Raquel Sarangello Art

Ksenya Istomina 'Midday Nap' 60 x 80 cm ( Frame is included in price, size framed in a black frame form the pictures is: Oil on linen, framed Painted after life, the artist always ...

Baby ostrich bird portrait painting combining minimal surrealism, theatrical shadow and contemporary figurative art on linen canvas. Baby Ostrich is an original acrylic painting by Sofía Cristina Jiménez from her Nobody Puts Baby in a Corner series, a body of work exploring isolation, theatrical space, humor and visual ambiguity through simplified animal figures. Combining bird portraiture, minimal surrealist painting and carefully constructed light effects, the work transforms an apparently simple scene into a subtle meditation on presence and perception. At the center of the composition, a small blue ostrich occupies the corner of an undefined architectural space. The figure appears simultaneously vulnerable and self-possessed, creating a psychological tension that gives the painting much of its character. Rather than presenting a naturalistic environment, the artist constructs a stage-like setting where space remains deliberately unstable and open to interpretation. A defining element of the work is the dramatic projected shadow extending behind the figure. The shadow exceeds the apparent scale of the ostrich and becomes an active participant in the composition, suggesting an alternative presence, a hidden narrative or an amplified emotional state. This theatrical treatment of light introduces a surreal dimension while preserving the painting’s quiet and contemplative atmosphere. Throughout the Nobody Puts Baby in a Corner series, Sofía Cristina Jiménez uses isolated figures to explore ideas of vulnerability, displacement and symbolic identity. Humor and tenderness coexist with subtle psychological tension, allowing the works to operate on multiple levels simultaneously. The exposed linen surface remains visible throughout significant areas of the composition, contributing warmth, texture and material presence. The contrast between the raw support, muted background and concentrated blue figure creates a refined visual balance that reinforces the painting’s sculptural quality. Executed in acrylic on linen canvas, the work functions equally as a contemporary bird portrait, a minimal surrealist painting and a distinctive contemporary artwork for residential and design-focused interiors. Medium: Acrylic on linen canvas Series: Nobody Puts Baby in a Corner Condition: Excellent original condition Frame: Unframed Installation: Ready to hang Authenticity: Unique original artwork This work is particularly suited for collectors interested in ostrich paintings...

Balloon peacock portrait painting combining wildlife imagery, pop surrealist aesthetics and metallic inflatable surfaces on raw linen canvas. Lady Phasi II is an original acrylic pa...

Acrylic painting focusing on a partial, close-up view of an inflatable peacock figure, emphasizing gesture, construction lines, and the visibility of the raw linen support. This wor...

'Sugar Smacks and The Smackin' Brothers' by Leslie Lew is a sculpted oil on canvas painting with saturated colors of yellow, blue, red, purple, orange, white and black. Born in Ne...

Neon West Michael Blessing spent his formative years in rural Montana, surrounded by the land, the people, and the experiences that small town America provided. Early in his childho...

A colorful metallic seahorse floats above a coral reef in this vertical acrylic painting, contrasting brilliant orange and pink with deep ocean blue. Created by Spanish artist Sofía...

A unique, abstracted portrait oil painting on Belgian linen canvas, framed with a hand made gilded frame. Dimensions of 86.5 x 76.5 cm includes the size of the frame. Artwork size ex...

In Gift, Israel Agboola Oladapo continues his exploration of grace, self-possession, and identity through the poised presence of his sitter. Seated in profile against a vibrant plane...

A solitary figure, head bowed, stands in a field in contemplation of what has just taken place or what is about to take place. "A Great Battlefield" channels the spirit of Winslow Homer's war imagery, bringing it into the contemporary world, asking us to contemplate the decisions forced to be made in wartime, some of which will never leave us. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This piece is unframed. Please contact the gallery for framing options. A Great Battlefield oil on linen 60h x 35w in 152.40h x 88.90w cm WIL029 Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War reenactments, the reanimation of the past encourages a review of history and aids in its continuous revision. For his second exhibition with Gallery Victor Armendariz, William Blake presents A Great Battlefield, a collection of new paintings depicting US Marines...

In his very Californian settings, Marius Messinese creates an environment that is both synthetic and realistic, halfway between seduction and intrigue. At the crossroads of different...

Titre : Ambiance de rue Ivoirienne Dimension : 120/80cm Technique : Nattage sur toile