studying in Saumur and St-Germain-en-Laye, he joined Brianchon's studio in 1949 at the École des Beaux-Arts in Paris. He was awarded the Prix Florence-Blumenthal in 1952 and the Grand Prix de Rome in 1953. He lived at the Villa de' Medicis from 1954 to 1957. He also received the Prix Charles-Morellet at the Salon de la Jeune Peinture in 1961 and the Prix de Villeneuve-sur-Lot in 1962. Brasilier's paintings are populated by beautiful, elegant women, respectable nudes and high-class gentlemen and are set in pleasant Val-de-Loire backgrounds, resplendent with landscapes and charming towns. Revealing the distant inspiration of Gauguin and the well-assimilated influence of certain other artists, Brasilier depicts a peaceful, comfortable world, free from care, in a very simple, stylish manner, with delicate harmonies bathed in accommodating sunlight. Brasilier took part in group exhibitions from 1956, including many in Paris: at the Salon de la Jeune Peinture; regularly at the Salon d'Automne; at the École de Paris exhibition at the Galerie Charpentier (1954-1957); at the Paris Biennale (1961 and 1963); and at the Salon Comparaisons (1961-1964). Mainly, however, he showed his work in solo exhibitions, including: at the Galerie Drouet in Paris (1959); at the Galerie Weil in Paris (1960 and 1964); at the David B. Finlay Gallery in New York (1962, 1971 and 1974); at the Atelier Mourlot in Paris (1964); at the Galerie Guiot in Paris (1967); at the Galerie de Paris (1969, 1972 and 1976); at the Yoshii Gallery in Tokyo (1969, 1974 and 1977); at the Galerie Matignon in Paris (1979); a first retrospective at the Château de Chenonceau in Paris (1980); at the Nichido Gallery in Tokyo (1983); a retrospective at the Musée Picasso in Antibes...

Late 20th century work on paper of a woman seated in a chair with a cat by French artist Armand Avril. Signed and dated bottom left. A vibrant and colourful depiction of a woman sea...