Pierre Garcia Fons Paintings

Beautiful 1940's French post impressionist oil on board by Simon Simon-Auguste. The work depicts a simple bedroom interior with shoes, candle and a single picture on the wall. Signed lower left and presented in a swept impressionist style frame. Provenance: Chilham Castle, Kent Artist: Simon Simon-Auguste (French, 1909-1987) Title: Bedroom Interior Medium: Oil on board Size: 25.5 x 30.5 inches (65 x 77 cm) including frame Simon Joseph Simon-Auguste (20 April 1909 – May 1987) was a French artist, known for his intimate paintings, mainly portraits, nudes and still lifes. His production is characterized by a calm, intimate feel, and the effective use of glaze. Born in Marseille, Simon-Auguste was the son of Antonin Auguste, a cabinetmaker specialized in restoring furniture in the chateaux of the Provence. Simon studied at the École communale of his neighborhood at rue Eydoux, in Marseille, where he excelled in design. In 1931 Simon-Auguste finished his studies at the École des Beaux-Arts and won the Stanislas-Torrents award. He was commissioned to execute the mural decorations of the town hall in Allauch. He began exhibiting in Marseille where doctors and lawyers purchased his paintings. In 1932 he invested into a 6-month stay in Paris where he frequented the Louvre Museum and became specially interested in the Camondo Collection. At the invitation of art dealer Adolphe Basler, he took part in the Moins de trente ans exhibition, at the Galerie de Sèvres, along with Jacques Despierre, André Hambourg, Louis Dideron, Léon Couturier, among others. He presented a nude, a still life, and a view of the Jardin du Luxembourg. He also started dealing with Georges Petit and the Galerie Vildrac. In 1933 Simon-Auguste had his first solo exhibition at the Galerie Detailles, at the Canebière in Marseille which contributed to his success. He displayed 40 pieces (paintings, watercolours and sketches), mostly nudes and genre scenes. In 1934 he married a philosophy student who would become a journalist under the pseudonym of Michele Seurière. For his second solo exhibition at the Galerie Detailles a few landscapes and marines were added to his portfolio. During the 1930s Simon-Auguste explored subjects around nudes and landscapes. Later these evolved into children, still lifes and locals, full of intimacy and simplicity, which gained him a lot of recognition. Among these, we find La fillette au bol and Tête d'Enfant, which were purchased by the Musée Longchamp, Marseille. It was 1939 when he could afford to move to Paris. The family settled at 38 rue de Malte and Simon-Auguste started submitting his work to the Salon d'Automne, Salon des Peintres Témoins de Leur Temps, and other major exhibitions. At the outbreak of World War II, he was on holiday in Auvergne. In 1940, he was mobilized. Within two months he had to retreat to Ussel, forced by his ill health. In 1941 he reconverted a rented farm there into his atelier. Simon-Auguste returned to Paris after the Liberation in 1944, to take part for the first time in the Nationale with La Fillette aux Pommes. Up to 1947 Simon-Auguste signed his paintings with fountain pen ink. Afterwards, he used brush oil. He spent some Summer holidays in Villiers-sur-Morin in the late 1940s. In 1949 he traveled around Italy: Rome, Florence, Siena, San-Giminiano, Venice, Milan. In 1950 he was appointed member at the Salon d’Automne. This year he submitted Le Café du Commerce to the Grand Prix de la Peinture Contemporaine, at the Marsan Pavilion (Louvre Museum). He was amongst the 100 painters selected by the jury. Also in 1950 the city of Paris acquired his Marine de La Rochelle. The Musée du Château de Sceaux acquired Paysage de l'Ille-de-France. The French state acquired La Fillette à la lampe in 1952, Nature morte aux Bleuets in 1953, and Comme un Poisson dans l’Eau in 1955. In 1951 he contributed to an itinerant exhibition around Switzerland (Bern, Lausanne and Geneva) about Les fleurs et les fruits...

Angel Bertran Montserrat (1928-1994) - Marsh - Oil on canvas Oil measures 46x55 cm. Frameless. Precocious artist who from the early age of 15...

Rafael Duran Benet (1931-2015) - Palermo - Oil on canvas panel Oil measurements 33x41 cm. Frame size 42x50 cm. Rafael Duran Benet (Terrassa, 1931 - Barcelona, 2015) is a Catalan pai...

