Prosper Lecourtier Sculptures

A rare model of what we believe is an adolescent turkey by the important American Animalier Sculptor, Albert Laessle. The dynamically modeled young bird is straining to scratch ...

19th century French bronze sculpture of a Classical Greek. This meticulously executed antique French bronze sculpture is of a handsome male figure holdi...

A small French 19th Century bronze statuette of a putti A small French bronze statuette of a putti playing the flute standing on a cl...

An impressive late 19th century French bronze study of a majestic bull with standing in a proud stance exhibiting excellent hand chased surface detail and fine rich brown patina. Rai...

This is a stunning pair of French fireplace bronze doré chenets from the 1800’s. Each chenet has a putto standing on a large cluster of curled acanthus leaves. Beneath the leaves are thick bases with cavetto molding adorned with a series of C-scrolls. Grapevines and wheat husks emanate upwards from the leaves, giving the chenets some additional height. One of the putti is pulling a grapevine over his shoulder, while the other one has a sickle in his hand. French chenets...

A magnificent late 19th century French bronze study of a large bull in a proud stance, the bronze exhibiting excellent hand chased surface detail and fine rich brown patina. Raised o...

A beautiful bronze female nude crafted in France during the 19th century. The composition is well balanced, the figure in a classic stance to show off the artist's ability to recreat...

Very fine mid-19th century French Animalier bronze study of a standing Setter with excellent hand chased surface detail and rich brown patination. Raised on a stepped naturalistic base, signed J Moigniez. Additional information: Height: 19 cm Width: 34 cm Condition: excellent original condition Circa: 1870 Materials: bronze Book reference: Les Animaliers by Jane Horswell Page no. 237 About Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Bronze Sculpture Mastiff Charles Valton Dog Bronze statue animalier Antiques . Signed and stamped . Valton was known for his big cats but probably his most ...

Cast in France during the 1800s, this patinated bronze bust depicts a woman soldier, based on the style of hair and the ceremonial accoutrement on the armor cuirass. Our stoic soldier has a four-petal flower adorning the breastplate (to the viewer’s left of the artist’s signature-Dubois). On each side of the flower is a dangling strap for the helmet that protects the heroine. At the top of the helmet is a mythical creature, resembling a dragon with a long three-prong tail, with the outer two tendrils curling along the sides of the helmet. A thick bun protrudes from the back of the open cabasset-style helmet. The style of the helmet is reminiscent of the 19th century Paul Dubois bronze...

19th Century French bronze statue of cupid captures the mischievous cherub just after letting his arrow fly. The classic pose inspired by ancient Greek and Roman statuary...

An absolutely charming Victorian novelty jewellery box made from very heavy cast brass and I think that the dog himself is Bronze, with traces of the o...