Pierre de Berroeta Art

Juanita Guccione (1904 - 1999) Study for Ladders, 1948 Gouache on paper 17 x 13 inches Signed lower left, dated, and inscribed “Study for Oil Painting...

A rare and museum-quality 1941 original by Charles Ragland Bunnell, 'Birth of Mind' represents one of the most intellectually and emotionally charged works from the artist’s pivotal ...

Marc Chagall (Liozna, Russian Empire, 1887 – Saint-Paul-de-Vence, France, 1985). Study for “Moïse brisant les Tables de la Loi”. 1955. India ink, wash and gouache on paper. 23 × ...

A Striking, Colorful 1940s Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "Wings", the artwork is watercolor, mixed medi...

Salvador Dali (1904-1989) - Hercules Subduing the Hydra Gouache and ballpoint pen from 1978. Dimensions of sheet: 56 x 38.3 cm Dimensions in frame: 86 x 68 cm Hand signed. This ...

A Striking, Colorful 1942 Modern Surrealist Abstraction by Notable New York Avant Garde Artist, Hannah Harari (Am. 1912-2000). Titled "The Baroque Portal", the artwork is mixed medi...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso Napoleon from the back, with King Henry VIII holding a pastry. titled: "...

Ink, Pencil and watercolor, signed and dated l.l. Size: 16 x 12 in. Frame Size: 30 x 25 in.

A 1959 black and white, Mid-Century, Surrealist watercolor on paper by artist Desmond McLean in a cerused black frame. Image size: 12" x 30". Framed size: 19 3/4" x 25 3/4". McL...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso Napoleon from the back, holding a heart. cut and pasted cardstock assemb...

Cobwebs and Rocks Watercolor, 1940 Signed, dated, and copyrighted lower right Exhibited: Zimmerli Art Museum, Benjamin Benno: Retrospective Exhibition, 1988 Illustrated: Gustafson, Zimmerli Museum: Benjamin Benno: Retrospective Exhibition, 1988 Color Plate 14 copy copy of the catalog accompanies the watercolor Condition: excellent Image size: 14 3/4 x 21 inches Provenance: Estate of the Artist Ruth O...

Frame size 76x78 cm. Free shipment worldwide. Acquired directly from the artist. Archive number (P90/41) “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...