André HAMBOURG (1909-1999) Sur la plage, Trouville, 1952 Oil on canvas Painting dimensions: 27 x 35.5 cm Signed lower right Title on the back Painting in perfect condition Frame c...

Antique Horse Painting "Horse at Stable with Hay" Julius Paul Junghanns (German, 1876-1958) Oil on canvas on board (marouflé ) 20 1/4 x 14 (25 ...

Scottish Highland Seascape Shoreline Impasto Painting of An Teallach, Gruinard Bay, Wester Ross by Royal Society Artist, Sheila Macleod Robertson RSMA, SWA. Presented in a vintage wo...

Medieval Castle on a Cliff by the Sea on North Coast of Ireland by 20th Century Irish Artist, John Wright. An impressionistic impasto original oil painting of Dunce Castle, used in Game of Thrones. Art measures 24 x 18 inches Frame measures 34 x 28 inches This vibrant painting captures the dramatic beauty of a rugged coastal scene, dominated by an ancient castle perched atop a rocky cliff. The artist's dynamic brushwork and bold use of color bring the landscape to life, with the turquoise and blue hues of the sea contrasting against the warm, sunlit rocks and castle walls. The swirling water and textured rocks in the foreground add depth and movement, making the scene both captivating and lively. Encased in a classic gold-trimmed frame, this artwork is a striking piece that will add a touch of historical grandeur and natural beauty to any space. Dunluce Castle is a now-ruined medieval castle in Northern Ireland, the seat of Clan MacDonnell. It is located on the edge of a basalt outcropping in County Antrim and is accessible via a bridge connecting it to the mainland. The castle is surrounded by extremely steep drops on either side, which may have been an important factor to the early Christians and Vikings who were drawn to this place where an early Irish fort once stood. Dunluce is one of the most picturesque and romantic of Irish Castles. With evidence of settlement from the first millennium, the present castle ruins date mainly from the 16th and 17th Centuries. It was inhabited by both the feuding McQuillan and MacDonnell clans. Richard Óg de Burgh, 2nd Earl of Ulster, built the first castle at Dunluce, In the 13th century. The earliest features of the castle are two large drum towers about 9 metres (30 ft) in diameter on the eastern side, both relics of a stronghold built here by the McQuillans after they became lords of the "an Rúta" (territory) in the early 1500s. Later Dunluce Castle became the home of the chief of the Clan MacDonnell of Antrim and later John Mor MacDonald the 6th chief Clan Donald of Scotland. In 1584 with the passing off John Mor MacDonald, the Antrim Glens and Castle were seized by Sorley Boy MacDonnell, making it the seat again solely of the MacDonnell Clan. Sorley Boy took the castle, keeping it for himself and improving it in the Scottish style. Sorley Boy swore allegiance to the crown and his son Randal was made 1st Earl of Antrim by King James I. The Girona, a galleass (Ship) from the Spanish Armada, was wrecked in a storm on the rocks at Lacada Point on the night of 26 October 1588. Cannons from the ship were installed in the gatehouses and the rest of the cargo sold, funding restoration of the castle. Dunluce Castle served as the seat of the Earl of Antrim until the impoverishment of the MacDonnells in 1690, following the Battle of the Boyne...

André BARBIER (1883-1970) La Seine à Vétheuil Oil on canvas Dimensions of the painting: 60 x 81 cm Signed lower left Painting in perfect condition. Very beautiful carved and gild...

Vintage Still Life post impressionist oil painting on board of white flowers with yellow centres by French artist Auguste Denis-Brunaud (1903-1985). A mid-century pretty jewel like ...

Mid-Century Modern abstracted landscape of autumn trees lining a red brick pathway by Charles Fuhrman (American, 1940-1995), c.1960s. Signed "Fuhrman" lower left. Unframed. Image, 36...

The second work of the triptych “What about stereotypes? ” Female silhouette combined with flowers - a decorative subject - but with a deep concept, a series of paintings were prese...

Louis BONAMICI (1878-1966) Provence School Post Impressionist 1957 A delightful post Impressionist painting of a bouquet of spring flowers, signed and...